Author: Bluma Goldstein
Publisher: Harvard University Press
ISBN: 9780674754065
Category : German literature
Languages : en
Pages : 236
Book Description
Examines problems of German-Jewish and Austrian-Jewish identity through analysis of the figure of Moses in the works of Heine, Kafka, Freud, and Schoenberg. Discusses the view of Moses as the liberator of oppressed Jewry on the background of antisemitism in 19th-20th century Europe. See especially pp. 69-77, "Freud and Antisemitism".
Reinscribing Moses
Author: Bluma Goldstein
Publisher: Harvard University Press
ISBN: 9780674754065
Category : German literature
Languages : en
Pages : 236
Book Description
Examines problems of German-Jewish and Austrian-Jewish identity through analysis of the figure of Moses in the works of Heine, Kafka, Freud, and Schoenberg. Discusses the view of Moses as the liberator of oppressed Jewry on the background of antisemitism in 19th-20th century Europe. See especially pp. 69-77, "Freud and Antisemitism".
Publisher: Harvard University Press
ISBN: 9780674754065
Category : German literature
Languages : en
Pages : 236
Book Description
Examines problems of German-Jewish and Austrian-Jewish identity through analysis of the figure of Moses in the works of Heine, Kafka, Freud, and Schoenberg. Discusses the view of Moses as the liberator of oppressed Jewry on the background of antisemitism in 19th-20th century Europe. See especially pp. 69-77, "Freud and Antisemitism".
Moses the Egyptian
Author: Jan Assmann
Publisher: Harvard University Press
ISBN: 067426150X
Category : Religion
Languages : en
Pages : 292
Book Description
Standing at the very foundation of monotheism, and so of Western culture, Moses is a figure not of history, but of memory. As such, he is the quintessential subject for the innovative historiography Jan Assmann both defines and practices in this work, the study of historical memory--a study, in this case, of the ways in which factual and fictional events and characters are stored in religious beliefs and transformed in their philosophical justification, literary reinterpretation, philological restitution (or falsification), and psychoanalytic demystification. To account for the complexities of the foundational event through which monotheism was established, Moses the Egyptian goes back to the short-lived monotheistic revolution of the Egyptian king Akhenaten (1360-1340 B.C.E.). Assmann traces the monotheism of Moses to this source, then shows how his followers denied the Egyptians any part in the origin of their beliefs and condemned them as polytheistic idolaters. Thus began the cycle in which every "counter-religion," by establishing itself as truth, denounced all others as false. Assmann reconstructs this cycle as a pattern of historical abuse, and tracks its permutations from ancient sources, including the Bible, through Renaissance debates over the basis of religion to Sigmund Freud's Moses and Monotheism. One of the great Egyptologists of our time, and an exceptional scholar of history and literature, Assmann is uniquely equipped for this undertaking--an exemplary case study of the vicissitudes of historical memory that is also a compelling lesson in the fluidity of cultural identity and beliefs.
Publisher: Harvard University Press
ISBN: 067426150X
Category : Religion
Languages : en
Pages : 292
Book Description
Standing at the very foundation of monotheism, and so of Western culture, Moses is a figure not of history, but of memory. As such, he is the quintessential subject for the innovative historiography Jan Assmann both defines and practices in this work, the study of historical memory--a study, in this case, of the ways in which factual and fictional events and characters are stored in religious beliefs and transformed in their philosophical justification, literary reinterpretation, philological restitution (or falsification), and psychoanalytic demystification. To account for the complexities of the foundational event through which monotheism was established, Moses the Egyptian goes back to the short-lived monotheistic revolution of the Egyptian king Akhenaten (1360-1340 B.C.E.). Assmann traces the monotheism of Moses to this source, then shows how his followers denied the Egyptians any part in the origin of their beliefs and condemned them as polytheistic idolaters. Thus began the cycle in which every "counter-religion," by establishing itself as truth, denounced all others as false. Assmann reconstructs this cycle as a pattern of historical abuse, and tracks its permutations from ancient sources, including the Bible, through Renaissance debates over the basis of religion to Sigmund Freud's Moses and Monotheism. One of the great Egyptologists of our time, and an exceptional scholar of history and literature, Assmann is uniquely equipped for this undertaking--an exemplary case study of the vicissitudes of historical memory that is also a compelling lesson in the fluidity of cultural identity and beliefs.
