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Legacies of Twentieth-Century Dance

Legacies of Twentieth-Century Dance PDF Author: Lynn Garafola
Publisher: Wesleyan University Press
ISBN: 9780819566744
Category : Performing Arts
Languages : en
Pages : 498

Book Description
Selected writings illuminate a century of international dance.

Legacies of Twentieth-Century Dance

Legacies of Twentieth-Century Dance PDF Author: Lynn Garafola
Publisher: Wesleyan University Press
ISBN: 9780819566744
Category : Performing Arts
Languages : en
Pages : 498

Book Description
Selected writings illuminate a century of international dance.

Oedipus at Thebes

Oedipus at Thebes PDF Author: Bernard Knox
Publisher: Yale University Press
ISBN: 9780300074239
Category : Literary Criticism
Languages : en
Pages : 304

Book Description
Examines the way in which Sophocles' play "Oedipus Tyrannus" and its hero, Oedipus, King of Thebes, were probably received in their own time and place, and relates this to twentieth-century receptions and interpretations, including those of Sigmund Freud.

The Paris Opéra Ballet

The Paris Opéra Ballet PDF Author: Ivor Guest
Publisher: Dance Books Limited
ISBN:
Category : Performing Arts
Languages : en
Pages : 198

Book Description
The cradle of ballet, tracing the origin of ballet as a theatre art back to its foundation by Louis XIV in 1669.

The Poems of Edgar Allan Poe

The Poems of Edgar Allan Poe PDF Author: Edgar Allan Poe
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 414

Book Description


About the Contemplative Life

About the Contemplative Life PDF Author: Philo (of Alexandria.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 530

Book Description


Esther Happy

Esther Happy PDF Author: Honoré de Balzac
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 143

Book Description
"Esther Happy" is one of the four parts of the serial novel, "The Splendors and Miseries of Courtesans (also known as, "A Harlot High and Low,") a novel by French novelist Honoré de Balzac. Lucien de Rubempré and Carlos Herrera (Vautrin) have made a pact, in which Lucien will arrive at success in Paris if he agrees to follow Vautrin's instructions blindly. Esther van Gobseck throws a wrench into Vautrin's best-laid plans, however, because Lucien falls in love with her and she with him. One night, however, the incredibly rich banker Baron de Nucingen spots Esther and falls deeply in love with her. When Vautrin realizes that Nucingen's obsession is with Esther, he decides to use her power as a tool to help advance Lucien by extrapolating the maximum amount of money from the Baron as possible. Something that will result in a series of tragic results...

Alien Tongues

Alien Tongues PDF Author: Elizabeth Klosty Beaujour
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 296

Book Description


French Opera at the Fin de Siècle

French Opera at the Fin de Siècle PDF Author: Steven Huebner
Publisher: Oxford University Press
ISBN: 9780199719921
Category : Music
Languages : en
Pages : 552

Book Description
This is the first book-length study of the rich operatic repertory written and performed in France during the last two decades of the nineteenth century. Steven Huebner gives an accessible and colorful account of such operatic favorites as Manon and Werther by Massenet, Louise by Charpentier, and lesser-known gems such as Chabrier's Le Roi malgré lui and Chausson's Le Roi Arthus.

The Prima Donna and Opera, 1815-1930

The Prima Donna and Opera, 1815-1930 PDF Author: Susan Rutherford
Publisher: Cambridge University Press
ISBN: 052185167X
Category : Music
Languages : en
Pages : 26

Book Description
An examination of the female opera singer during the nineteenth and twentieth centuries.

Opera Acts

Opera Acts PDF Author: Karen Henson
Publisher: Cambridge University Press
ISBN: 1107004268
Category : Music
Languages : en
Pages : 281

Book Description
Opera Acts explores a wealth of new historical material about singers in the late nineteenth century and challenges the idea that this was a period of decline for the opera singer. In detailed case studies of four figures - the late Verdi baritone Victor Maurel; Bizet's first Carmen, Célestine Galli-Marié; Massenet's muse of the 1880s and 1890s, Sibyl Sanderson; and the early Wagner star Jean de Reszke - Karen Henson argues that singers in the late nineteenth century continued to be important, but in ways that were not conventionally 'vocal'. Instead they enjoyed a freedom and creativity based on their ability to express text, act and communicate physically, and exploit the era's media. By these and other means, singers played a crucial role in the creation of opera up to the end of the nineteenth century.