Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 166
Book Description
Recueil factice d'articles de presse sur le Corps de ballet de l'Opéra. 1842-1941
Recueil factice d'articles de presse sur la reprise à l'Opéra du ballet de "Giselle", 26 nov. 1924
Recueil factice d'articles de presse sur le Corps de ballet du Châtelet. 1934-1936
Recueil factice d'articles de presse sur la reprise du ballet de "Giselle", à l'Opéra en déc. 1935
Recueil factice d'articles de presse sur l'Opéra en 1928
Recueil factice d'articles de presse sur M. Clustine, maître de ballet à l'opéra, sept. 1911
Recueil factice d'articles de presse sur Nicola Guerra, maître de ballet à l'Opéra, juill.-déc. 1929
Recueil factice d'articles de presse sur l'année 1926 à l'Opéra
Recueil factice d'articles de presse sur l'année 1921 à l'Opéra
Theatre Across Oceans
Author: Nic Leonhardt
Publisher: Palgrave Macmillan
ISBN: 9783030763572
Category : Performing Arts
Languages : en
Pages : 0
Book Description
Theatre Across Oceans: Mediators Of Transatlantic Exchange allows the reader to enter and understand the infrastructural 'backstage area' of global cultural mobility during the years between 1890 and 1925. Located within the research fields of global history and theory, the geographical focus of the book is a transatlantic one, based on the active exchange in this phase between North and South America and Europe. Emanating from a rich body of archival material, the study argues that this exchange was essentially facilitated and controlled by professional theatrical mediators (agents, brokers), who have not been sufficiently researched within theatre or historical studies. The low visibility of mediators in the scientific research is in diametrical contrast to the enormous power that they possessed in the period dealt with in this book.
Publisher: Palgrave Macmillan
ISBN: 9783030763572
Category : Performing Arts
Languages : en
Pages : 0
Book Description
Theatre Across Oceans: Mediators Of Transatlantic Exchange allows the reader to enter and understand the infrastructural 'backstage area' of global cultural mobility during the years between 1890 and 1925. Located within the research fields of global history and theory, the geographical focus of the book is a transatlantic one, based on the active exchange in this phase between North and South America and Europe. Emanating from a rich body of archival material, the study argues that this exchange was essentially facilitated and controlled by professional theatrical mediators (agents, brokers), who have not been sufficiently researched within theatre or historical studies. The low visibility of mediators in the scientific research is in diametrical contrast to the enormous power that they possessed in the period dealt with in this book.