Author: Mary Elizabeth Fullerton Publisher: Ann Arbor, Mich. : University Microfilms International ISBN: Category : Indians in literature Languages : en Pages : 436
Author: Steven C. Brown Publisher: University of Washington Press ISBN: 9780295976570 Category : Art Languages : en Pages : 216
Book Description
Featuring over two hundred illustrations of Northwest Coast Native American art, examines the chronology shown by changes in design forms and traces style developments from the prehistoric era to the present day.
Author: Don McQuiston Publisher: Chronicle Books ISBN: 9780811808590 Category : Photography Languages : en Pages : 0
Book Description
Compelling photographs of Northwest Indian art—and images of the stunning landscape vistas that have shaped it—fill this gorgeous new volume for fans of these increasingly popular, collectable artifacts, as well as for the many travelers to the Pacific Northwest. Throughout Northern California, Oregon, and Washington, and as far north as Glacier Bay, Alaska, the totem poles, ceremonial masks, decorative blankets, canoes, and other elaborate items crafted by Native Americans reflect the resources and geological diversity of their abundant environment. Over 130 full-color photographs and a fascinating text reveal the details of this strikingly beautiful region and the rich artistic heritage of its inhabitants. An exciting companion to Spirit Faces: Contemporary Native American Masks from the Northwest (Chronicle Books, Spring 1995), this evocative book will be both an essential acquisition and a memorable souvenir.
Author: Bill Holm Publisher: ISBN: 9780888941725 Category : Indian art Languages : en Pages : 115
Book Description
It is apparent that there was, on the Northwest Coast, a highly developed system for the organization of form and space in two-dimensional design as an adjunct to the well-known symbolism. Design ranging from nearly realistic representation to abstraction resulted from the application of the principles of this system.--from Northwest Coast Indian Art "A genuinely analytical study of the basic elements of form which characterizes a particular aboriginal art... . The text is clear and brings truly fresh understanding and appreciation to a complex art; it also contributes a concept of analysis which should be applied to other areas. The book is well designed and very well illustrated."--Choice
Author: Lloyd James Averill Publisher: ISBN: 9780295974682 Category : Art Languages : en Pages : 215
Book Description
Artifacts and images associated with Northwest Coast Natives have intrigued visitors to this coastal region for centuries. Who has not been awed by the spectacle of Thunderbird, magnificent wings outstretched, atop a totem pole, or felt the power of the image of Sisiutl, the two-headed supernatural serpent? Until now, no resource guide has existed to inform visitors, as well as those who live in western Washington, about the rich heritage of Native arts, traditional and contemporary, that is a major feature of the area. Northwest Coast Native and Native-Style Art is designed to meet the need for such information. The guidebook covers sites from the Oregon line to the Canadian border and from the western slope of the Cascades to the Pacific coast. It embraces an art tradition that displays significant cultural continuity from the mouth of the Columbia River to Yakutat Bay and features art by Native and non-Native artists alike. The authors’ goal was to include every publicly accessible art object located within western Washington, whether the cultural tradition it represents originates in western Washington, British Columbia, or southeastern Alaska—the region customarily defined as the Northwest Coast. In separate chapters based on five geographic zones, each accompanied by a map showing the sites to be discussed, the authors locate objects in public places; describe museum collections and tribal displays; identify retail outlets—both private galleries and museum shops—that sell Northwest Coast Native and Native-style art; provide information about recognized artists who are at work in western Washington, British Columbia, and southeastern Alaska; locate educational courses and programs designed to enhance understanding of regional arts; and list opportunities to see the art in use, for example, at powwows and in museum programs. This informative, illustrated, and easy-to-use guide will be a valuable resource for those interested in the arts and cultures of the region—from students at all levels of expertise to collectors and artists. It is a book that is long overdue and that will be a welcome addition to the library of anyone who loves the arts of the Native peoples of the Northwest Coast.
Author: Philip J. Deloria Publisher: Yale University Press ISBN: 0300153600 Category : History Languages : en Pages : 271
Book Description
The Boston Tea Party, the Order of Red Men, Camp Fire Girls, Boy Scouts, Grateful Dead concerts: just a few examples of white Americans' tendency to appropriate Indian dress and act out Indian roles "A valuable contribution to Native American studies."—Kirkus Reviews This provocative book explores how white Americans have used their ideas about Native Americans to shape national identity in different eras—and how Indian people have reacted to these imitations of their native dress, language, and ritual. At the Boston Tea Party, colonial rebels played Indian in order to claim an aboriginal American identity. In the nineteenth century, Indian fraternal orders allowed men to rethink the idea of revolution, consolidate national power, and write nationalist literary epics. By the twentieth century, playing Indian helped nervous city dwellers deal with modernist concerns about nature, authenticity, Cold War anxiety, and various forms of relativism. Deloria points out, however, that throughout American history the creative uses of Indianness have been interwoven with conquest and dispossession of the Indians. Indian play has thus been fraught with ambivalence—for white Americans who idealized and villainized the Indian, and for Indians who were both humiliated and empowered by these cultural exercises. Deloria suggests that imagining Indians has helped generations of white Americans define, mask, and evade paradoxes stemming from simultaneous construction and destruction of these native peoples. In the process, Americans have created powerful identities that have never been fully secure.