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Author: Lance Gharavi Publisher: Routledge ISBN: 1136483403 Category : Performing Arts Languages : en Pages : 279
Book Description
The intersections of religion, politics, and performance form the loci of many of the most serious issues facing the world today, sites where some of the world’s most pressing and momentous events are contested and played out. That this circumstance warrants continued, thoughtful, and imaginative engagement from those within the fields of theatre and performance is one of the guiding principles of this volume. This collection features a diverse set of perspectives, written by some of the top scholars in the relevant fields, on the many modern intersections of religion with theatre and performance. Contributors argue that religion can no longer be conceived of as a cultural phenomenon that is safely sequestered in the "private sphere." It is instead an explicitly public force that stimulates and complicates public actions, and thus a crucial component of much performance. From mystic theologies of acting to the neuroscience of spirituality in rituals to the performance of secularism, these essays address a broad variety of religious traditions, sharing a common conception of religion as a crucial object of discourse—one that is formed by, and significantly formative of, performance.
Author: Lance Gharavi Publisher: Routledge ISBN: 1136483403 Category : Performing Arts Languages : en Pages : 279
Book Description
The intersections of religion, politics, and performance form the loci of many of the most serious issues facing the world today, sites where some of the world’s most pressing and momentous events are contested and played out. That this circumstance warrants continued, thoughtful, and imaginative engagement from those within the fields of theatre and performance is one of the guiding principles of this volume. This collection features a diverse set of perspectives, written by some of the top scholars in the relevant fields, on the many modern intersections of religion with theatre and performance. Contributors argue that religion can no longer be conceived of as a cultural phenomenon that is safely sequestered in the "private sphere." It is instead an explicitly public force that stimulates and complicates public actions, and thus a crucial component of much performance. From mystic theologies of acting to the neuroscience of spirituality in rituals to the performance of secularism, these essays address a broad variety of religious traditions, sharing a common conception of religion as a crucial object of discourse—one that is formed by, and significantly formative of, performance.
Author: Marvin Carlson Publisher: Oxford University Press, USA ISBN: 0199669821 Category : Performing Arts Languages : en Pages : 153
Book Description
Theatre is one of the longest-standing art forms of modern civilization. Taking a global look at how various forms of theatre - including puppetry, dance, and mime - have been interpreted and enjoyed, this book explores all aspects of the theatre, including its relationship with religion, literature, and its value worldwide.
Author: David V. Mason Publisher: Routledge ISBN: 1351785826 Category : Religion Languages : en Pages : 302
Book Description
Religious practitioners and theatregoers have much in common. So much, in fact, that we can say that religion is often a theatrical phenomenon, and that theatre can be a religious experience. By examining the phenomenology of religion, we can in turn develop a better understanding of the phenomenology of theatre. That is to say, religion can show us the ways in which theatre is not fake. This study explores the overlap of religion and theatre, especially in the crucial area of experience and personal identity. Reconsidering ideas from ancient Greece, premodern India, modern Europe, and the recent century, it argues that religious adherents and theatre audiences are largely, themselves, the mechanisms of their experiences. By examining the development of the philosophy of theatre alongside theories of religious action, this book shows how we need to adjust our views of both. Featuring attention to influential notions from Plato and Aristotle, from the Natyashastra, from Schleiermacher to Sartre, Bourdieu, and Butler, and considering contemporary theories of performance and ritual, this is vital reading for any scholar in religious studies, theatre and performance studies, theology, or philosophy.
Author: Catharine Christof Publisher: Taylor & Francis ISBN: 1351854623 Category : Art Languages : en Pages : 248
Book Description
This book opens a new interdisciplinary frontier between religion and theatre studies to illuminate what has been seen as the religious or spiritual nature of Polish theatre director Jerzy Grotowski’s work.The central argument is that through an embodied, materialist approach to religion, and through a critical reading of the concepts of the New Age, a new understanding of Grotowski and religion can be developed. This is a vital reference for academics in both Religion and Theatre Studies that have an interest in the spiritual aspects of Grotowski’s work.
Author: Cia Sautter Publisher: Taylor & Francis ISBN: 1351999575 Category : Art Languages : en Pages : 196
Book Description
This book explores how religious values are acted out and reflected on in classic Western theatre, with a particular emphasis on the plays put on during the Globe Theatre‘s yearlong season of 'Shakespeare and the Bible'. Each chapter includes ethnographic overviews of the performance of these plays as well as historical and theological perspectives on the issues they address. The Performance of Religion treads new ground in bringing performance and religious studies scholarship into direct conversation with one another. As such, it is essential reading for any academic with an interest in theology, religion and ethics and their expression in culture through the performing arts.