Reinscribing Moses
Author: Bluma Goldstein
Publisher:
ISBN: 9780674754065
Category : Electronic journals
Languages : en
Pages : 218
Book Description
Publisher:
ISBN: 9780674754065
Category : Electronic journals
Languages : en
Pages : 218
Book Description
Moses in America
Author: Melanie Jane Wright
Publisher: Oxford University Press, USA
ISBN: 0195152263
Category : Bible
Languages : en
Pages : 181
Book Description
This book explores the retelling of the life of Moses in three 20th-century American narratives: Moses in Red, by Lincoln Steffens; Moses, Man of the Mountain, by Zora Neale Hurston; and Cecil B. DeMille's film, The Ten Commandments. Wright's analysis reveals that the figure of Moses has strong currency in American culture at many levels.
Publisher: Oxford University Press, USA
ISBN: 0195152263
Category : Bible
Languages : en
Pages : 181
Book Description
This book explores the retelling of the life of Moses in three 20th-century American narratives: Moses in Red, by Lincoln Steffens; Moses, Man of the Mountain, by Zora Neale Hurston; and Cecil B. DeMille's film, The Ten Commandments. Wright's analysis reveals that the figure of Moses has strong currency in American culture at many levels.
Uses and Abuses of Moses
Author: Theodore Ziolkowski
Publisher: University of Notre Dame Pess
ISBN: 0268098557
Category : Literary Criticism
Languages : en
Pages : 364
Book Description
In Uses and Abuses of Moses, Theodore Ziolkowski surveys the major literary treatments of the biblical figure of Moses since the Enlightenment. Beginning with the influential treatments by Schiller and Goethe, for whom Moses was, respectively, a member of a mystery cult and a violent murderer, Ziolkowski examines an impressive array of dramas, poems, operas, novels, and films to show the many ways in which the charismatic figure of Moses has been exploited—the “uses and abuses” of the title—to serve a variety of ideological and cultural purposes. Ziolkowski’s wide-ranging and in-depth study compares and analyzes the attempts by nearly one hundred writers to fill in the gaps in the biblical account of Moses’ life and to explain his motivation as a leader, lawgiver, and prophet. As Ziolkowski richly demonstrates, Moses’ image has been affected by historical factors such as the Egyptomania of the 1820s, the revolutionary movements of the mid-nineteenth century, the early move toward black liberation in the United States, and critical biblical scholarship of the late nineteenth century before, in the twentieth century, being appropriated by Marxists, Socialists, Nazis, and Freudians. The majority of the works studied are by Austro-German and Anglo-American writers, but Ziolkowski also includes significant examples of works from Hungary, Sweden, Norway, the Ukraine, Denmark, the Netherlands, Italy, and France. The figure of Moses becomes an animate seismograph, in Ziolkowski’s words, through whose literary reception we can trace many of the shifts in the cultural landscape of the past two centuries.
Publisher: University of Notre Dame Pess
ISBN: 0268098557
Category : Literary Criticism
Languages : en
Pages : 364
Book Description
In Uses and Abuses of Moses, Theodore Ziolkowski surveys the major literary treatments of the biblical figure of Moses since the Enlightenment. Beginning with the influential treatments by Schiller and Goethe, for whom Moses was, respectively, a member of a mystery cult and a violent murderer, Ziolkowski examines an impressive array of dramas, poems, operas, novels, and films to show the many ways in which the charismatic figure of Moses has been exploited—the “uses and abuses” of the title—to serve a variety of ideological and cultural purposes. Ziolkowski’s wide-ranging and in-depth study compares and analyzes the attempts by nearly one hundred writers to fill in the gaps in the biblical account of Moses’ life and to explain his motivation as a leader, lawgiver, and prophet. As Ziolkowski richly demonstrates, Moses’ image has been affected by historical factors such as the Egyptomania of the 1820s, the revolutionary movements of the mid-nineteenth century, the early move toward black liberation in the United States, and critical biblical scholarship of the late nineteenth century before, in the twentieth century, being appropriated by Marxists, Socialists, Nazis, and Freudians. The majority of the works studied are by Austro-German and Anglo-American writers, but Ziolkowski also includes significant examples of works from Hungary, Sweden, Norway, the Ukraine, Denmark, the Netherlands, Italy, and France. The figure of Moses becomes an animate seismograph, in Ziolkowski’s words, through whose literary reception we can trace many of the shifts in the cultural landscape of the past two centuries.
