Author: Bénigne de BacillyPublisher:
ISBN:
Category : Singing
Languages : fr
Pages : 466
Book Description
Remarques curieuses sur l'art de bien chanter, et particulierement pour ce qui regarde le chant françois (par le sieur B.D.B).
Author: Bénigne de BacillyPublisher:
ISBN:
Category : Singing
Languages : fr
Pages : 466
Book Description
Heinrich Schenker
Author: Publisher: Pendragon Press
ISBN: 9780918728999
Category : Music
Languages : en
Pages : 572
Book Description
Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.
Remarques curieuses sur l'art de bien chanter, et particulièrement pour ce qui regarde le chant françois
Author: B. D. B.Remarques curieuses sur l'art de bien chanter et particulièrement pour ce qui regarde le chant françois
Author: Bertrand de BacillyRemarques curieuses sur l'art de bien chanter, et particulierement pour ce qui regarde le chant françois
Author: Remarques curieuses sur l'art de bien chanter, et particulièrement pour ce qui regard le chant françois ... Par B.D.B. [i.e. Bénigne de Bacilly].
![Remarques curieuses sur l'art de bien chanter, et particulièrement pour ce qui regard le chant françois ... Par B.D.B. [i.e. Bénigne de Bacilly]. PDF](https://books.google.com/books/content/images/frontcover/3FtxtAEACAAJ?fife=w80-h100)
Author: Bénigne de BACILLYRemarques Curieuses Sur L'art de Bien Chanter, Et Particulièrement Pour Ce Qui Regard Le Chant François ... Par B.D.B. [i.e. Bénigne de Bacilly].
![Remarques Curieuses Sur L'art de Bien Chanter, Et Particulièrement Pour Ce Qui Regard Le Chant François ... Par B.D.B. [i.e. Bénigne de Bacilly]. PDF](https://books.google.com/books/content/images/frontcover/XmAdMwEACAAJ?fife=w80-h100)
Author: Bénigne de BACILLYRemarques curieuses sur l'art de bien chanter, et particulierement pour ce qui regarde le chant françois. Ouvrage fort utile à ceux qui aspirent à la methode de chanter, sur tout à bien prononcer les paroles avec toute la finesse & toute la force necessaire; & à bien observer la quantité des syllabes, & ne point confondre les longues & les brefves, suivant les regles qui en sont établies dans ce traité. Par B.D.B.
Author: Bénigne de BacillyEssays on the Performance of Baroque Music
Author: Mary CyrPublisher: Taylor & Francis
ISBN: 104023187X
Category : Music
Languages : en
Pages : 345
Book Description
In this collection of essays Mary Cyr explores some of the written and unwritten performance conventions that applied to French and English music of the 17th and early 18th centuries. Using composers' own notations, marks added by 18th-century performers, historical treatises, and pictorial evidence, she investigates both vocal and instrumental genres, including opera, cantatas, instrumental chamber music, and solo music for the viol and violin. Some of the performance conventions remain controversial, such as the use of gesture by the French opera chorus, and others are still little-known, such as the use of the double bass for rhythmic and harmonic support in early 18th-century French opera. As many of these essays demonstrate, French Baroque music allowed performers a wider latitude of nuance and expression than is often assumed today. The essays in this volume will be of particular interest to scholars and performers who are interested in adopting a historically-informed approach to performing music by Henry Purcell, Élisabeth-Claude Jacquet de La Guerre, Jean-Philippe Rameau, and their contemporaries. Several studies also deal with attributions, sources, and the discovery of a cantata by Rameau.
The Sixth Sense
Author: Robert FinchPublisher: University of Toronto Press
ISBN: 1487596928
Category : Literary Criticism
Languages : en
Pages : 422
Book Description
It has long been the custom to condemn eighteenth-century French poetry outright as generally unworthy of attention. However, in keeping with a recent change of attitude towards this vast and diverse body of literature, Professor Finch here undertakes to isolate a certain group of poets, belonging to the first half of the century, who may appropriately be called individualistes and who are in various ways characteristic of a definite and important trend of their time. The authors he has chosen were selected from the larger group of individualists because each provides, in addition to his poems, a complete statement of his own conception of poetry and of that conception which is common to the group as a whole. Since the works treated are comparatively unfamiliar the author has considered them from a historical and an analytical as well as a critical point of view. In addition he has devoted three special chapters to a literary historian (Evrard Titon du Tillet) and to three critical theorists (Jean-Baptiste Dubos, Yves-Marie André, and Charles Batteux) whose contemporary writings, while they may or may not have influenced the poets here examined, support, reflect, or confirm their ideas and practice. Texts of these poets are not easily available and the numerous representative quotations from the poems given in this book will be welcomed by the reader.