Author: Victoria Rue Publisher: Wipf and Stock Publishers ISBN: 160899211X Category : Religion Languages : en Pages : 173
Book Description
My passion is embodied learning. Through twenty-five years of teaching, I've learned that students engage with material best when their bodies are active participants in the learning process. I have found this to be particularly true in teaching religious studies and theology. --from the Introduction People are torn by conflict, fractured by cultural, religious, racial, and economic divides. Religion has often been a prime motivator for this violence. Classrooms must be places in which we learn to hold differences and commonalities. Classrooms are opportunities to rehearse, to practice, how we want to live with one another. Religions, says Rue, are more than ideas: they are lived, enacted by human beings in particular ways. And courses in religion need more than a cognitive understanding of central concepts. Rue asserts that students need to viscerally encounter belief, religious practice, religious imagination, and religious experience. Acting Religious, a practical handbook, maps a new approach that uses theatre to teach religion. For many years, Rue has used theatre techniques and plays to introduce students to what she calls the experience of religion, showing how theatre makes theological ideas palatable, visceral, and available. Acting Religious is at once a call to experience meaning and a theatre method to embody it. Experienced and beginning teachers at both college and high school levels, as well as religious educators, will learn how to use the following techniques in the religion or theology classroom: improvisation, characterization, memorization, script writing, performance. From these methods, students will be able to engage religious traditions experientially as well as cognitively.
Author: Jeanne Halgren Kilde Publisher: Oxford University Press, USA ISBN: 9780195179729 Category : Architecture Languages : en Pages : 330
Book Description
In the 1880s, socio-economic and technological changes in the United States contributed to the rejection of Christian architectural traditions and the development of the radically new auditorium church. Jeanne Kilde links this shift in evangelical Protestant architecture to changes in worship style and religious mission.
Author: M. L.Varadpande Publisher: Abhinav Publications ISBN: 9788170171645 Category : Languages : en Pages : 124
Book Description
This Relationship Starts From Ancient Magico-Religious Rituals And Continues Through Ages Right Upto Present Times. In This Long History We Find Different Religions Adopting Different Attitude Towards Theatrical Arts. In Many Cases Theatre Became A Most Powerful Medium Of Propagation Of Religious Creeds. It Was Considered That The Best Way To Appeasse God Is To Offer Him Theatricals. Beautiful Maidens Were Consecrated To The Temples To Serve The Deities By Entertaining Them With Songs, Music, Dance And Drama. One Time The Magnificent Temple Of Brihadeshvara Had In Its Service Four Hundred Devadasis Skilled In Theatrical Arts. Advent Of Bhakti Movement In India Gave New Impetus To The Theatrical Arts In India. Various Theatrical Forms Purported To Depict Leelas Or Divine Acts Of Various Deities Emerged All Over The Country. Grants Were Made To Temples And Religious Establishments To Sustain Theatrical Activities. The Book Gives All Interesting Information About Various Facets Of Theatre-Religion Relationship. The Author, Known For His Erudite Scholarship, Examines Minutely Various Evidences Including Ancient Cave Paintings, Folk And Tribal Rituals, Inscriptions, Religious Scriptures And Theatrical Forms Themselves. The Book Is Must For The Serious Students Of Indology And Indian Theatre.
Author: Walter Brueggemann Publisher: Fortress Press ISBN: 9780800632878 Category : Religion Languages : en Pages : 180
Book Description
In this challenging and enlightening treatment, Brueggemann traces the lines from the radical vision of Moses to the solidification of royal power in Solomon to the prophetic critique of that power with a new vision of freedom in the prophets. Here he traces the broad sweep from Exodus to Kings to Jeremiah to Jesus. He highlights that the prophetic vision and not only embraces the pain of the people but creates an energy and amazement based on the new thing that God is doing. In this new edition, Brueggemann has completely revised the text, updated the notes, and added a new preface.
Author: D. Mason Publisher: Springer ISBN: 0230621589 Category : Performing Arts Languages : en Pages : 200
Book Description
Theatre and Religion on Krishna s Stage examines the history and form of India's râs lila folk theatre, and discusses how this theatre functions as a mechanism of worship and spirituality among Krishna devotees in India. From analyses of performances and conversations with performers, audience, and local scholars, Mason argues that râs lila actors and audience alike actively assume roles that locate them together in the spiritual reality that the play represents. Correlating Krishna devotion and theories of religious experience, this book suggests that the emotional experience of theatrical fiction may arise from the propensity of audiences to play out roles of their own through which they share a performance's reality.
Author: Lance Gharavi
Author: Lance Gharavi
Author: Marvin Carlson
Author: David V. Mason
Author: Catharine Christof
Author: Cia Sautter
Author: Victoria Rue
Author: Jeanne Halgren Kilde
Author: M. L.Varadpande
Author: Walter Brueggemann
Author: D. Mason