Recueils imprimés: XVIe-XVIIe siècles PDF Download

Author: François Lesure
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 884

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Author: François Lesure
Publisher: München-Duisburg : G. Henle
ISBN:
Category : Music
Languages : un
Pages : 26

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Author: Music Library Association. Working Group on Sheet Music Cataloging Guidelines
Publisher: Scarecrow Press
ISBN: 9780810847507
Category : Language Arts & Disciplines
Languages : en
Pages : 228

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Discussions are designed to expand the music cataloger's understanding of publishing practices peculiar to sheet music. While much of the content emphasizes the description of the music, there are also sections devoted to subject access to illustrations, first-line/chorus/refrain text, illustrators, engravers, and publishers, and extensive reproductions of title pages from the 18th through mid-20th centuries, accompanied by examples of the cataloging, are also included.

Author: Andrew Pettegree
Publisher: BRILL
ISBN: 9047422449
Category : Reference
Languages : en
Pages : 1638

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This work offers for the first time a complete list of all books published wholly or partially in the French language before 1601. Based on twelve years of investigations in libraries in France, the United Kingdom, the United States, Germany, the Netherlands and elsewhere, it provides an analytical short-title catalogue of over 52,000 bibliographically distinct items, with reference to surviving copies in over 1,600 libraries worldwide. Many of the items described are editions and even complete texts fully unknown and re-discovered by the project. French Vernacular Books is an invaluable research tool for all students and scholars interested in the history, culture and literature of France, as well as historians of the early modern book world. For vols. III & IV please go to French Books III & IV.

Author: Barbara Garvey Jackson
Publisher: University of Arkansas Press
ISBN: 9781557283030
Category : Reference
Languages : en
Pages : 520

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Jackson has culminated her lifelong research in producing this bibliographically arranged guide. "Say Can You Deny Me" lists the locations of the printed and manuscript sources of Renaissance, baroque, classic, and some early romantic women composers. With listings from over 400 libraries worldwide, the guide is the definitive work documenting a substantial contribution to the world of music by women.

Author: David Wyn Jones
Publisher: Routledge
ISBN: 1351557416
Category : Music
Languages : en
Pages : 333

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This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.

Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1380

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Includes Part 1, Number 1: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - June)

Author: J. Bradford Young
Publisher: Scarecrow Press
ISBN: 9780914954460
Category : Language Arts & Disciplines
Languages : en
Pages : 140

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Many musicians have enjoyed the solo and chamber music of Robert Valentine, especially that for flute or recorder, but few know anything of this composer's life and other music. This volume lists all of Valentine's known works, including original works, arrangements, and fragments. In standard thematic catalog procedure, the full incipit and original title of each work is provided, together with the date of first publication, statement of medium or genre, key or sequence of keys, thorough description of early editions, and brief listings of manuscripts, modern editions, and recordings, and a title-page transcription. Further, Young provides a biographical overview derived from the editions, musical manuscripts, and research currently available. The work is a model combination of descriptive and analytic bibliography and biography.

Author: Richard Templar Semmens
Publisher: Pendragon Press
ISBN: 9781576470343
Category : Cooking
Languages : en
Pages : 228

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The range of possibilities for what was termed a ball in eighteenth-century France was quite considerable. At one extreme were the carefully regulated bals parés at the other were the elaborately staged bals masqués. Alternatively, a bal could also be an entirely impromptu affair. Throughout this colorful range of possibilities, the repertoire of dance styles and types was generally shared: danses figures, new as well as old, for couples; and group dances, among which the contredanse reigned supreme.There was another kind of ball, however, that has not yet been examined systematically by scholars. The bals publics held at the opera house in Paris were initiated not long after Louis XIV's death in 1715, and remained popular until the fall of the ancienne régime. This book explores the advent and early development of the bal public through 1763, when a fire destroyed the home of the Académie Royale de Musique (the 'Opera'). The bal public was unlike any other kind of ball, although, as with bals masqués, those in attendance were masked. This study aims, in part, to explore how the bal public might have influenced social dancing more generally. By 1744, there was a dramatic shift in social modeling from the royal balls at Versailles (and elsewhere) to the public balls at the Opera.

Author: Samuel Franklin Pogue
Publisher: Librairie Droz
ISBN: 9782600030236
Category : Music
Languages : en
Pages : 418

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