Author: Jeanne Boulignat (Chirurgien dentaire)Publisher:
ISBN:
Category :
Languages : fr
Pages : 120
Book Description
Reconstitution de l'angle fracture de l'incisive centrale supérieure adulte vivante
Author: Jeanne Boulignat (Chirurgien dentaire)Publisher:
ISBN:
Category :
Languages : fr
Pages : 120
Book Description
Fracture d'un angle d'une incisive centrale supérieure permanente avec conservation de la vitalité et propositions de reconstitution en dentisterie restauratrice
Author: Jean PalmierFractures de l'incisive centrale supérieure permanente chez l'enfant
Author: Philippe OuttersArkadia
Author: Thomas Heine NielsenPublisher: Kgl. Danske Videnskabernes Selskab
ISBN: 9788778761606
Category : Arkadia (Greece)
Languages : en
Pages : 512
Book Description
This Thing of Darkness
Author: Joan NeubergerPublisher: Cornell University Press
ISBN: 1501732781
Category : Performing Arts
Languages : en
Pages : 507
Book Description
This Thing of Darkness, Joan Neuberger's engrossing production history of Sergei Eisenstein's Ivan the Terrible, is a major contribution to the study of Eisenstein and thus informs the history and theory of cinema and the study of Soviet culture and politics. Neuberger's ability to mine, interpret, and connect Eisenstein's voluminous, intriguingly digressive writings makes this book exceptional.— Karla Oeler, Stanford University Sergei Eisenstein's unfinished masterpiece, Ivan the Terrible, was no ordinary movie. Commissioned by Joseph Stalin in 1941 to justify state terror in the sixteenth century and in the twentieth, the film's politics, style, and epic scope aroused controversy even before it was released. In This Thing of Darkness, Joan Neuberger offers a sweeping account of the conception, making, and reception of Ivan the Terrible that weaves together Eisenstein's expansive thinking and experimental practice with a groundbreaking new view of artistic production under Stalin. Drawing on Eisenstein's unpublished production notebooks, diaries, and manuscripts, Neuberger's riveting narrative chronicles Eisenstein's personal, creative, and political challenges and reveals the ways cinematic invention, artistic theory, political critique, and historical and psychological analysis went hand in hand in this famously complex film. Neuberger's bold arguments and daring insights into every aspect of Eisenstein's work during this period, together with her ability to lucidly connect his wide-ranging late theory with his work on Ivan, show the director exploiting the institutions of Soviet artistic production not only to expose the cruelties of Stalin and his circle but to challenge the fundamental principles of Soviet ideology itself. Ivan the Terrible, she argues, shows us one of the world's greatest filmmakers and one of the 20th century's greatest artists observing the world around him and experimenting with every element of film art to explore the psychology of political ambition, uncover the history of recurring cycles of violence and lay bare the tragedy of absolute power.
Nonindifferent Nature
Author: Sergei EisensteinPublisher: Cambridge ; New York : Cambridge University Press
ISBN:
Category : Performing Arts
Languages : nl
Pages : 494
Book Description
Theorieën van de Russische filmregisseur (1898-1948) over de vele mogelijkheden van het medium film
Max's Sandwich Book
Author: Max HalleyPublisher: Bonnier Publishing Ltd.
