Author: Publisher:
ISBN:
Category :
Languages : fr
Pages :
Book Description
Recueil factice d'articles de presse sur les périodiques la "Presse", le "Programme", le "Quotidien", la "Rampe", le "Rappel", la "République", la "Revue bleue", la "Revue des Alpes"
Author: Recueil factice d'articles de presse sur le périodique le "Journal"
Author: Recueil factice d'articles de presse sur les périodiques le "Petit journal", le "Petit parisien", le "Peuple", le "Populaire"
Author: Recueil factice d'articles de presse sur les périodiques le "Journal de la femme" et "le Journal de Paris"
Author: Recueil factice d'articles de presse et de documents sur les Messageries Hachette, et sur les périodiques, le "Moniteur", la "Nouvelle revue française", la "Nouvelle rive gauche", les "Nouvelles littéraires", "l'Oeuvre", l'"Organe de Mons", "Paris", "Paris-Midi", "Paris-Nouvelles", "paris-Pornographie", "Paris-soir", "Peking Bao", le "Petit bleu"
Author: Recueil factice d'articles de presse et de documents sur les périodiques
Author: Recueil factice d'articles de presse sur le Journal des Goncourt
Author: Divagations
Author: Stphane MallarmPublisher: Harvard University Press
ISBN: 0674032403
Category : Literary Criticism
Languages : en
Pages : 313
Book Description
"This is a book just the way I don't like them," the father of French Symbolism, Stphane Mallarm, informs the reader in his preface to Divagations: "scattered and with no architecture." On the heels of this caveat, Mallarm's diverting, discursive, and gorgeously disordered 1897 masterpiece tumbles forth--and proves itself to be just the sort of book his readers like most. The salmagundi of prose poems, prose-poetic musings, criticism, and reflections that is Divagations has long been considered a treasure trove by students of aesthetics and modern poetry. If Mallarm captured the tone and very feel of fin-de-sicle Paris, he went on to captivate the minds of the greatest writers of the twentieth century--from Valry and Eliot to Paul de Man and Jacques Derrida. This was the only book of prose he published in his lifetime and, in a new translation by Barbara Johnson, is now available for the first time in English as Mallarm arranged it. The result is an entrancing work through which a notoriously difficult-to-translate voice shines in all of its languor and musicality. Whether contemplating the poetry of Tennyson, the possibilities of language, a masturbating priest, or the transporting power of dance, Mallarm remains a fascinating companion--charming, opinionated, and pedantic by turns. As an expression of the Symbolist movement and as a contribution to literary studies, Divagations is vitally important. But it is also, in Johnson's masterful translation, endlessly mesmerizing.
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