Author: Publisher:
ISBN:
Category :
Languages : fr
Pages : 12
Book Description
Recueil factice d'articles de presse sur la mort d'André Levinson. Déc. 1934
Author: Recueil factice d'articles de presse sur "Les Visages de la danse" d'André Levinson. 1933-1934
Author: Recueil factice d'articles de presse critiques de "Serge Lifar, destin d'un danseur" par André Levinson, 1934-1935
Author: Recueil factice d'articles de presse sur "Serge Lifar, dessin d'un danseur", d'André Levinson, 1934
Author: Recueil factice de prospectus et articles de presse sur "La Danse d'aujourd'hui" d'André Levinson. 1929-1930
Author: Recueil factice d'articles de presse sur "La Danse au théâtre", par André Levinson. 1924
Author: Le Tumulte Noir
Author: Jody BlakePublisher: Penn State Press
ISBN: 9780271017532
Category : Art
Languages : en
Pages : 232
Book Description
Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates.
Recueil factice d'articles de presse concernant
Author: Recueil factice d'articles de presse sur Louis-Léon Martin. 1928-1934
Author: Erik Satie: Music, Art and Literature
Author: Caroline PotterPublisher: Routledge
ISBN: 1317141792
Category : Music
Languages : en
Pages : 368
Book Description
Erik Satie (1866-1925) was a quirky, innovative and enigmatic composer whose impact has spread far beyond the musical world. As an artist active in several spheres - from cabaret to religion, from calligraphy to poetry and playwriting - and collaborator with some of the leading avant-garde figures of the day, including Cocteau, Picasso, Diaghilev and René Clair, he was one of few genuinely cross-disciplinary composers. His artistic activity, during a tumultuous time in the Parisian art world, situates him in an especially exciting period, and his friendships with Debussy, Stravinsky and others place him at the centre of French musical life. He was a unique figure whose art is immediately recognisable, whatever the medium he employed. Erik Satie: Music, Art and Literature explores many aspects of Satie's creativity to give a full picture of this most multifaceted of composers. The focus is on Satie's philosophy and psychology revealed through his music; Satie's interest in and participation in artistic media other than music, and Satie's collaborations with other artists. This book is therefore essential reading for anyone interested in the French musical and cultural scene of the late nineteenth and early twentieth century.