ISBN: 1911600842
Category : Cooking
Languages : en
Pages : 304
Book Description
THE SUNDAY TIMES BESTSELLER AS SEEN ON SUNDAY BRUNCH "GENIUS ... CHANGED THE WAY I'M GOING TO EAT FROM NOW ON ... THESE SANDWICHES ARE EPIC!" THE HAIRY BIKERS Max's Sandwich Book is the ultimate guide to creating perfection between two slices of bread. Max Halley owns Britain's most amazing sandwich shop. After working in some of the country's best restaurants, he realised that the sandwich, humanity's greatest invention, was due a renaissance. So Max decided to open his own place and reinvent the sandwich forever. Inside this book you will find: · Award-winning creations from his shop · Inspired variations on classic sandwiches · Brilliant, delicious ways to use your leftovers · Sandwiches for breakfast · Sandwiches for dinner · Sandwiches for dessert · And more than 100 recipes for making your own ingenious creations at home. Ham, Egg & Chips never tasted so good. Max is the owner of Max's Sandwich Shop in Crouch End, winner of the Observer Food Monthly Award for Best Cheap Eat in 2015. "Amazing" Russell Norman, author of Polpo "Max is a sensation!" Meera Sodha "The Ham, Egg & Chips is the best sandwich I've ever eaten in my life" Simon Rimmer, Sunday Brunch "Very, very good" Evening Standard
Metamorphoses
Author: Emanuele CocciaPublisher: John Wiley & Sons
ISBN: 1509545689
Category : Philosophy
Languages : en
Pages : 180
Book Description
We are all fascinated by the mystery of metamorphosis – of the caterpillar that transforms itself into a butterfly. Their bodies have almost nothing in common. They don’t share the same world: one crawls on the ground and the other flutters its wings in the air. And yet they are one and the same life. Emanuele Coccia argues that metamorphosis – the phenomenon that allows the same life to subsist in disparate bodies – is the relationship that binds all species together and unites the living with the non-living. Bacteria, viruses, fungi, plants, animals: they are all one and the same life. Each species, including the human species, is the metamorphosis of all those that preceded it – the same life, cobbling together a new body and a new form in order to exist differently. And there is no opposition between the living and the non-living: life is always the reincarnation of the non-living, a carnival of the telluric substance of a planet – the Earth – that continually draws new faces and new ways of being out of even the smallest particle of its disparate body. By highlighting what joins humans together with other forms of life, Coccia’s brilliant reflection on metamorphosis encourages us to abandon our view of the human species as static and independent and to recognize instead that we are part of a much larger and interconnected form of life.
In Excess
Author: Masha SalazkinaPublisher: University of Chicago Press
ISBN: 0226734161
Category : Performing Arts
Languages : en
Pages : 232
Book Description
During the 1920s and ’30s, Mexico attracted an international roster of artists and intellectuals—including Orson Welles, Katherine Anne Porter, and Leon Trotsky—who were drawn to the heady tumult engendered by battling cultural ideologies in an emerging center for the avant-garde. Against the backdrop of this cosmopolitan milieu, In Excess reconstructs the years that the renowned Soviet director Sergei Eisenstein spent in the country to work on his controversial film ¡Que Viva Mexico! Illuminating the inextricability of Eisenstein’s oeuvre from the global cultures of modernity and film, Masha Salazkina situates this unfinished project within the twin contexts of postrevolutionary Mexico and the ideas of such contemporaneous thinkers as Walter Benjamin. In doing so, Salazkina explains how Eisenstein’s engagement with Mexican mythology, politics, and art deeply influenced his ideas, particularly about sexuality. She also uncovers the role Eisenstein’s bisexuality played in his creative thinking and identifies his use of the baroque as an important turn toward excess and hybrid forms. Beautifully illustrated with rare photographs, In Excess provides the most complete genealogy available of major shifts in this modern master’s theories and aesthetics.
Eisenstein on Paper
Author: Naum KleimanPublisher: National Geographic Books
ISBN: 0500093938
Category : Art
Languages : en
Pages : 0
Book Description
The first comprehensive book on the extensive, yet rarely seen, graphic works of pioneering filmmaker Sergei Eisenstein Sergei Eisenstein is regarded as one of cinema’s greatest revolutionaries. Less well known is that he was also a prolific graphic artist who drew compulsively as a means of expressing his ideas. Arranged chronologically, Eisenstein on Paper is divided into six chapters, each prefaced by short texts relating to the graphic works of each distinct period, and interwoven with excerpts from Eisenstein’s own essays and diary entries. In 1930 Eisenstein traveled to the United States and then Mexico, where he produced hundreds of drawings influenced by ancient and contemporary Mexican art. Forced to return to Russia in 1932, Eisenstein came under the scrutiny of the Communist government and, struggling to make further films without political interference, turned again to sketching for artistic freedom. By the end of his life, he had pared his style down to the utmost simplicity and sincerity. Despite completing relatively few films in his lifetime, Eisenstein made several thousand drawings. Eisenstein on Paper is the product of a groundbreaking collaboration with RGALI, the Russian State Archive of Arts and Literature, and is a fitting tribute to an incredible graphic talent.