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Author: Eric Cline Publisher: Princeton University Press ISBN: 069121302X Category : Comics & Graphic Novels Languages : en Pages : 256
Book Description
A beautiful, full-color graphic version of Eric Cline’s bestselling 1177 B.C., adapted by award-winning author-illustrator Glynnis Fawkes Eric Cline’s 1177 B.C. tells the story of one of history’s greatest mysteries: what caused the ancient civilizations of the Aegean and Eastern Mediterranean to collapse more than three thousand years ago, bringing the Late Bronze Age to an abrupt end? In this vivid and captivating full-color graphic adaptation of the landmark book, author-illustrator Glynnis Fawkes invites us to follow two young friends living in the aftermath of the cataclysm as they unravel why it happened—and reveal important lessons for today’s interconnected and vulnerable world. Pel, a member of the marauding Sea Peoples, and Shesha, an Egyptian scribe, visit the kingdoms of the Minoans, Mycenaeans, Hittites, Canaanites, Assyrians, and Egyptians to explore the calamities that brought them down. This graphic history depicts the people, events, art, architecture, and lands that Pel and Shesha encounter. We witness the Sea Peoples’ battles on land and sea, earthquakes on the Greek mainland, droughts and famine in Anatolia, invasions in north Syria, and possible rebellions in Canaan. Along the way, we also learn about the assassination of a Hittite prince traveling to marry an Egyptian queen, the sinking of a merchant ship laden with international goods, and the return of a pair of sandals to Crete by the Babylonian king Hammurabi. An entertaining adventure story, this dazzling comic is also historically accurate and enlightening, inviting readers of all ages to think about the surprising factors and theories that explain why societies, whether ancient or modern, die or survive when struck by catastrophes.
Author: Eric Cline Publisher: Princeton University Press ISBN: 069121302X Category : Comics & Graphic Novels Languages : en Pages : 256
Book Description
A beautiful, full-color graphic version of Eric Cline’s bestselling 1177 B.C., adapted by award-winning author-illustrator Glynnis Fawkes Eric Cline’s 1177 B.C. tells the story of one of history’s greatest mysteries: what caused the ancient civilizations of the Aegean and Eastern Mediterranean to collapse more than three thousand years ago, bringing the Late Bronze Age to an abrupt end? In this vivid and captivating full-color graphic adaptation of the landmark book, author-illustrator Glynnis Fawkes invites us to follow two young friends living in the aftermath of the cataclysm as they unravel why it happened—and reveal important lessons for today’s interconnected and vulnerable world. Pel, a member of the marauding Sea Peoples, and Shesha, an Egyptian scribe, visit the kingdoms of the Minoans, Mycenaeans, Hittites, Canaanites, Assyrians, and Egyptians to explore the calamities that brought them down. This graphic history depicts the people, events, art, architecture, and lands that Pel and Shesha encounter. We witness the Sea Peoples’ battles on land and sea, earthquakes on the Greek mainland, droughts and famine in Anatolia, invasions in north Syria, and possible rebellions in Canaan. Along the way, we also learn about the assassination of a Hittite prince traveling to marry an Egyptian queen, the sinking of a merchant ship laden with international goods, and the return of a pair of sandals to Crete by the Babylonian king Hammurabi. An entertaining adventure story, this dazzling comic is also historically accurate and enlightening, inviting readers of all ages to think about the surprising factors and theories that explain why societies, whether ancient or modern, die or survive when struck by catastrophes.
Author: Tallay Ornan Publisher: Saint-Paul ISBN: 9783525530078 Category : History Languages : en Pages : 318
Book Description
This book analyzes the history of Mesopotamian imagery form the mid-second to mid-first millennium BCE. It demonstrates that in spite of rich textual evidence, which grants the Mesopotamian gods and goddesses an anthropmorphic form, there was a clear abstention in various media from visualizing the gods in such a form. True, divine human-shaped cultic images existed in Mesopotamian temples. But as a rule, non-anthropomorphic visual agents such as inanimate objects, animals or fantastic hybrids replaced these figures when they were portrayed outside of their sacred enclosures. This tendency reached its peak in first-millennium Babylonia and Assyria. The removal of the Mesopotamian human-shaped deity from pictorial renderings resembles the Biblical agenda not only in its avoidance of displaying a divine image but also in the implied dual perception of the divine: according to the Bible and the Assyro-Babylonian concept the divine was conceived as having a human form; yet in both cases anthropomorphism was also concealed or rejected, though to a different degree. In the present book, this dual approach toward the divine image is considered as a reflection of two associated rather than contradictory religious worldviews. The plausible consolidation of the relevant Biblical accounts just before the Babylonian Exile, or more probably within the Exile - in both cases during a period of strong Assyrian and Babylonian hegemony - points to a direct correspondence between comparable religious phenomena. It is suggested that far from their homeland and in the absence of a temple for their god, the Judahite deportees adopted and intensified the Mesopotamian avoidance of anthropomorphic picorial portrayals of deities. While the Babylonian representations remained confined to temples, the exiles would have turned a cultic reality - i.e., the nonwritten Babylonian custom - into a written, articulated law that explicity forbade the pictorial representation of God.
Author: Hayim Tadmor Publisher: Penn State Press ISBN: 1575066572 Category : History Languages : en Pages : 246
Book Description
The Royal Inscriptions of Tiglath-pileser III (744–727 BC) and Shalmaneser V (726–722 BC), Kings of Assyria (Royal Inscriptions of the Neo-Assyrian Period 1) carries on where the Assyrian Periods sub-series of the Royal Inscriptions of Mesopotamia (RIM) Project ended. The volume provides reliable, up-to-date editions of seventy-three royal inscriptions of Tiglath-pileser III and of his son and immediate successor Shalmaneser V, eleven late Neo-Assyrian inscriptions which may be attributed to one of those two eighth-century rulers, and eight texts commissioned by Assyrian queens and high-ranking officials. Following the style of the now-defunct RIM series, each text edition (with its English translation) is supplied with a brief introduction containing general information, a catalogue containing basic information about all exemplars, a commentary containing further technical information and notes, and a comprehensive bibliography. RINAP 1 also includes: (1) a general introduction to the reigns of Tiglath-pileser III and Shalmaneser V, the corpus of inscriptions, previous studies, and dating and chronology; (2) translations of the relevant passages of Mesopotamian king lists and chronicles; (3) several photographs of objects inscribed with texts of Tiglath-pileser III and Shalmaneser V; (4) indices of museum and excavation numbers and selected publications; and (5) indices of proper names (Personal Names; Geographic, Ethnic, and Tribal Names; Divine Names; Gate, Palace, and Temple Names; and Object Names). The RINAP Project is under the direction of G. Frame (University of Pennsylvania) and is supported by the National Endowment for the Humanities.
Author: Eric Cline
Author: Eric Cline
Author: Tallay Ornan
Author: John EADIE (LL.D.)
Author: Hayim Tadmor
Author: Franz Marius Theodor Böhl
Author: John Eadie
Author: Shlomo Izre'el
Author: John Eadie
Author: Ilan Peled
Author: John Huehnergard