Author: Publisher:
ISBN:
Category :
Languages : fr
Pages :
Book Description
Recueil factice d'articles de presse biographiques et critiques sur Nietzsche
Author: Recueil factice d'articles de presse concernant Nietzsche
Author: Recueil factice d'articles de presse concernant Wagner et Nietzsche
Author: Prince of Europe
Author: Philip ManselPublisher: Orion Publishing Company
ISBN: 9780753818558
Category : Biography & Autobiography
Languages : en
Pages : 414
Book Description
The Habsburg courtier Charles-Joseph Prince de Ligne seduced and symbolized eighteenth-century Europe. Speaking French, the international language of the day, he travelled between Paris and St Petersburg, charming everyone he met. He stayed with Madame du Barry, dined with Frederick the Great and travelled to the Crimea with Catherine the Great. But Ligne was more than a frivolous charmer. He participated in and recorded some of the most important events and movements of his day: the Enlightenment; the struggle for mastery in Germany; the decline of the Ottoman Empire; the birth of German nationalism; and the wars to liberate Europe from Napoleon. He had surprisingly radical views, believing for example in property rights for women, legal rights for Jews and the redistribution of wealth. He was also a highly respected writer and his books on gardens, his letters from the Crimea and his epigrams are considered minor classics of French literature.
Oedipus at Thebes
Author: Bernard KnoxPublisher: Yale University Press
ISBN: 9780300074239
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
Examines the way in which Sophocles' play "Oedipus Tyrannus" and its hero, Oedipus, King of Thebes, were probably received in their own time and place, and relates this to twentieth-century receptions and interpretations, including those of Sigmund Freud.
Selected Studies
Author: Ernst Hartwig KantorowiczPublisher:
ISBN:
Category : Europe
Languages : en
Pages : 532
Book Description
English, Latin or German. "Ernst H. Kantorowicz: bibliography of writings": p. xi-xiv. Bibliographical footnotes.
Against the Madness of Manu
Author: Bhimrao Ramji AmbedkarPublisher:
ISBN: 9788189059538
Category : Caste
Languages : mr
Pages : 266
Book Description
The Pope's Body
Author: Agostino Paravicini-BaglianiPublisher: University of Chicago Press
ISBN: 9780226034379
Category : History
Languages : en
Pages : 448
Book Description
In contrast to the role traditionally fulfilled by secular rulers, the pope has been perceived as an individual person existing in a body subject to decay and death, yet at the same time a corporeal representation of Christ and the Church, eternity and salvation. Using an array of evidence from the eleventh through the fifteenth centuries, Agostino Paravicini- Bagliani addresses this paradox. He studies the rituals, metaphors, and images of the pope's body as they developed over time and shows how they resulted in the expectation that the pope's body be simultaneously physical and metaphorical. Also included is a particular emphasis on the thirteenth century when, during the pontificate of Boniface VIII (1294-1303), the papal court became the focus of medicine and the natural sciences as physicians devised ways to protect the pope's health and prolong his life. Masterfully translated from the Italian, this engaging history of the pope's body provides a new perspective for readers to understand the papacy, both historically and in our own time.
A History of Turin
Author: Anthony L. CardozaPublisher:
ISBN: 9788806181246
Category : History
Languages : it
Pages : 281
Book Description
Satie the Bohemian
Author: Steven Moore WhitingPublisher: Clarendon Press
ISBN: 0191584525
Category : Music
Languages : en
Pages : 610
Book Description
Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafés-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues, on the contrary, that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall. From the esoteric Gymnopédies to the bizarre suites of the 1910s and avant-garde ballets of the 1920s (not to mention music journalism and playwriting), Satie's output may be daunting in its sheer diversity and heterodoxy; but his radical transvaluation of received artistic values makes far better sense once placed in the fascinating context of bohemian Montmartre.