Author: Linda Alexander
Publisher: BearManor Media
ISBN: 9781593939687
Category : Biography & Autobiography
Languages : en
Pages : 444
Book Description
Robert Taylor was a reluctant, yet active, witness to history-Hollywood's, the country's, his own. He was dubbed "The Man With the Perfect Profile." Reluctant Witness: Robert Taylor, Hollywood & Communism goes inside the personality to find the flesh-and-blood man underneath. The actor's meteoric rise was credited to his "pretty boy" looks, an image encouraged by MGM when studios owned their actors and created public personas. This, coupled with the sheltered, almost emasculating childhood he had endured, created in him a survivor who rose above family, the studio system, Barbara Stanwyck, and, as what he considered to be a curse, one of the most beautiful male faces in Hollywood history. The book delves into his marriage to Barbara Stanwyck, as well as usually discreet, but intense, love affairs. Beauties such as Lana Turner, Ava Gardner, and Yvonne DeCarlo fell under his spell. Attention is paid to his second marriage to Ursula Thiess, which brought about his roles as father and husband. Robert Taylor finally found happiness. A reluctant witness to the Second World War and what led up to it, Robert Taylor was a staunch Conservative, subpoenaed before the 1947 House Un-American Activities Committee hearings on Communism in American Films. He enlisted in the Navy. Afterward, he returned to civilian life, Hollywood, and Barbara. He and his wife had changed. He became a reluctant witness to their relationship's deterioration. He watched Hollywood evolve, ultimately becoming the longest-running contract actor in film history. He was a reluctant witness to the dawn of television; initially he wanted none of it. When he realized he had to go along or by the wayside, he gave in. In later years, he was a reluctant witness again to ever-changing winds of politics. Friends and compatriots who shared his ultra-Conservative views wanted him to stand publicly for shared values. They saw him as the right leader to move their state forward. Yet he was reluctant. Robert Taylor's career spanned nearly the entire history of Hollywood, from early days to beyond the fall of the strict studio system. His life was the American dream, from naive, small-town Nebraska boy to a celluloid heartthrob known around the world. Reluctant Witness: Robert Taylor, Hollywood, & Communism tells it all."
Reluctant Witness: Robert Taylor, Hollywood & Communism
Author: Linda Alexander
Publisher: BearManor Media
ISBN: 9781593939687
Category : Biography & Autobiography
Languages : en
Pages : 444
Book Description
Robert Taylor was a reluctant, yet active, witness to history-Hollywood's, the country's, his own. He was dubbed "The Man With the Perfect Profile." Reluctant Witness: Robert Taylor, Hollywood & Communism goes inside the personality to find the flesh-and-blood man underneath. The actor's meteoric rise was credited to his "pretty boy" looks, an image encouraged by MGM when studios owned their actors and created public personas. This, coupled with the sheltered, almost emasculating childhood he had endured, created in him a survivor who rose above family, the studio system, Barbara Stanwyck, and, as what he considered to be a curse, one of the most beautiful male faces in Hollywood history. The book delves into his marriage to Barbara Stanwyck, as well as usually discreet, but intense, love affairs. Beauties such as Lana Turner, Ava Gardner, and Yvonne DeCarlo fell under his spell. Attention is paid to his second marriage to Ursula Thiess, which brought about his roles as father and husband. Robert Taylor finally found happiness. A reluctant witness to the Second World War and what led up to it, Robert Taylor was a staunch Conservative, subpoenaed before the 1947 House Un-American Activities Committee hearings on Communism in American Films. He enlisted in the Navy. Afterward, he returned to civilian life, Hollywood, and Barbara. He and his wife had changed. He became a reluctant witness to their relationship's deterioration. He watched Hollywood evolve, ultimately becoming the longest-running contract actor in film history. He was a reluctant witness to the dawn of television; initially he wanted none of it. When he realized he had to go along or by the wayside, he gave in. In later years, he was a reluctant witness again to ever-changing winds of politics. Friends and compatriots who shared his ultra-Conservative views wanted him to stand publicly for shared values. They saw him as the right leader to move their state forward. Yet he was reluctant. Robert Taylor's career spanned nearly the entire history of Hollywood, from early days to beyond the fall of the strict studio system. His life was the American dream, from naive, small-town Nebraska boy to a celluloid heartthrob known around the world. Reluctant Witness: Robert Taylor, Hollywood, & Communism tells it all."
