Reglamento interior del Colegio Internado Diurno de 2a Enseñanza establecido en el de 1a Enseñanza que dirigen los maestros D. Simón y D. Aurelio López PDF Download

Author: Colegio Internado Diurno de Segunda Enseñanza (
Publisher:
ISBN:
Category :
Languages : es
Pages : 8

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Author: Masha Salazkina
Publisher: University of Chicago Press
ISBN: 0226734161
Category : Performing Arts
Languages : en
Pages : 232

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During the 1920s and ’30s, Mexico attracted an international roster of artists and intellectuals—including Orson Welles, Katherine Anne Porter, and Leon Trotsky—who were drawn to the heady tumult engendered by battling cultural ideologies in an emerging center for the avant-garde. Against the backdrop of this cosmopolitan milieu, In Excess reconstructs the years that the renowned Soviet director Sergei Eisenstein spent in the country to work on his controversial film ¡Que Viva Mexico! Illuminating the inextricability of Eisenstein’s oeuvre from the global cultures of modernity and film, Masha Salazkina situates this unfinished project within the twin contexts of postrevolutionary Mexico and the ideas of such contemporaneous thinkers as Walter Benjamin. In doing so, Salazkina explains how Eisenstein’s engagement with Mexican mythology, politics, and art deeply influenced his ideas, particularly about sexuality. She also uncovers the role Eisenstein’s bisexuality played in his creative thinking and identifies his use of the baroque as an important turn toward excess and hybrid forms. Beautifully illustrated with rare photographs, In Excess provides the most complete genealogy available of major shifts in this modern master’s theories and aesthetics.

Author: David Bordwell
Publisher: Routledge
ISBN: 1000159094
Category : Biography & Autobiography
Languages : en
Pages : 372

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The Cinema of Eisenstein is David Bordwell's comprehensive analysis of the films of Sergei Eisenstein, arguably the key figure in the entire history of film. The director of such classics as Potemkin, Ivan the Terrible, October, Strike, and Alexander Nevsky, Eisenstein theorized montage, presented Soviet realism to the world, and mastered the concept of film epic. Comprehensive, authoritative, and illustrated throughout, this classic work deserves to be on the shelf of every serious student of cinema.

Author: Jay Leyda
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 184

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Author: Sergei Eisenstein
Publisher: Houghton Mifflin Harcourt
ISBN: 9780156309356
Category : Biography & Autobiography
Languages : en
Pages : 316

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A renowned Soviet director discusses his theory of film as an artistic medium which must appeal to all senses and applies it to an analysis of sequences from his major movies.

Author: Sergio de la Mora
Publisher: University of Texas Press
ISBN: 0292782314
Category : Performing Arts
Languages : en
Pages : 257

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After the modern Mexican state came into being following the Revolution of 1910, hyper-masculine machismo came to be a defining characteristic of "mexicanidad," or Mexican national identity. Virile men (pelados and charros), virtuous prostitutes as mother figures, and minstrel-like gay men were held out as desired and/or abject models not only in governmental rhetoric and propaganda, but also in literature and popular culture, particularly in the cinema. Indeed, cinema provided an especially effective staging ground for the construction of a gendered and sexualized national identity. In this book, Sergio de la Mora offers the first extended analysis of how Mexican cinema has represented masculinities and sexualities and their relationship to national identity from 1950 to 2004. He focuses on three traditional genres (the revolutionary melodrama, the cabaretera [dancehall] prostitution melodrama, and the musical comedy "buddy movie") and one subgenre (the fichera brothel-cabaret comedy) of classic and contemporary cinema. By concentrating on the changing conventions of these genres, de la Mora reveals how Mexican films have both supported and subverted traditional heterosexual norms of Mexican national identity. In particular, his analyses of Mexican cinematic icons Pedro Infante and Gael García Bernal and of Arturo Ripstein's cult film El lugar sin límites illuminate cinema's role in fostering distinct figurations of masculinity, queer spectatorship, and gay male representations. De la Mora completes this exciting interdisciplinary study with an in-depth look at how the Mexican state brought about structural changes in the film industry between 1989 and 1994 through the work of the Mexican Film Institute (IMCINE), paving the way for a renaissance in the national cinema.

