Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages :
Book Description
Recueil factice d'articles de presse sur les spectacles donnés au théâtre des Ambassadeurs. Oct. 1930-10 avril 1948
Recueil factice d'articles de presse sur des spectacles donnés au théâtre du Vaudeville, 1920-1930
Recueil factice d'articles de presse sur des spectacles donnés au théâtre de la Madeleine. 1924-1946
Recueil factice d'articles de presse sur des spectacles donnés au théâtre Montmartre. 1862, oct. 1922-juin 1923
Recueil factice d'articles de presse sur les spectacles donnés au théâtre de l'Avenue. 1925-1944
Recueil factice d'articles de presse, de programmes et de documents se rapportant aux spectacles donnés au théâtre des Champs-Elysées. 2 mai 1924-25 oct. 1926
Le Tumulte Noir
Author: Jody Blake
Publisher: Penn State Press
ISBN: 9780271017532
Category : Art
Languages : en
Pages : 232
Book Description
Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates.
Publisher: Penn State Press
ISBN: 9780271017532
Category : Art
Languages : en
Pages : 232
Book Description
Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates.