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Author: Enza De Francisci Publisher: ISBN: 9781781887837 Category : Literary Criticism Languages : en Pages : 200
Book Description
This book investigates the transposition of short stories to drama in the works of two leading Sicilian authors, Giovanni Verga (1840-1922) and Luigi Pirandello (1867-1936), focussing specifically on their representation of women. De Francisci argues that, once the female characters are transposed into the dramatic genre, they gain a voice of their own and thus become 'new' women whose antecedents can be traced to Henrik Ibsen's A Doll's House (1879). In uncovering the voices of the 'new' women, the book draws attention to the early actresses, namely Eleonora Duse (1858-1924) and Marta Abba (1900-1988), who were instrumental in transforming the female characters from their fictional existence on the page to their physical enactment on the stage, and were key influences on Verga and Pirandello respectively. By revealing the evolution of the female voice in the two authors' works and the added enrichment of this voice as a result of its transposition to the dramatic genre, the book offers new insights into why the narrative genre is so well suited to Verga's preoccupations, why the theatrical form is more effective in articulating Pirandello's umorismo, and what Pirandello's adaptations reveal about the way in which he comes to negotiate the transition from Realism (or verismo) to Modernism. Enza De Francisci is Lecturer in Translation Studies at the University of Glasgow.
Author: Enza De Francisci Publisher: ISBN: 9781781887837 Category : Literary Criticism Languages : en Pages : 200
Book Description
This book investigates the transposition of short stories to drama in the works of two leading Sicilian authors, Giovanni Verga (1840-1922) and Luigi Pirandello (1867-1936), focussing specifically on their representation of women. De Francisci argues that, once the female characters are transposed into the dramatic genre, they gain a voice of their own and thus become 'new' women whose antecedents can be traced to Henrik Ibsen's A Doll's House (1879). In uncovering the voices of the 'new' women, the book draws attention to the early actresses, namely Eleonora Duse (1858-1924) and Marta Abba (1900-1988), who were instrumental in transforming the female characters from their fictional existence on the page to their physical enactment on the stage, and were key influences on Verga and Pirandello respectively. By revealing the evolution of the female voice in the two authors' works and the added enrichment of this voice as a result of its transposition to the dramatic genre, the book offers new insights into why the narrative genre is so well suited to Verga's preoccupations, why the theatrical form is more effective in articulating Pirandello's umorismo, and what Pirandello's adaptations reveal about the way in which he comes to negotiate the transition from Realism (or verismo) to Modernism. Enza De Francisci is Lecturer in Translation Studies at the University of Glasgow.
Author: Luigi Pirandello Publisher: Routledge ISBN: 9783718653768 Category : Performing Arts Languages : en Pages : 203
Book Description
A collection of much previously unpublished archive material, including documents from Luigi Pirandello's theoretical essays and reviews. Emphasizing Pirandello as a multi-faceted man of the theatre, this text follows the rise and fall of his theatre company, and his work in the years of Fascism.
Author: Gale, Cengage Learning Publisher: Gale, Cengage Learning ISBN: 1410358100 Category : Literary Criticism Languages : en Pages : 40
Book Description
A Study Guide for Luigi Pirandello's "Six Characters in Search of an Author," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
Author: Ann Caesar Publisher: Oxford University Press ISBN: 9780198151760 Category : Drama Languages : en Pages : 298
Book Description
Luigi Pirandello is best known in the English-speaking world for his radical challenge to traditional Western theatre with plays such as Six Characters in Search of an Author. But theatre is just one manifestation of his experiments with language which led to a remarkable collection of novels,short stories, and essays as well as his work for a film industry then in its infancy. This study, which is based on the view that Pirandello's writings are most fruitfully discussed in a European context, takes as its starting-point the author's belief in the primacy of the literary character in acreative process which is necessarily conflictual.The book argues that all Pirandello's characters are engaged in a continual performance which transcends the genre distinction between narrative and dramatic forms. In this performance it is the spoken word in which the characters invest most heavily as they struggle to sustain an identity of theirown, tell their life-stories, and assert themselves before their most prominent antagonist, the author himself.
Author: Jerome Mazzaro Publisher: Xlibris Corporation ISBN: 9780738839264 Category : Languages : en Pages : 0
Book Description
At the turn of the twentieth century, the Italian playwright, Luigi Pirandello, sought with his dark views of reality to attack conventional social codes and the bourgeois nature of Italian theater. To do so, he took elements of his personal life and combined them with the most advanced thinking that Europe had to offer and the result was world acclaim and in 1934 a Nobel Prize in Literature. Mind Plays: Essays on Luigi Pirandello’s Theater examines his efforts in terms of six of his most celebrated and most often produced dramas. Enrico IV (Henry IV, 1922) is seen in relation to aestheticism and contemporary theories of personality and insanity. Così è (se vi pare) (Right You Are [If You Think So], 1917) is viewed against new mathematical theories and relativity. Come tu mi vuoi (As You Desire Me, 1930) is weighed against modern views of moral choice. I giganti della montagna (The Mountain Giants, 1937) is discussed in relation to contemporary interests in myth, and Il giuoco delle parti (The Rules of the Game, 1918) is seen against established theories of play. The result is what may be termed a “modernist” and “international” Pirandello, who is more in tune with other contemporary figures like David Hilbert, Henri Bergson, Sigmund Freud, and Albert Einstein that commonly emerges from examinations of his work. In earlier forms, segments of the book appeared in Comparative Drama, Essays in Literature, and Modern Drama.
Author: Enza De Francisci
Author: Enza De Francisci
Author: Luigi Pirandello
Author: Antonio Alessio
Author: Gale, Cengage Learning
Author: Luigi Pirandello
Author: Tom Bishop
Author: Luigi Pirandello
Author: Gale, Cengage Learning
Author: Ann Caesar
Author: Jerome Mazzaro