Rewriting Moses
Author: Brian Britt
Publisher: Bloomsbury Publishing
ISBN: 0567381161
Category : Religion
Languages : en
Pages : 221
Book Description
Exalted for centuries as a hero and author of the Bible, Moses is inseparable from biblical tradition itself. Moses is also an inherently ambiguous figure and a perennial focus of controversy, from ancient disputes of priestly rivalry to modern issues of class, gender and race. In Rewriting Moses, Brian Britt analyses elements of polemic and ideology in the Moses of the Bible, of film, novel, visual art and scholarship. He argues that the biblical Moses lives within writing, while the post-biblical Moses lives more often in biography. Yet later rewritings of Moses refract biblical traditions of writing in surprising ways. Rewriting Moses provides an original account of the Freudian insight that traditions preserve what they repress. This is volume 14 in the Gender, Cutlure, Theory series and is volume 402 in the Journal for the Study of the Old Testament Supplements series.
Publisher: Bloomsbury Publishing
ISBN: 0567381161
Category : Religion
Languages : en
Pages : 221
Book Description
Exalted for centuries as a hero and author of the Bible, Moses is inseparable from biblical tradition itself. Moses is also an inherently ambiguous figure and a perennial focus of controversy, from ancient disputes of priestly rivalry to modern issues of class, gender and race. In Rewriting Moses, Brian Britt analyses elements of polemic and ideology in the Moses of the Bible, of film, novel, visual art and scholarship. He argues that the biblical Moses lives within writing, while the post-biblical Moses lives more often in biography. Yet later rewritings of Moses refract biblical traditions of writing in surprising ways. Rewriting Moses provides an original account of the Freudian insight that traditions preserve what they repress. This is volume 14 in the Gender, Cutlure, Theory series and is volume 402 in the Journal for the Study of the Old Testament Supplements series.
Moses and Multiculturalism
Author: Barbara Johnson
Publisher: Univ of California Press
ISBN: 0520262549
Category : Literary Criticism
Languages : en
Pages : 126
Book Description
Countering impressions of Moses reinforced by Sigmund Freud in his epoch-making Moses and Monotheism, this concise, engaging work begins with the perception that the story of Moses is at once the most nationalist and the most multicultural of all foundation narratives. Weaving together various texts—biblical passages, philosophy, poems, novels, opera, and movies—Barbara Johnson explores how the story of Moses has been appropriated, reimagined, and transmitted across cultures and historical moments. But she finds that already in the Bible, the story of Moses is a multicultural story, the story of someone who functions well in a world to which he, unbeknownst to the casual observer, does not belong. Using the Moses story as a lens through which to view questions at the heart of contemporary literary, philosophical, and ethical debates, Johnson shows how, through a close analysis of this figure's recurrence through time, we might understand something of the paradoxes, if not the impasses of contemporary multiculturalism.
Publisher: Univ of California Press
ISBN: 0520262549
Category : Literary Criticism
Languages : en
Pages : 126
Book Description
Countering impressions of Moses reinforced by Sigmund Freud in his epoch-making Moses and Monotheism, this concise, engaging work begins with the perception that the story of Moses is at once the most nationalist and the most multicultural of all foundation narratives. Weaving together various texts—biblical passages, philosophy, poems, novels, opera, and movies—Barbara Johnson explores how the story of Moses has been appropriated, reimagined, and transmitted across cultures and historical moments. But she finds that already in the Bible, the story of Moses is a multicultural story, the story of someone who functions well in a world to which he, unbeknownst to the casual observer, does not belong. Using the Moses story as a lens through which to view questions at the heart of contemporary literary, philosophical, and ethical debates, Johnson shows how, through a close analysis of this figure's recurrence through time, we might understand something of the paradoxes, if not the impasses of contemporary multiculturalism.