Author: Inga Karetnikova
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 224

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Sergei Eisenstein (1898-1948) spent just over a year in Mexico--from December 1930 to February 1932--a period during which he shot a huge quantity of footage for his (never-to-be-completed) film Que viva Mexico! This remarkable volume gathers the original script for Que viva Mexico!, dozens of photographs and drawings, and various short pieces of writing about Mexico, completed after Eisenstein's return to the Soviet Union.

Author: Eric Haines
Publisher: Apress
ISBN: 1484244273
Category : Computers
Languages : en
Pages : 622

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Book Description
This book is a must-have for anyone serious about rendering in real time. With the announcement of new ray tracing APIs and hardware to support them, developers can easily create real-time applications with ray tracing as a core component. As ray tracing on the GPU becomes faster, it will play a more central role in real-time rendering. Ray Tracing Gems provides key building blocks for developers of games, architectural applications, visualizations, and more. Experts in rendering share their knowledge by explaining everything from nitty-gritty techniques that will improve any ray tracer to mastery of the new capabilities of current and future hardware. What you'll learn: The latest ray tracing techniques for developing real-time applications in multiple domains Guidance, advice, and best practices for rendering applications with Microsoft DirectX Raytracing (DXR) How to implement high-performance graphics for interactive visualizations, games, simulations, and more Who this book is for:Developers who are looking to leverage the latest APIs and GPU technology for real-time rendering and ray tracing Students looking to learn about best practices in these areas Enthusiasts who want to understand and experiment with their new GPUs

Author: James Goodwin
Publisher: University of Illinois Press
ISBN: 9780252062698
Category : Performing Arts
Languages : en
Pages : 284

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Among early directors, Sergei Eisentein stands alone as the maker of a fully historical cinema. James Goodwin treats issues of revolutionary history and historical representation as central to an understanding of Eisentein's work, which explores two movements within Soviet history and consciousness: the Bolshevik Revolution and the Stalinist state. Goodwin articulates intersections between Eisentein's ideas and aspects of the thought of Walter Benjamin, Georg Lukács, Ernst Bloch, and Bertolt Brecht. He also shows how the formal properties and filmic techniques of each work reveal perspectives on history . Individual chapters focus on Strike, Battleship Potemkin, October, Old and New, projects of the 1930s, Alexander Nevsky, and Ivan the Terrible.

Author: Charles Ramírez Berg
Publisher: University of Texas Press
ISBN: 0292791925
Category : Performing Arts
Languages : en
Pages : 265

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La crisis, a period of political and economic turmoil in Mexico that began in the late 1960s, spawned a new era in Mexican cinema. Known as el Nuevo Cine (the New Cinema), these films presented alienated characters caught in a painful transition period in which old family, gender, and social roles have ceased to function without being replaced by viable new ones. These are the films explored by Charles Ramírez Berg in Cinema of Solitude, the first book-length critical study of Mexican cinema in English. Berg discusses the major films and filmmakers of el Nuevo Cine in depth. He analyzes dozens of commercial movies, from popular comedies and adventures to award-winning films. Introductory chapters address the issue of mexicanidad (Mexican national identity) and outline Mexican history, the history of film as popular culture and as a leading national industry, and the ideological dynamics of Mexican cinema. In thematically arranged chapters, Berg investigates the images of women, men, and social structures portrayed in New Cinema films. He finds that women characters have begun to reject traditional stereotypes for more positive images, while male characters have grown ambiguous and undefined as machismo is abandoned. Other chapters trace the continuing marginalization of Indians in Mexican culture, the changes in male dominance within the family, and the disruptive social and economic effects caused by migration. For everyone interested in Mexican culture as reflected in its major cinematic productions, as well as students of film theory and national cinemas, this book will be important reading.