Publisher: BearManor Media
ISBN: 9781593939687
Category : Biography & Autobiography
Languages : en
Pages : 444
Book Description
Robert Taylor was a reluctant, yet active, witness to history-Hollywood's, the country's, his own. He was dubbed "The Man With the Perfect Profile." Reluctant Witness: Robert Taylor, Hollywood & Communism goes inside the personality to find the flesh-and-blood man underneath. The actor's meteoric rise was credited to his "pretty boy" looks, an image encouraged by MGM when studios owned their actors and created public personas. This, coupled with the sheltered, almost emasculating childhood he had endured, created in him a survivor who rose above family, the studio system, Barbara Stanwyck, and, as what he considered to be a curse, one of the most beautiful male faces in Hollywood history. The book delves into his marriage to Barbara Stanwyck, as well as usually discreet, but intense, love affairs. Beauties such as Lana Turner, Ava Gardner, and Yvonne DeCarlo fell under his spell. Attention is paid to his second marriage to Ursula Thiess, which brought about his roles as father and husband. Robert Taylor finally found happiness. A reluctant witness to the Second World War and what led up to it, Robert Taylor was a staunch Conservative, subpoenaed before the 1947 House Un-American Activities Committee hearings on Communism in American Films. He enlisted in the Navy. Afterward, he returned to civilian life, Hollywood, and Barbara. He and his wife had changed. He became a reluctant witness to their relationship's deterioration. He watched Hollywood evolve, ultimately becoming the longest-running contract actor in film history. He was a reluctant witness to the dawn of television; initially he wanted none of it. When he realized he had to go along or by the wayside, he gave in. In later years, he was a reluctant witness again to ever-changing winds of politics. Friends and compatriots who shared his ultra-Conservative views wanted him to stand publicly for shared values. They saw him as the right leader to move their state forward. Yet he was reluctant. Robert Taylor's career spanned nearly the entire history of Hollywood, from early days to beyond the fall of the strict studio system. His life was the American dream, from naive, small-town Nebraska boy to a celluloid heartthrob known around the world. Reluctant Witness: Robert Taylor, Hollywood, & Communism tells it all."
Reluctant Witness
Author: Linda J. Alexander
Publisher:
ISBN: 9781934678633
Category : Anti-communist movements
Languages : en
Pages : 361
Book Description
Publisher:
ISBN: 9781934678633
Category : Anti-communist movements
Languages : en
Pages : 361
Book Description
Robert Taylor
Author: Charles Tranberg
Publisher:
ISBN: 9781593936150
Category : Biography & Autobiography
Languages : en
Pages : 404
Book Description
Robert Taylor was one of Hollywood's biggest stars for over thirty-years and starred in such classic films as Magnificent Obsession, Camille, A Yank at Oxford, Waterloo Bridge, Johnny Eager, Quo Vadis, Ivanhoe and The Last Hunt. He worked with the cream of Hollywood leading ladies: Irene Dunne, Joan Crawford, Greta Garbo, Vivien Leigh, Lana Turner, Katharine Hepburn and Barbara Stanwyck, who he later married, just to name a few. An open and friendly man who usually tried to avoid controversy, Taylor stepped into it when he became a so-called friendly witness appearing before the House Un-American Activities Committee during the height of the Washington investigations into alleged Communism in Hollywood. It has haunted his reputation to this day. A happy second marriage to actress Ursula Thiess produced two children and gave Taylor a contentment he lacked in his earlier marriage. Author Charles Tranberg takes a fresh look at the actor who was once called, "The man with the perfect profile." This book also takes a fascinating look at the Hollywood Studio system which existed during Taylor's hey-day.
Publisher:
ISBN: 9781593936150
Category : Biography & Autobiography
Languages : en
Pages : 404
Book Description
Robert Taylor was one of Hollywood's biggest stars for over thirty-years and starred in such classic films as Magnificent Obsession, Camille, A Yank at Oxford, Waterloo Bridge, Johnny Eager, Quo Vadis, Ivanhoe and The Last Hunt. He worked with the cream of Hollywood leading ladies: Irene Dunne, Joan Crawford, Greta Garbo, Vivien Leigh, Lana Turner, Katharine Hepburn and Barbara Stanwyck, who he later married, just to name a few. An open and friendly man who usually tried to avoid controversy, Taylor stepped into it when he became a so-called friendly witness appearing before the House Un-American Activities Committee during the height of the Washington investigations into alleged Communism in Hollywood. It has haunted his reputation to this day. A happy second marriage to actress Ursula Thiess produced two children and gave Taylor a contentment he lacked in his earlier marriage. Author Charles Tranberg takes a fresh look at the actor who was once called, "The man with the perfect profile." This book also takes a fascinating look at the Hollywood Studio system which existed during Taylor's hey-day.
