Rembrandt & Van Vliet PDF Download

Author: Christiaan Schuckman
Publisher: Museum Het Rembrandthuis Rembrandt Information Center
ISBN:
Category : Art
Languages : en
Pages : 140

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Author: David Bomford
Publisher: Yale University Press
ISBN: 9781857093568
Category : Art
Languages : en
Pages : 260

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Rembrandt (1606-1669) is generally regarded as the finest painter of the Dutch "Golden Age." This new edition of Art in the Making: Rembrandt (published on the 400th anniversary of the artist's birth) reexamines 21 paintings firmly attributed to Rembrandt and 6 now assigned to followers. It reassesses his technique, materials, and working methods in the light of significant scholarly developments over the last 20 years, addressing problems of attribution that were hardly touched on in the original, groundbreaking edition of 1988. Introductory essays by distinguished conservation, curatorial, and scientific specialists cover the artist's studio and working methods, the training of painters in 17th-century Holland, and Rembrandt's materials and technique. The essays are followed by handsomely illustrated catalogue entries on 27 paintings. A comprehensive bibliography provides a rich source of information about the practice of oil painting, not only for Rembrandt but for 17th-century Dutch painting in general.

Author: Stephanie Dickey
Publisher:
ISBN: 9789462984004
Category : Art
Languages : en
Pages : 0

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"This book owes its genesis to a series of conferences held in 2009, 2011, and 2013 at Queen's University's Bader International Study Centre at Herstmonceux Castle in East Sussex, UK." (Acknowledgements).

Author: Ernst van de Wetering
Publisher: Springer Science & Business Media
ISBN: 1402032803
Category : Art
Languages : en
Pages : 724

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Volume IV of A Corpus of Rembrandt Paintings deals uniquely with the self-portraits of Rembrandt. In a clearly written explanatory style the head of the Rembrandt Research Project and Editor of this Volume, Ernst van de Wetering, discusses the full body of work of paintings and etchings portraying Rembrandt. He sets the different parameters for accepting or rejecting a Rembrandt self-portrait as such, whilst also discussing the exact working environment of Rembrandt and his apprentices. This workshop setting created a surroundings where apprentices could be involved in working on Rembrandt paintings making it more difficult to determine the hand of the master. Van de Wetering, who is one of the Rembrandt experts of our day and age, goes down to great detail to explain how the different self-portraits are made and what techniques Rembrandt uses, also giving an overview of which paintings are to be attributed to the Dutch Master and which not. In the additional catalogue the self-portraits are examined in detail. In clear and accessible explanatory text the different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging like X-radiography. This work of art history and art research should be part of every serious art historical institute, university or museum. Nowhere in the art history have all Rembrandt’s self portraits been discussed in such detailed and comparative manner by an authority such as Ernst van de Wetering. This is a standard work for decades to come.

Author: Jaco Rutgers
Publisher: Yale University Press
ISBN: 0300234295
Category : Art
Languages : en
Pages : 185

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A compelling reconsideration of Rembrandt’s printed oeuvre based on new research into the artist’s life and work As a pioneering printmaker, Rembrandt van Rijn (1606–1669) stood apart from his contemporaries thanks to his innovative approach to composition and his skillful rendering of space and light. He worked with the medium as a vehicle for artistic expression and experimentation, causing many to proclaim him the greatest etcher of all time. Moreover, the dissemination of the artist’s prints outside of the Dutch Republic during his lifetime contributed greatly to establishing Rembrandt’s reputation throughout Europe. Sumptuously illustrated with comparative paintings and drawings as well as prints, this important volume draws on exciting new scholarship on Rembrandt's etchings. Authors Jaco Rutgers and Timothy J. Standring examine the artist’s prints from many angles. They reveal how Rembrandt intentionally varied the states of his etchings, printed them on exotic papers, and retouched prints by hand to create rarities for a clientele that valued unique impressions.

Author: Svetlana Alpers
Publisher: University of Chicago Press
ISBN: 0226015181
Category : Art
Languages : en
Pages : 294

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Drawing on and furthering the enterprise of Rembrandt scholars, who have been reinterpreting the artist and his work over the past 25 years, Alpers presents new considerations about Rembrandt's handling of paint, his theatrical approach to his models, his use of his studio as an environment under his control, and his relationship to those who bought his work. Her study is timely in light of recent research showing that well-known works attributed to Rembrandt are by followers instead. Alpers developed her text from a lecture series, and the prose gains readability by retaining some of the flavor of a talk. Still, this will find its audience chiefly among scholars and specialists in the field. Kathryn W. Finkelstein, M. Ln., Cincinnati Copyright 1988 Reed Business Information, Inc. -- From Library Journal.

Author: Charles Henry Middleton-Wake
Publisher:
ISBN:
Category : Etching
Languages : en
Pages : 438

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Author: Ernst van de Wetering
Publisher: Univ of California Press
ISBN: 0520290259
Category : Art
Languages : en
Pages : 348

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Throughout his life, Rembrandt van Rijn (1606-1669) was considered an exceptional artist by contemporary art lovers. In this highly original book, Ernst van de Wetering investigates why Rembrandt, from a very early age, was praised by high-placed connoisseurs like Constantijn Huygens. It turns out that Rembrandt, from his first endeavours in painting on, had embarked on a journey past all the 'foundations of the art of painting' which were considered essential in the seventeenth century. In his systematic exploration of these foundations, Rembrandt achieved mastery in all of them, thus becoming the 'pittore famoso' that count Cosimo the Medici visited at the end of his life. Rembrandt never stopped searching for ever better solutions to the pictorial problems he saw himself confronted with; this sometimes led to radical decisions and alterations in his way of working, which cannot simply be explained by attributing them to a 'change in style' or a 'natural development'. In a quest as rigorous and novel as Rembrandt's, Van de Wetering shows us how Rembrandt dealt with the foundations of his art and used them to try and become the best painter the world had ever seen. His book sheds new light both on Rembrandt's exceptional accomplishments and on the practice of painting in the Dutch Golden Age at large.

Author: Charles Henry Middleton- Wake
Publisher:
ISBN:
Category :
Languages : en
Pages : 80

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Author: Emile Michel
Publisher: London, Heinemann
ISBN:
Category : Rembrandt Harmenszoon VAN RIJN, 1606-1669
Languages : en
Pages : 524

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