Author: Phillip B. Zarrilli
Publisher: Taylor & Francis
ISBN: 0415462231
Category : Performing Arts
Languages : en
Pages : 656
Book Description
Providing a clear journey through centuries of European, North and South American, African and Asian forms of theatre and performance, this introduction helps the reader think critically about this exciting field through fascinating yet plain-speaking essays and case studies.
Theatre Histories
Author: Phillip B. Zarrilli
Publisher: Taylor & Francis
ISBN: 0415462231
Category : Performing Arts
Languages : en
Pages : 656
Book Description
Providing a clear journey through centuries of European, North and South American, African and Asian forms of theatre and performance, this introduction helps the reader think critically about this exciting field through fascinating yet plain-speaking essays and case studies.
Publisher: Taylor & Francis
ISBN: 0415462231
Category : Performing Arts
Languages : en
Pages : 656
Book Description
Providing a clear journey through centuries of European, North and South American, African and Asian forms of theatre and performance, this introduction helps the reader think critically about this exciting field through fascinating yet plain-speaking essays and case studies.
The Globalization of Theatre 18701930
Author: Christopher B. Balme
Publisher: Cambridge University Press
ISBN: 1108487890
Category : Biography & Autobiography
Languages : en
Pages : 291
Book Description
Explores the fascinating career of Maurice E. Bandmann and his global theatrical circuit in the early twentieth century.
Publisher: Cambridge University Press
ISBN: 1108487890
Category : Biography & Autobiography
Languages : en
Pages : 291
Book Description
Explores the fascinating career of Maurice E. Bandmann and his global theatrical circuit in the early twentieth century.
Global Perspectives on Global History
Author: Dominic Sachsenmaier
Publisher: Cambridge University Press
ISBN: 1139498991
Category : History
Languages : en
Pages : 341
Book Description
In recent years, historians across the world have become increasingly interested in transnational and global approaches to the past. However, the debates surrounding this new border-crossing movement have remained limited in scope as theoretical exchanges on the tasks, responsibilities and potentials of global history have been largely confined to national or regional academic communities. In this groundbreaking book, Dominic Sachsenmaier sets out to redress this imbalance by offering a series of new perspectives on the global and local flows, sociologies of knowledge and hierarchies that are an intrinsic part of historical practice. Taking the United States, Germany and China as his main case studies, he reflects upon the character of different approaches to global history as well as their social, political and cultural contexts. He argues that this new global trend in historiography needs to be supported by a corresponding increase in transnational dialogue, cooperation and exchange.
Publisher: Cambridge University Press
ISBN: 1139498991
Category : History
Languages : en
Pages : 341
Book Description
In recent years, historians across the world have become increasingly interested in transnational and global approaches to the past. However, the debates surrounding this new border-crossing movement have remained limited in scope as theoretical exchanges on the tasks, responsibilities and potentials of global history have been largely confined to national or regional academic communities. In this groundbreaking book, Dominic Sachsenmaier sets out to redress this imbalance by offering a series of new perspectives on the global and local flows, sociologies of knowledge and hierarchies that are an intrinsic part of historical practice. Taking the United States, Germany and China as his main case studies, he reflects upon the character of different approaches to global history as well as their social, political and cultural contexts. He argues that this new global trend in historiography needs to be supported by a corresponding increase in transnational dialogue, cooperation and exchange.
Professor Risley and the Imperial Japanese Troupe
Author: Frederik L. Schodt
Publisher: Stone Bridge Press
ISBN: 1611720095
Category : Performing Arts
Languages : en
Pages : 338
Book Description
Looks at Professor Risley's introduction of the Western-style circus to Japan in 1864 and his subsequent tours of the country with the Imperial Japanese Troupe of acrobats, an encounter that opened both cultures to one another.
Publisher: Stone Bridge Press
ISBN: 1611720095
Category : Performing Arts
Languages : en
Pages : 338
Book Description
Looks at Professor Risley's introduction of the Western-style circus to Japan in 1864 and his subsequent tours of the country with the Imperial Japanese Troupe of acrobats, an encounter that opened both cultures to one another.
Conceptualizing Global History
Author: Bruce Mazlish
Publisher:
ISBN: 9780974369235
Category : History
Languages : en
Pages : 259
Book Description
Publisher:
ISBN: 9780974369235
Category : History
Languages : en
Pages : 259
Book Description
Globalisation and the Nation in Imperial Germany
Author: Sebastian Conrad
Publisher: Cambridge University Press
ISBN: 052176307X
Category : History
Languages : en
Pages : 507
Book Description
Translation of award-winning study of the development of German nationalism in a global context.
Publisher: Cambridge University Press
ISBN: 052176307X
Category : History
Languages : en
Pages : 507
Book Description
Translation of award-winning study of the development of German nationalism in a global context.
When Broadway was the Runway
Author: Marlis Schweitzer
Publisher:
ISBN: 9780812241570
Category : History
Languages : en
Pages : 310
Book Description
Selected by Choice magazine as an Outstanding Academic Title for 2009 When Broadway Was the Runway explores the central and largely unacknowledged role of commercial Broadway theater in the birth of modern American fashion and consumer culture. Long before Hollywood's red carpet spectacles, Broadway theater introduced American women to the latest styles. At the beginning of the twentieth century, theater impresarios captured the imagination of their largely female patrons by transforming the stage into a glorious site of consumer spectacle. Theater historian Marlis Schweitzer examines how these impresarios presented the dresses actresses wore onstage, as well as the jewelry and hairstyles they chose, as commodities that were available for purchase in nearby department stores and salons. The Merry Widow Hat, designed for the hit operetta of the same name, sparked an international craze, and the dancer Irene Castle became a fashion celebrity when she anticipated the flapper look of the 1920s by nearly a decade. Not only were the latest styles onstage, but advertisements appeared throughout theaters, in programs, and on the curtains, while magazines such as Vogue vied for the rights to publish theatrical costume sketches and Harper's Bazaar enticed readers with photo spreads of actresses in couture. This combination of spectatorship and consumption was a crucial step in the formation of a mass market for consumer goods and the rise of the cult of celebrity. Through historical analysis and dozens of early photographs and illustrations, Schweitzer aims a spotlight at the cultural and economic convergence of the theater and fashion industries in the United States.