When Hollywood Was Right
Author: Donald T. Critchlow
Publisher: Cambridge University Press
ISBN: 0521199182
Category : Biography & Autobiography
Languages : en
Pages : 237
Book Description
This book rediscovers the Hollywood Right, revealing how Hollywood Republicans remade America by successfully backing candidates such as Richard Nixon.
Publisher: Cambridge University Press
ISBN: 0521199182
Category : Biography & Autobiography
Languages : en
Pages : 237
Book Description
This book rediscovers the Hollywood Right, revealing how Hollywood Republicans remade America by successfully backing candidates such as Richard Nixon.
Robert Taylor
Author: Gillian Kelly
Publisher: Univ. Press of Mississippi
ISBN: 149682315X
Category : Performing Arts
Languages : en
Pages : 203
Book Description
Because of his lengthy screen resume that includes almost eighty appearances in such movies as Camille and Waterloo Bridge, as well as a marriage and divorce to actress Barbara Stanwyck, Robert Taylor was a central figure of Hollywood’s classical era. Despite this, he can be regarded as a “lost” star, an interesting contradiction given the continued success he enjoyed during his lifetime. In Robert Taylor: Male Beauty, Masculinity, and Stardom in Hollywood, author Gillian Kelly investigates the initial construction and subsequent developments of Taylor's star persona across his thirty-five-year career. By examining concepts of male beauty, men as object of the erotic gaze, white American masculinity, and the unusual longevity of a career initially based on looks, Kelly highlights how gender, masculinity, and male stars and the ageing process affected Taylor's career. Placing Taylor within the histories of both Hollywood’s classical era and mid-twentieth-century America, this study positions him firmly within the wider industrial, cultural, and socioeconomic contexts in which he worked. Kelly examines Taylor’s film and television work as well as ephemeral material, such as fan magazines, to assess how his on- and off-screen personas were created and developed over time. Taking a mostly chronological approach, Kelly places Taylor’s persona within specific historical moments in order to show the complex paradox of his image remaining consistently recognizable while also shifting seamlessly within the Hollywood industry. Furthermore, she explores Taylor’s importance to Hollywood cinema by demonstrating how a star persona like his can “fit” so well, and for so long, that it almost becomes invisible and, eventually, almost forgotten.
Publisher: Univ. Press of Mississippi
ISBN: 149682315X
Category : Performing Arts
Languages : en
Pages : 203
Book Description
Because of his lengthy screen resume that includes almost eighty appearances in such movies as Camille and Waterloo Bridge, as well as a marriage and divorce to actress Barbara Stanwyck, Robert Taylor was a central figure of Hollywood’s classical era. Despite this, he can be regarded as a “lost” star, an interesting contradiction given the continued success he enjoyed during his lifetime. In Robert Taylor: Male Beauty, Masculinity, and Stardom in Hollywood, author Gillian Kelly investigates the initial construction and subsequent developments of Taylor's star persona across his thirty-five-year career. By examining concepts of male beauty, men as object of the erotic gaze, white American masculinity, and the unusual longevity of a career initially based on looks, Kelly highlights how gender, masculinity, and male stars and the ageing process affected Taylor's career. Placing Taylor within the histories of both Hollywood’s classical era and mid-twentieth-century America, this study positions him firmly within the wider industrial, cultural, and socioeconomic contexts in which he worked. Kelly examines Taylor’s film and television work as well as ephemeral material, such as fan magazines, to assess how his on- and off-screen personas were created and developed over time. Taking a mostly chronological approach, Kelly places Taylor’s persona within specific historical moments in order to show the complex paradox of his image remaining consistently recognizable while also shifting seamlessly within the Hollywood industry. Furthermore, she explores Taylor’s importance to Hollywood cinema by demonstrating how a star persona like his can “fit” so well, and for so long, that it almost becomes invisible and, eventually, almost forgotten.
