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Recueil factice d'articles de presse sur Maria Favart

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Languages : fr
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Recueil factice d'articles de presse sur Maria Favart

Recueil factice d'articles de presse sur Maria Favart PDF Author:
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Languages : fr
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Recueil factice d'articles de presse et documents concernant Maria Favart

Recueil factice d'articles de presse et documents concernant Maria Favart PDF Author:
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Languages : fr
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Recueil factice d'articles de presse sur Jules Favart

Recueil factice d'articles de presse sur Jules Favart PDF Author:
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Languages : fr
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Recueil factice d'articles de presse sur Edmée Favart

Recueil factice d'articles de presse sur Edmée Favart PDF Author:
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Languages : fr
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Recueil factice d'articles de presse concernant Robert Favart

Recueil factice d'articles de presse concernant Robert Favart PDF Author:
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Languages : fr
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Recueil factice d'articles de presse concernant Jules Favart

Recueil factice d'articles de presse concernant Jules Favart PDF Author:
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Languages : fr
Pages : 2

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Recueil factice d'articles de presse sur Marie-Auguste Vestris, 1925-1949

Recueil factice d'articles de presse sur Marie-Auguste Vestris, 1925-1949 PDF Author:
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Languages : fr
Pages : 4

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Orestes

Orestes PDF Author: Voltaire
Publisher: Simon and Schuster
ISBN: 1627933212
Category : Drama
Languages : en
Pages : 56

Book Description
Orestes was produced in 1750, an experiment which intensely interested the literary world and the public. In his Dedicatory Letters to the Duchess of Maine, Voltaire has the following passage on the Greek drama: "We should not, I acknowledge, endeavor to imitate what is weak and defective in the ancients: it is most probable that their faults were well known to their contemporaries. I am satisfied, Madam, that the wits of Athens condemned, as well as you, some of those repetitions, and some declamations with which Sophocles has loaded his Electra: they must have observed that he had not dived deep enough into the human heart. I will moreover fairly confess, that there are beauties peculiar not only to the Greek language, but to the climate, to manners and times, which it would be ridiculous to transplant hither. Therefore I have not copied exactly the Electra of Sophocles-much more I knew would be necessary; but I have taken, as well as I could, all the spirit and substance of it."

Autumn in Peking

Autumn in Peking PDF Author: Boris Vian
Publisher: Tamtam Books
ISBN:
Category : Fiction
Languages : en
Pages : 310

Book Description
Fiction. Translated from the French by Paul Knobloch. Originally published in 1947. "In the Exopotamian desert, where hepatrols blossom and children collect little animals called sandpeepers, the sun shines in an unusual way: it produces eerie black zones whose mysteries remain unexplained. Above all, Vian's pecurilar way with language proves that, indeed, life in the desert is equal to none. Since unusual language is bound to produce unusual fiction, it follows that the story does not take place in the fall, nor is it set in China" - from the Foreword by Marc Lapprand. The fourth novel by Vian, who was a contemporary of Sartre and Beauvoir. His innovative style, cutting-edge during his lifetime, but only successful in the sixties, made him an icon of the May 1968 student movement.

The Flight of the Angels

The Flight of the Angels PDF Author: Alistair Charles Rolls
Publisher: Rodopi
ISBN: 9789042004672
Category : Literary Criticism
Languages : en
Pages : 380

Book Description
It is a close study of four novels by Boris Vian. It aims to show how L'Ecume des jours, L'Automne a Pekin, L'Herbe rouge and L'Arrache-coeur form a unified and coherent tetralogy. By establishing close links between these four texts, it becomes possible to achieve a more comprehensive understanding, not only of the significance of the tetralogy in exposing a complex and multi-layered novelistic strategy at the heart of the vianesque, but of the individual novels as autonomous creations. An examination of the novels reveals that they are not merely joined to one another via a superficial network of textual similarities (that which I refer to as intratextuality), but that this intertwining is emblematic of a common method of narrative construction. Each Vian novel is dependent, for a thorough understanding of the text to be possible, upon the multiple lines of external influence running through it. The sources of this influence (which I refer to as intertextuality) are located in various major texts of twentieth century literature, anglophone as well as francophone. Thus, in each instance the narrative is driven by a complicated interaction of intratextuality and intertextuality."