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Author: Di Meiliuguang Publisher: Funstory ISBN: 1647679273 Category : Fiction Languages : en Pages : 1322
Book Description
I leaned on a few small, green, green five fingers, slender and delicate. I turned the palm, but because of the excessive calligraphy, it became slightly calluses. The veins intertwined on his palm and shattered into tiny pieces. The judge said, "My life will be difficult."I have never believed in these things, the fate of men, three days preordained, seven by myself.
Author: Di Meiliuguang Publisher: Funstory ISBN: 1647679273 Category : Fiction Languages : en Pages : 1322
Book Description
I leaned on a few small, green, green five fingers, slender and delicate. I turned the palm, but because of the excessive calligraphy, it became slightly calluses. The veins intertwined on his palm and shattered into tiny pieces. The judge said, "My life will be difficult."I have never believed in these things, the fate of men, three days preordained, seven by myself.
Author: Leo Shingchi Yip Publisher: Lexington Books ISBN: 149852060X Category : Literary Criticism Languages : en Pages : 231
Book Description
China Reinterpreted is the first comprehensive study on the representation of Chinese figures and motifs in Muromachi Japanese noh theater. Given that China had a strong influence on Japanese culture from the sixth to the early seventeenth centuries, research on Japanese reception of Chinese culture abounds.This book examines how noh theater integrated earlier reception of Chinese culture in various disciplines to produce its reinterpretation of China and Chinese culture on stage. Centering on a group of noh plays that features Chinese characters and motifs, China Reinterpreted explores not only the different means and methods of adaptation, but also the intricate (re)construction of diverse and complex images of China. This studysituates the selected Chinese plays in the context of the dramaturgy and artistic conventions of noh, as well as the sociopolitical stances and artistic preferences of the audiences, and thus highlights the aesthetics, cultural, and sociopolitical agendas of noh theater of the time. By analyzing the various images of China (Japan’s cultural Other) staged in Muromachi noh theater, China Reinterpreted offers a case study of the representation of the Other in an intra-Asia context.
Author: Mark Edward Lewis Publisher: Harvard University Press ISBN: 0674265416 Category : History Languages : en Pages : 367
Book Description
The Tang dynasty is often called China’s “golden age,” a period of commercial, religious, and cultural connections from Korea and Japan to the Persian Gulf, and a time of unsurpassed literary creativity. Mark Lewis captures a dynamic era in which the empire reached its greatest geographical extent under Chinese rule, painting and ceramic arts flourished, women played a major role both as rulers and in the economy, and China produced its finest lyric poets in Wang Wei, Li Bo, and Du Fu. The Chinese engaged in extensive trade on sea and land. Merchants from Inner Asia settled in the capital, while Chinese entrepreneurs set off for the wider world, the beginning of a global diaspora. The emergence of an economically and culturally dominant south that was controlled from a northern capital set a pattern for the rest of Chinese imperial history. Poems celebrated the glories of the capital, meditated on individual loneliness in its midst, and described heroic young men and beautiful women who filled city streets and bars. Despite the romantic aura attached to the Tang, it was not a time of unending peace. In 756, General An Lushan led a revolt that shook the country to its core, weakening the government to such a degree that by the early tenth century, regional warlordism gripped many areas, heralding the decline of the Great Tang.
Author: Ya FengShiJie Publisher: Funstory ISBN: 1648463797 Category : Fiction Languages : en Pages : 674
Book Description
It was a pity that she, who was originally a modern woman in Mortal Realm, was pulled into the human realm by a fox dog.In order to repay her gratitude, she searched for his reincarnation.However, one was cold, lazy, and fickle.One had a clear and cold temperament, but was like a peerless fairy.How should she choose? Who was his reincarnation?The other was a love affair that had lasted for thousands of years in Heaven Realm.One is a brief love affair of Mortal Realm VII,How should she choose?Well, I'm going to run away with Teddy.And yet —The world is unpredictable, you can't run away.
Author: Doris G. Bargen Publisher: University of Hawaii Press ISBN: 082485733X Category : History Languages : en Pages : 401
Book Description
Literary critiques of Murasaki Shikibu's eleventh-century The Tale of Genji have often focused on the amorous adventures of its eponymous hero. In this paradigm-shifting analysis of the Genji and other mid-Heian literature, Doris G. Bargen emphasizes the thematic importance of Japan’s complex polygynous kinship system as the domain within which courtship occurs. Heian courtship, conducted mainly to form secondary marriages, was driven by power struggles of succession among lineages that focused on achieving the highest position possible at court. Thus interpreting courtship in light of genealogies is essential for comprehending the politics of interpersonal behavior in many of these texts. Bargen focuses on the genealogical maze—the literal and figurative space through which several generations of men and women in the Genji moved. She demonstrates that courtship politics sought to control kinship by strengthening genealogical lines, while secret affairs and illicit offspring produced genealogical uncertainty that could be dealt with only by reconnecting dissociated lineages or ignoring or even terminating them. The work examines in detail the literary construction of a courtship practice known as kaimami, or “looking through a gap in the fence,” in pre-Genji tales and diaries, and Sei Shōnagon’s famous Pillow Book. In Murasaki Shikibu’s Genji, courtship takes on multigenerational complexity and is often used as a political strategy to vindicate injustices, counteract sexual transgressions, or resist the pressure of imperial succession. Bargen argues persuasively that a woman observed by a man was not wholly deprived of agency: She could choose how much to reveal or conceal as she peeked through shutters, from behind partitions, fans, and kimono sleeves, or through narrow carriage windows. That mid-Heian authors showed courtship in its innumerable forms as being influenced by the spatial considerations of the Heian capital and its environs and by the architectural details of the residences within which aristocratic women were sequestered adds a fascinating topographical dimension to courtship. In Mapping Courtship and Kinship in Classical Japan readers both familiar with and new to The Tale of Genji and its predecessors will be introduced to a wholly new interpretive lens through which to view these classic texts. In addition, the book includes charts that trace Genji characters’ lineages, maps and diagrams that plot the movements of courtiers as they make their way through the capital and beyond, and color reproductions of paintings that capture the drama of courtship.
Author: Di Meiliuguang
Author: Di Meiliuguang
Author: Leo Shingchi Yip
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Author: Robert Huish
Author: Mark Edward Lewis
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Author: Ya FengShiJie![Select extracts and beauties ... from ... sermons ... on the ... demise ... of ... the princess Charlotte, by divines of the Church establishment [&c.] by the editor of the Biographical memoir of her royal highness PDF](https://books.google.com/books/content/images/frontcover/CUQVAAAAQAAJ?fife=w80-h100)
Author: Charlotte Augusta (princess of Gt. Britain.)
Author: Doris G. Bargen
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