The Marxist and the Movies
Author: Larry Ceplair
Publisher: University Press of Kentucky
ISBN: 0813173000
Category : Biography & Autobiography
Languages : en
Pages : 350
Book Description
As part of its effort to expose Communist infiltration in the United States and eliminate Communist influence on movies, from 1947–1953 the House Committee on Un-American Activities subpoenaed hundreds of movie industry employees suspected of membership in the Communist Party. Most of them, including screenwriter Paul Jarrico (1915–1997), invoked the Fifth Amendment and refused to answer questions about their political associations. They were all blacklisted. In The Marxist and the Movies, Larry Ceplair narrates the life, movie career, and political activities of Jarrico, the recipient of an Oscar nomination for his screenplay for Tom, Dick and Harry (1941) and the producer of Salt of the Earth (1954), one of the most politically besieged films in the history of the United States. Though Jarrico did not reach the upper eschelon of screenwriting, he worked steadily in Hollywood until his blacklisting. He was one of the movie industry's most engaged Communists, working on behalf of dozens of social and political causes. Song of Russia (1944) was one of the few assignments that allowed him to express his political beliefs through his screenwriting craft. Though MGM planned the film as a conventional means of boosting domestic support for the USSR, a wartime ally of the United States, it came under attack by a host of anti-Communists. Jarrico fought the blacklist in many ways, and his greatest battle involved the making of Salt of the Earth. Jarrico, other blacklisted individuals, and the families of the miners who were the subject of the film created a landmark film in motion picture history. As did others on the blacklist, Jarrico decided that Europe offered a freer atmosphere than that of the cold war United States. Although he continued to support political causes while living abroad, he found it difficult to find remunerative black market screenwriting assignments. On the scripts he did complete, he had to use a pseudonym or allow the producers to give screen credit to others. Upon returning to the United States in 1977, he led the fight to restore screen credits to the blacklisted writers who, like himself, had been denied screen credit from the late 1940s to the mid-1960s. Despite all the obstacles he encountered, Jarrico never lost his faith in the progressive potential of movies and the possibility of a socialist future. The Marxist and the Movies details the relationship between a screenwriter’s work and his Communist beliefs. From Jarrico’s immense archive, interviews with him and those who knew him best, and a host of other sources, Ceplair has crafted an insider’s view of Paul Jarrico’s life and work, placing both in the context of U.S. cultural history.
Publisher: University Press of Kentucky
ISBN: 0813173000
Category : Biography & Autobiography
Languages : en
Pages : 350
Book Description
As part of its effort to expose Communist infiltration in the United States and eliminate Communist influence on movies, from 1947–1953 the House Committee on Un-American Activities subpoenaed hundreds of movie industry employees suspected of membership in the Communist Party. Most of them, including screenwriter Paul Jarrico (1915–1997), invoked the Fifth Amendment and refused to answer questions about their political associations. They were all blacklisted. In The Marxist and the Movies, Larry Ceplair narrates the life, movie career, and political activities of Jarrico, the recipient of an Oscar nomination for his screenplay for Tom, Dick and Harry (1941) and the producer of Salt of the Earth (1954), one of the most politically besieged films in the history of the United States. Though Jarrico did not reach the upper eschelon of screenwriting, he worked steadily in Hollywood until his blacklisting. He was one of the movie industry's most engaged Communists, working on behalf of dozens of social and political causes. Song of Russia (1944) was one of the few assignments that allowed him to express his political beliefs through his screenwriting craft. Though MGM planned the film as a conventional means of boosting domestic support for the USSR, a wartime ally of the United States, it came under attack by a host of anti-Communists. Jarrico fought the blacklist in many ways, and his greatest battle involved the making of Salt of the Earth. Jarrico, other blacklisted individuals, and the families of the miners who were the subject of the film created a landmark film in motion picture history. As did others on the blacklist, Jarrico decided that Europe offered a freer atmosphere than that of the cold war United States. Although he continued to support political causes while living abroad, he found it difficult to find remunerative black market screenwriting assignments. On the scripts he did complete, he had to use a pseudonym or allow the producers to give screen credit to others. Upon returning to the United States in 1977, he led the fight to restore screen credits to the blacklisted writers who, like himself, had been denied screen credit from the late 1940s to the mid-1960s. Despite all the obstacles he encountered, Jarrico never lost his faith in the progressive potential of movies and the possibility of a socialist future. The Marxist and the Movies details the relationship between a screenwriter’s work and his Communist beliefs. From Jarrico’s immense archive, interviews with him and those who knew him best, and a host of other sources, Ceplair has crafted an insider’s view of Paul Jarrico’s life and work, placing both in the context of U.S. cultural history.
