Author: [Anonymus AC10234457]Publisher:
ISBN:
Category :
Languages : fr
Pages : 936
Book Description
Recueil des actes, titres et memoires, concernant les affaires du Clerge de France ... contenant les cahiers presentes et les remontrances et harangues faites aux rois etc
Author: [Anonymus AC10234457]Publisher:
ISBN:
Category :
Languages : fr
Pages : 936
Book Description
Recueil des actes, titres et memoires concernant les affaires du clergé de France [...] Divisé en douze tomes, et mis en nouvel ordre, suivant la déliberation de l'Assemblé generale du clergé du 29. août 1705. Tome premier [- douzieme] [...] ; Recueil des actes, titres et mémoires [...] contenant les cahiers présentés, & les remontrances & harangues faites aux Rois [...] ; Abregé du Recueil des actes, titres et mémoires concernant les affaires du clergé de France, ou Table raisonnée en forme de précis [...].
![Recueil des actes, titres et memoires concernant les affaires du clergé de France [...] Divisé en douze tomes, et mis en nouvel ordre, suivant la déliberation de l'Assemblé generale du clergé du 29. août 1705. Tome premier [- douzieme] [...] ; Recueil des actes, titres et mémoires [...] contenant les cahiers présentés, & les remontrances & harangues faites aux Rois [...] ; Abregé du Recueil des actes, titres et mémoires concernant les affaires du clergé de France, ou Table raisonnée en forme de précis [...]. PDF](https://books.google.com/books/content/images/frontcover/JUnZ0AEACAAJ?fife=w80-h100)
Author: Pierre Le Merre (père)Publisher:
ISBN:
Category :
Languages : fr
Pages : 0
Book Description
Orestes
Author: VoltairePublisher: Simon and Schuster
ISBN: 1627933212
Category : Drama
Languages : en
Pages : 56
Book Description
Orestes was produced in 1750, an experiment which intensely interested the literary world and the public. In his Dedicatory Letters to the Duchess of Maine, Voltaire has the following passage on the Greek drama: "We should not, I acknowledge, endeavor to imitate what is weak and defective in the ancients: it is most probable that their faults were well known to their contemporaries. I am satisfied, Madam, that the wits of Athens condemned, as well as you, some of those repetitions, and some declamations with which Sophocles has loaded his Electra: they must have observed that he had not dived deep enough into the human heart. I will moreover fairly confess, that there are beauties peculiar not only to the Greek language, but to the climate, to manners and times, which it would be ridiculous to transplant hither. Therefore I have not copied exactly the Electra of Sophocles-much more I knew would be necessary; but I have taken, as well as I could, all the spirit and substance of it."
The Pope's Body
Author: Agostino Paravicini-BaglianiPublisher: University of Chicago Press
ISBN: 9780226034379
Category : History
Languages : en
Pages : 448
Book Description
In contrast to the role traditionally fulfilled by secular rulers, the pope has been perceived as an individual person existing in a body subject to decay and death, yet at the same time a corporeal representation of Christ and the Church, eternity and salvation. Using an array of evidence from the eleventh through the fifteenth centuries, Agostino Paravicini- Bagliani addresses this paradox. He studies the rituals, metaphors, and images of the pope's body as they developed over time and shows how they resulted in the expectation that the pope's body be simultaneously physical and metaphorical. Also included is a particular emphasis on the thirteenth century when, during the pontificate of Boniface VIII (1294-1303), the papal court became the focus of medicine and the natural sciences as physicians devised ways to protect the pope's health and prolong his life. Masterfully translated from the Italian, this engaging history of the pope's body provides a new perspective for readers to understand the papacy, both historically and in our own time.
Recueil des actes, titres et mémoires concernant les affaires du clergé de France, augmenté dʼun grand nombre de pièces & dʼobservations sur la discipline présente de lʼÉglise
Author: Recueil des actes, titres et memoires, concernant les affaires du clerge de France (etc.)
Author: Pierre LemerreRecueil des actes, titres et memoires, concernant les affaires du clerge de France (etc.)
Author: Pierre LemerreGraphic History
Author: Philip BenedictPublisher: Librairie Droz
ISBN: 9782600004404
Category : Art
Languages : en
Pages : 454
Book Description
The suite of forty prints published in Geneva in 1570 depicting the wars, massacres and troubles of the French Wars of Religion may have been the first picture history made in woodcuts or etchings that promised a geenral public a true view of great events of the recent past. This richly illustrated study reconstructs the gradual elaboration of this experimental work, situating it within the previously untold story of the use of the graphic arts to report the news in the fist centuries of European printmaking. Successive chapters explore the pictorial traditions that inspired the printmakers, examine how they gathered their information, assess the reliability of the scenes, and analyze the historical vision informing the series. Part 2 reproduces the full suite with commentary in double page fold-outs. Through the study of a single print series, lost chapters in the history of jorunalism, of the graphic arts, and of Protestant historical consciousness re-emerge.
Recueil des actes, titres et memoires, concernant les affaires du clerge de France (etc.)
Author: Pierre LemerreThe Judgment of Palaemon
Author: Philip FordPublisher: BRILL
ISBN: 9004245391
Category : History
Languages : en
Pages : 287
Book Description
In Virgil's third Eclogue, Palaemon concludes the poetry competition between Menalcas and Damoetas by saying that he cannot choose between them, a judgment that is emblematic of the contest between Neo-Latin and vernacular poetry in Renaissance France. Both forms of poetry draw on similar roots, both are equally accomplished, and the contest between them is largely amicable. The Judgment of Palaement illustrates the almost symbiotic relationship between Renaissance Latin and French poetry, while exploring poets' motivation for choosing one language over another, the different challenges each form of writing involved, and the extent of the collaboration between different language communities. It focuses on some of the major writers of the period, as well as less known ones, and on genres specific to humanist poetry. It shows that composing in Latin was often considered more natural than writing in the vernacular, at a time when many Frenchmen's mother tongue was a non-standard French dialect or distinct language. Book jacket.