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Author: Joan Elizabeth Van Dessel Publisher: ISBN: Category : Clarinet and piano music, Arranged Languages : en Pages :
Book Description
This treatise is a selective annotated bibliography of transcriptions for the solo clarinet alone and solo clarinet with piano. The purpose of the document is to demonstrate the significance and importance of transcriptions and justify their inclusion in the canon of solo clarinet literature. This is accomplished by an introduction outlining the general scholarly study of the history and direction of transcriptions and their application to the clarinet repertoire, the main body of annotated bibliographical entries for 156 transcriptions for solo clarinet and clarinet with piano, and a conclusion that includes three groups of data organized by composer, transcriber, and original instrumentation. The selection process for each entry involved the following criteria: the transcription must be an exact (or close to exact) replica of the original with minimal modification, it must be technically idiomatic enough so that the technique does not overshadow the musical intent, it must be a published work in the classical genre, intended for performance by accomplished clarinetists, and the transcription must form a complete and convincing musical entity. Each entry includes the composer's name and brief biographical information, title of the composition, name of the transcriber/s, publisher information (publisher, location, and date), instrumentation of the transcription and original music, level of difficulty, and the length of the score and/or clarinet part. Additional comments are made regarding the history, technique, modifications to the original score (if any), and any other pertinent information that would give the reader a more thorough understanding of the piece. The bibliography can be used for performance, research, and pedagogical purposes. It is organized by historical period with data at the end of the treatise organized by composer, transcriber, and original instrumentation. The quantity and quality of the transcriptions included are the chief factors which justify the inclusion of these works in clarinet repertoire publications, performances, and pedagogy.
Author: Joan Elizabeth Van Dessel Publisher: ISBN: Category : Clarinet and piano music, Arranged Languages : en Pages :
Book Description
This treatise is a selective annotated bibliography of transcriptions for the solo clarinet alone and solo clarinet with piano. The purpose of the document is to demonstrate the significance and importance of transcriptions and justify their inclusion in the canon of solo clarinet literature. This is accomplished by an introduction outlining the general scholarly study of the history and direction of transcriptions and their application to the clarinet repertoire, the main body of annotated bibliographical entries for 156 transcriptions for solo clarinet and clarinet with piano, and a conclusion that includes three groups of data organized by composer, transcriber, and original instrumentation. The selection process for each entry involved the following criteria: the transcription must be an exact (or close to exact) replica of the original with minimal modification, it must be technically idiomatic enough so that the technique does not overshadow the musical intent, it must be a published work in the classical genre, intended for performance by accomplished clarinetists, and the transcription must form a complete and convincing musical entity. Each entry includes the composer's name and brief biographical information, title of the composition, name of the transcriber/s, publisher information (publisher, location, and date), instrumentation of the transcription and original music, level of difficulty, and the length of the score and/or clarinet part. Additional comments are made regarding the history, technique, modifications to the original score (if any), and any other pertinent information that would give the reader a more thorough understanding of the piece. The bibliography can be used for performance, research, and pedagogical purposes. It is organized by historical period with data at the end of the treatise organized by composer, transcriber, and original instrumentation. The quantity and quality of the transcriptions included are the chief factors which justify the inclusion of these works in clarinet repertoire publications, performances, and pedagogy.
Author: Albert R. Rice Publisher: Oxford University Press ISBN: 0190205202 Category : Music Languages : en Pages : 300
Book Description
Notes for Clarinetists: A Guide to the Repertoire offers historic and analytical information concerning thirty major works for solo clarinet, clarinet and piano, and clarinet and orchestra. This information will enhance performance and be useful in preparing and presenting concerts, and recitals.
Author: Jon Justin Gray Publisher: ISBN: Category : Clarinet music Languages : en Pages : 0
Book Description
It is pertinent that I should present an analysis of the stimulii, that have directed and urged me to choose this particular field of research. I earnestly desire to submit a thesis which may be recognized as of immediate value to others, particularly to students and teachers of the clarinet. For many years I have searched libraries for information concerning the instrument on which I have striven for excellence and for music suitable for performance on this most versatile instrument. There is an adequate supply of methods, exercise books, end etudes prepared by skillful performers and recognized teachers. However, no method for selecting solos as to grade and quality has been made for students in progressive stages of development. Furthermore, a great amount of the very best music for the clarinet has been ignored through lack of knowledge of its existence. No informative index of clarinet music exists. The volume of clarinet music is contained ordinarily in two or three files in first class music stores and is neither complete nor representative of the quality of music written for the instrument. There is an urgent need for a classification of clarinet solos that will set forth fine music, which may be used in correlation with standard methods and teaching procedures. An interest in solo literature, classic and modern, directs groups of proficient soloists toward chamber music. Our modern instrumental program is training great sectional choirs of wind instruments. Those students who aspire to more finished interpretation in solo sections and those teachers who desire a means of motivating the student, find in chamber music pleasant means for working out technical problems and for stimulating a fine feeling of musicianship. In order that this new device may be put to its most efficient use, it is imperative that a complete knowledge of the best works written for each instrument be known, and they should be graded accurately so as to be quickly adapted to the student's stage of development. There is a need for a "Method of Clarinet Solo Literature Selection." This thesis is an effort to fill that need.
Author: Tom Johnson Publisher: ISBN: Category : Music Languages : en Pages : 556
Book Description
An anthology of articles on the evolution of minimal music in New York in 1972-1982, which originally appeared in the Village Voice (New York).
Author: Joan Elizabeth Van Dessel
Author: Joan Elizabeth Van Dessel
Author: Albert R. Rice
Author: Kylie Stultz
Author: Jon Justin Gray
Author: François-Joseph Fétis
Author: Amy M. Pressley
Author: Kalman Bloch
Author: F. Gerard Errante
Author: Edward Klorman
Author: Tom Johnson