The Hollywood Motion Picture Blacklist
Author: Larry Ceplair
Publisher: University Press of Kentucky
ISBN: 081319590X
Category : Performing Arts
Languages : en
Pages : 271
Book Description
Seventy-five years ago, the Hollywood blacklist ruined lives, stifled creativity, and sent waves of proscription and censorship throughout United States culture. When the Hollywood Ten refused to answer the questions of the House Committee on Un-American Activities about their membership in the Communist Party, they were sentenced to prison, the five who were under contract were fired by their studios, and all were blacklisted from reemployment until they "purged themselves of their communist taint." By the 1950s, this blacklist publicly stigmatized nearly three hundred other Americans in the entertainment industry who invoked the First and Fifth Amendments in their refusal to apologize for their Communist ties or provide the names of other members. Dozens of others were graylisted as the result of rumors. The Hollywood Motion Picture Blacklist: Seventy-Five Years Later offers new insights on the origins of the blacklist, the characteristics of those blacklisted, and the probability of future proscriptions of the blacklist type. Author Larry Ceplair draws on previously published work while introducing new material to vigorously recount the events that took place between the US government, Hollywood unions, and motion picture studios. Ceplair thoroughly examines the role of Jewish identity in many anti-communist efforts—a concept that has never been fully examined by scholars—and analyzes the actions of subpoenaed witnesses who were forced to choose between cooperating with the House Committee or joining the blacklist. This fascinating book is an illuminating examination of a dark period in American history and the fragility of our rights to free speech and due process.
Publisher: University Press of Kentucky
ISBN: 081319590X
Category : Performing Arts
Languages : en
Pages : 271
Book Description
Seventy-five years ago, the Hollywood blacklist ruined lives, stifled creativity, and sent waves of proscription and censorship throughout United States culture. When the Hollywood Ten refused to answer the questions of the House Committee on Un-American Activities about their membership in the Communist Party, they were sentenced to prison, the five who were under contract were fired by their studios, and all were blacklisted from reemployment until they "purged themselves of their communist taint." By the 1950s, this blacklist publicly stigmatized nearly three hundred other Americans in the entertainment industry who invoked the First and Fifth Amendments in their refusal to apologize for their Communist ties or provide the names of other members. Dozens of others were graylisted as the result of rumors. The Hollywood Motion Picture Blacklist: Seventy-Five Years Later offers new insights on the origins of the blacklist, the characteristics of those blacklisted, and the probability of future proscriptions of the blacklist type. Author Larry Ceplair draws on previously published work while introducing new material to vigorously recount the events that took place between the US government, Hollywood unions, and motion picture studios. Ceplair thoroughly examines the role of Jewish identity in many anti-communist efforts—a concept that has never been fully examined by scholars—and analyzes the actions of subpoenaed witnesses who were forced to choose between cooperating with the House Committee or joining the blacklist. This fascinating book is an illuminating examination of a dark period in American history and the fragility of our rights to free speech and due process.
She Damn Near Ran the Studio
Author: Jacqueline R. Braitman
Publisher: Univ. Press of Mississippi
ISBN: 1496830385
Category : Biography & Autobiography
Languages : en
Pages : 352
Book Description
Best known as the woman who “ran MGM,” Ida R. Koverman (1876–1954) served as talent scout, mentor, executive secretary, and confidant to American movie mogul Louis B. Mayer for twenty-five years. She Damn Near Ran the Studio: The Extraordinary Lives of Ida R. Koverman is the first full account of Koverman’s life and the true story of how she became a formidable politico and a creative powerhouse during Hollywood’s Golden Era. For nearly a century, Koverman’s legacy has largely rested on a mythical narrative while her more fascinating true-life story has remained an enduring mystery—until now. This story begins with Koverman’s early years in Ohio and the sensational national scandal that forced her escape to New York where she created a new identity and became a leader among a community of women. Her second incarnation came in California where she established herself as a hardcore political operative challenging the state’s progressive impulse. During the Roaring Twenties, she was a key architect of the Southland’s conservative female-centric partisan network that refashioned the course of state and national politics and put Herbert Hoover in the White House. As “the political boss of Los Angeles County,” she was the premiere matchmaker in the courtship between Hollywood and national partisan politics, which, as Mayer’s executive secretary, was epitomized by her third incarnation as “one of the most formidable women in Hollywood,” whose unparalleled power emanated from her unique perch inside the executive suite of Metro-Goldwyn-Mayer. Free to adapt her managerial skills and political know-how on behalf of the studio, she quickly drew upon her artistic sensibilities as a talent scout, expanding MGM’s catalog of stars and her own influence on American popular culture. Recognized as “one of the invisible power centers in both MGM and the city of Los Angeles,” she nurtured the city’s burgeoning performing arts by fostering music and musicians and the public financing of them. As the “lioness” of MGM royalty, Ida Koverman was not just a naturalized citizen of the Hollywood kingdom; at times during her long reign, she “damn near ran the studio.”