Publisher:
ISBN: 9780812241570
Category : History
Languages : en
Pages : 310
Book Description
Selected by Choice magazine as an Outstanding Academic Title for 2009 When Broadway Was the Runway explores the central and largely unacknowledged role of commercial Broadway theater in the birth of modern American fashion and consumer culture. Long before Hollywood's red carpet spectacles, Broadway theater introduced American women to the latest styles. At the beginning of the twentieth century, theater impresarios captured the imagination of their largely female patrons by transforming the stage into a glorious site of consumer spectacle. Theater historian Marlis Schweitzer examines how these impresarios presented the dresses actresses wore onstage, as well as the jewelry and hairstyles they chose, as commodities that were available for purchase in nearby department stores and salons. The Merry Widow Hat, designed for the hit operetta of the same name, sparked an international craze, and the dancer Irene Castle became a fashion celebrity when she anticipated the flapper look of the 1920s by nearly a decade. Not only were the latest styles onstage, but advertisements appeared throughout theaters, in programs, and on the curtains, while magazines such as Vogue vied for the rights to publish theatrical costume sketches and Harper's Bazaar enticed readers with photo spreads of actresses in couture. This combination of spectatorship and consumption was a crucial step in the formation of a mass market for consumer goods and the rise of the cult of celebrity. Through historical analysis and dozens of early photographs and illustrations, Schweitzer aims a spotlight at the cultural and economic convergence of the theater and fashion industries in the United States.
Between Indian and White Worlds
Author: Margaret Connell Szasz
Publisher: University of Oklahoma Press
ISBN: 9780806133850
Category : Social Science
Languages : en
Pages : 400
Book Description
Cultural boundaries exist wherever cultures encounter one another. During centuries of contact between native peoples and others in America, countless intermediaries–artists, students, traders, interpreters, political figures, authors, even performers–have bridged the divide. Between Indian and White Worlds: The Cultural Broker provides a new understanding of the role of these mediation in North America from 1690 to the present. Cultural brokers have shared certain qualities–in particular a thorough understanding of two of more cultures. Living on the edge of change and conflict, they have responded to evolving and unstable circumstances or alliances with a flexibility born of their determination to bring understanding to disparate peoples. No composite portrait can encompass the complexity of the brokerage experience. To convey the many roles of these intermediaries, editor Margaret Connell Szasz has brought together fourteen distinct portraits, crafted by prominent scholars of Indian-white relations, of brokers across the continent and throughout three centuries of American history–in the colonial world, during the expansion of the republic, in the Wild West, and in the twentieth century. This fascinating and inspiring collection speaks eloquently of life on the cultural frontier. Key figures in our pluralistic heritage, cultural brokers are no less important today, as society continues to struggle with diversity.
Publisher: University of Oklahoma Press
ISBN: 9780806133850
Category : Social Science
Languages : en
Pages : 400
Book Description
Cultural boundaries exist wherever cultures encounter one another. During centuries of contact between native peoples and others in America, countless intermediaries–artists, students, traders, interpreters, political figures, authors, even performers–have bridged the divide. Between Indian and White Worlds: The Cultural Broker provides a new understanding of the role of these mediation in North America from 1690 to the present. Cultural brokers have shared certain qualities–in particular a thorough understanding of two of more cultures. Living on the edge of change and conflict, they have responded to evolving and unstable circumstances or alliances with a flexibility born of their determination to bring understanding to disparate peoples. No composite portrait can encompass the complexity of the brokerage experience. To convey the many roles of these intermediaries, editor Margaret Connell Szasz has brought together fourteen distinct portraits, crafted by prominent scholars of Indian-white relations, of brokers across the continent and throughout three centuries of American history–in the colonial world, during the expansion of the republic, in the Wild West, and in the twentieth century. This fascinating and inspiring collection speaks eloquently of life on the cultural frontier. Key figures in our pluralistic heritage, cultural brokers are no less important today, as society continues to struggle with diversity.
The Transatlantic Century
Author: Mary Nolan
Publisher: Cambridge University Press
ISBN: 0521871670
Category : History
Languages : en
Pages : 405
Book Description
An unprecedented account of the American Century in Europe, ranging from economics, culture and consumption to war, politics and diplomacy.
Publisher: Cambridge University Press
ISBN: 0521871670
Category : History
Languages : en
Pages : 405
Book Description
An unprecedented account of the American Century in Europe, ranging from economics, culture and consumption to war, politics and diplomacy.
Europe in a Global Context
Author: Anne Sophie Krossa
Publisher: Bloomsbury Publishing
ISBN: 0230344232
Category : Social Science
Languages : en
Pages : 280
Book Description
Rethinking familiar frameworks and exploring new perspectives, this book provides a much-needed analysis of European culture, society and politics in a global context. With contributors from across the social sciences and thehumanities, this book highlights key topics and assesses the open ended question of Europe's place in a global age.
Publisher: Bloomsbury Publishing
ISBN: 0230344232
Category : Social Science
Languages : en
Pages : 280
Book Description
Rethinking familiar frameworks and exploring new perspectives, this book provides a much-needed analysis of European culture, society and politics in a global context. With contributors from across the social sciences and thehumanities, this book highlights key topics and assesses the open ended question of Europe's place in a global age.