The Marrano Way
Author: Agata Bielik-Robson
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110768348
Category : History
Languages : en
Pages : 370
Book Description
The Marrano phenomenon is a still unexplored element of Western culture: the presence of the borderline Jewish identity which avoids clear-cut cultural and religious attribution and – precisely as such – prefigures the advent of the typically modern "free-oscillating" subjectivity. Yet, the aim of the book is not a historical study of the Marranos (or conversos), who were forced to convert to Christianity, but were suspected of retaining their Judaism "undercover." The book rather applies the "Marrano metaphor" to explore the fruitful area of mixture and cross-over which allowed modern thinkers, writers and artists of the Jewish origin to enter the realm of universal communication – without, at the same time, making them relinquish their Jewishness which they subsequently developed as a "hidden tradition." The book poses and then attempts to prove the "Marrano hypothesis," according to which modern subjectivity derives, to paraphrase Cohen, "out of the sources of the hidden Judaism": modernity begins not with the Cartesian abstract ego, but with the rich self-reflexive self of Michel de Montaigne who wrestled with his own marranismo in a manner that soon became paradigmatic to other Jewish thinkers entering the scene of Western modernity, from Spinoza to Derrida. The essays in the volume offer thus a new view of a "Marrano modernity," which aims to radically transform our approach to the genesis of the modern subject and shed a new light on its secret religious life as surviving the process of secularization, although merely in the form of secret traces.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110768348
Category : History
Languages : en
Pages : 370
Book Description
The Marrano phenomenon is a still unexplored element of Western culture: the presence of the borderline Jewish identity which avoids clear-cut cultural and religious attribution and – precisely as such – prefigures the advent of the typically modern "free-oscillating" subjectivity. Yet, the aim of the book is not a historical study of the Marranos (or conversos), who were forced to convert to Christianity, but were suspected of retaining their Judaism "undercover." The book rather applies the "Marrano metaphor" to explore the fruitful area of mixture and cross-over which allowed modern thinkers, writers and artists of the Jewish origin to enter the realm of universal communication – without, at the same time, making them relinquish their Jewishness which they subsequently developed as a "hidden tradition." The book poses and then attempts to prove the "Marrano hypothesis," according to which modern subjectivity derives, to paraphrase Cohen, "out of the sources of the hidden Judaism": modernity begins not with the Cartesian abstract ego, but with the rich self-reflexive self of Michel de Montaigne who wrestled with his own marranismo in a manner that soon became paradigmatic to other Jewish thinkers entering the scene of Western modernity, from Spinoza to Derrida. The essays in the volume offer thus a new view of a "Marrano modernity," which aims to radically transform our approach to the genesis of the modern subject and shed a new light on its secret religious life as surviving the process of secularization, although merely in the form of secret traces.
The Invention of Religion
Author: Jan Assmann
Publisher: Princeton University Press
ISBN: 0691203199
Category : Bibles
Languages : en
Pages : 412
Book Description
A groundbreaking account of how the Book of Exodus shaped fundamental aspects of Judaism, Christianity, and Islam The Book of Exodus may be the most consequential story ever told. But its spectacular moments of heaven-sent plagues and parting seas overshadow its true significance, says Jan Assmann, a leading historian of ancient religion. The story of Moses guiding the enslaved children of Israel out of captivity to become God's chosen people is the foundation of an entirely new idea of religion, one that lives on today in many of the world's faiths. First introduced in Exodus, new ideas of faith, revelation, and above all covenant transformed basic assumptions about humankind’s relationship to the divine and became the bedrock of Judaism, Christianity, and Islam.
Publisher: Princeton University Press
ISBN: 0691203199
Category : Bibles
Languages : en
Pages : 412
Book Description
A groundbreaking account of how the Book of Exodus shaped fundamental aspects of Judaism, Christianity, and Islam The Book of Exodus may be the most consequential story ever told. But its spectacular moments of heaven-sent plagues and parting seas overshadow its true significance, says Jan Assmann, a leading historian of ancient religion. The story of Moses guiding the enslaved children of Israel out of captivity to become God's chosen people is the foundation of an entirely new idea of religion, one that lives on today in many of the world's faiths. First introduced in Exodus, new ideas of faith, revelation, and above all covenant transformed basic assumptions about humankind’s relationship to the divine and became the bedrock of Judaism, Christianity, and Islam.
Transcendence and Sensoriness
Author:
Publisher: BRILL
ISBN: 9004291695
Category : Philosophy
Languages : en
Pages : 583
Book Description
Protestant theology and culture are known for a reserved, at times skeptical, attitude to the use of art and aesthetic forms of expression in a religious context. In Transcendence and Sensoriness, this attitude is analysed and discussed both theoretically and through case studies considered in a broad theological and philosophical framework of religious aesthetics. Nordic scholars of theology, philosophy, art, music, and architecture, discuss questions of transcendence, the human senses, and the arts in order to challenge established perspectives within the aesthetics of religion and theology.
Publisher: BRILL
ISBN: 9004291695
Category : Philosophy
Languages : en
Pages : 583
Book Description
Protestant theology and culture are known for a reserved, at times skeptical, attitude to the use of art and aesthetic forms of expression in a religious context. In Transcendence and Sensoriness, this attitude is analysed and discussed both theoretically and through case studies considered in a broad theological and philosophical framework of religious aesthetics. Nordic scholars of theology, philosophy, art, music, and architecture, discuss questions of transcendence, the human senses, and the arts in order to challenge established perspectives within the aesthetics of religion and theology.