Publisher: Univ. Press of Mississippi
ISBN: 1496830385
Category : Biography & Autobiography
Languages : en
Pages : 352
Book Description
Best known as the woman who “ran MGM,” Ida R. Koverman (1876–1954) served as talent scout, mentor, executive secretary, and confidant to American movie mogul Louis B. Mayer for twenty-five years. She Damn Near Ran the Studio: The Extraordinary Lives of Ida R. Koverman is the first full account of Koverman’s life and the true story of how she became a formidable politico and a creative powerhouse during Hollywood’s Golden Era. For nearly a century, Koverman’s legacy has largely rested on a mythical narrative while her more fascinating true-life story has remained an enduring mystery—until now. This story begins with Koverman’s early years in Ohio and the sensational national scandal that forced her escape to New York where she created a new identity and became a leader among a community of women. Her second incarnation came in California where she established herself as a hardcore political operative challenging the state’s progressive impulse. During the Roaring Twenties, she was a key architect of the Southland’s conservative female-centric partisan network that refashioned the course of state and national politics and put Herbert Hoover in the White House. As “the political boss of Los Angeles County,” she was the premiere matchmaker in the courtship between Hollywood and national partisan politics, which, as Mayer’s executive secretary, was epitomized by her third incarnation as “one of the most formidable women in Hollywood,” whose unparalleled power emanated from her unique perch inside the executive suite of Metro-Goldwyn-Mayer. Free to adapt her managerial skills and political know-how on behalf of the studio, she quickly drew upon her artistic sensibilities as a talent scout, expanding MGM’s catalog of stars and her own influence on American popular culture. Recognized as “one of the invisible power centers in both MGM and the city of Los Angeles,” she nurtured the city’s burgeoning performing arts by fostering music and musicians and the public financing of them. As the “lioness” of MGM royalty, Ida Koverman was not just a naturalized citizen of the Hollywood kingdom; at times during her long reign, she “damn near ran the studio.”
Hearings Regarding the Communist Infiltration of the Motion Picture Industry
Author: United States. Congress. House. Committee on Un-American Activities
Publisher:
ISBN:
Category : Communism
Languages : en
Pages : 566
Book Description
Publisher:
ISBN:
Category : Communism
Languages : en
Pages : 566
Book Description
Rats Saw God
Author: Rob Thomas
Publisher: Simon and Schuster
ISBN: 1439115362
Category : Young Adult Fiction
Languages : en
Pages : 218
Book Description
Steve details his descent from bright star to burnout in this newly repackaged edition of the definitive, highly acclaimed novel from the creator of Veronica Mars and Party Down. Houston, sophomore year: Steve is on top of the world. He and his friends are the talk of the school. He’s in love with a terrific girl. He can even deal with “the astronaut”—a world-famous hero who happens to be his father. San Diego, senior year: Steve is bummed out, drugged out, flunking out. A no-nonsense counselor says he can graduate if he writes a 100-page paper. So Steve starts writing, and as the paper becomes more and more personal, he reveals how a National Merit Scholar has become an under-achieving stoner. And in telling how he got to where he is, Steve discovers how to get to where he wants to be.
Publisher: Simon and Schuster
ISBN: 1439115362
Category : Young Adult Fiction
Languages : en
Pages : 218
Book Description
Steve details his descent from bright star to burnout in this newly repackaged edition of the definitive, highly acclaimed novel from the creator of Veronica Mars and Party Down. Houston, sophomore year: Steve is on top of the world. He and his friends are the talk of the school. He’s in love with a terrific girl. He can even deal with “the astronaut”—a world-famous hero who happens to be his father. San Diego, senior year: Steve is bummed out, drugged out, flunking out. A no-nonsense counselor says he can graduate if he writes a 100-page paper. So Steve starts writing, and as the paper becomes more and more personal, he reveals how a National Merit Scholar has become an under-achieving stoner. And in telling how he got to where he is, Steve discovers how to get to where he wants to be.