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Author: Luis Alvarez Publisher: University of Texas Press ISBN: 147732450X Category : Social Science Languages : en Pages : 239
Book Description
2023 Honorable Mention Best History Book, International Latino Book Awards Broad and encompassing examination of Chicanx popular culture since World War II and the utopian visions it articulated Amid the rise of neoliberalism, globalization, and movements for civil rights and global justice in the post–World War II era, Chicanxs in film, music, television, and art weaponized culture to combat often oppressive economic and political conditions. They envisioned utopias that, even if never fully realized, reimagined the world and linked seemingly disparate people and places. In the latter half of the twentieth century, Chicanx popular culture forged a politics of the possible and gave rise to utopian dreams that sprang from everyday experiences. In Chicanx Utopias, Luis Alvarez offers a broad study of these utopian visions from the 1950s to the 2000s. Probing the film Salt of the Earth, brown-eyed soul music, sitcoms, poster art, and borderlands reggae music, he examines how Chicanx pop culture, capable of both liberation and exploitation, fostered interracial and transnational identities, engaged social movements, and produced varied utopian visions with divergent possibilities and limits. Grounded in the theoretical frameworks of Walter Benjamin, Stuart Hall, and the Zapatista movement, this book reveals how Chicanxs articulated pop cultural utopias to make sense of, challenge, and improve the worlds they inhabited.
Author: Luis Alvarez Publisher: University of Texas Press ISBN: 147732450X Category : Social Science Languages : en Pages : 239
Book Description
2023 Honorable Mention Best History Book, International Latino Book Awards Broad and encompassing examination of Chicanx popular culture since World War II and the utopian visions it articulated Amid the rise of neoliberalism, globalization, and movements for civil rights and global justice in the post–World War II era, Chicanxs in film, music, television, and art weaponized culture to combat often oppressive economic and political conditions. They envisioned utopias that, even if never fully realized, reimagined the world and linked seemingly disparate people and places. In the latter half of the twentieth century, Chicanx popular culture forged a politics of the possible and gave rise to utopian dreams that sprang from everyday experiences. In Chicanx Utopias, Luis Alvarez offers a broad study of these utopian visions from the 1950s to the 2000s. Probing the film Salt of the Earth, brown-eyed soul music, sitcoms, poster art, and borderlands reggae music, he examines how Chicanx pop culture, capable of both liberation and exploitation, fostered interracial and transnational identities, engaged social movements, and produced varied utopian visions with divergent possibilities and limits. Grounded in the theoretical frameworks of Walter Benjamin, Stuart Hall, and the Zapatista movement, this book reveals how Chicanxs articulated pop cultural utopias to make sense of, challenge, and improve the worlds they inhabited.
Author: Alejandro L. Madrid Publisher: Oxford University Press ISBN: 0199876118 Category : Music Languages : en Pages : 425
Book Description
Through the study of a large variety of musical practices from the U.S.-Mexico border, Transnational Encounters seeks to provide a new perspective on the complex character of this geographic area. By focusing not only on norteña, banda or conjunto musics (the most stereotypical musical traditions among Hispanics in the area) but also engaging a number of musical practices that have often been neglected in the study of this border's history and culture (indigenous musics, African American musical traditions, pop musics), the authors provide a glance into the diversity of ethnic groups that have encountered each other throughout the area's history. Against common misconceptions about the U.S.-Mexico border as a predominant Mexican area, this book argues that it is diversity and not homogeneity which characterizes it. From a wide variety of disciplinary and multidisciplinary enunciations, these essays explore the transnational connections that inform these musical cultures while keeping an eye on their powerful local significance, in an attempt to redefine notions like "border," "nation," "migration," "diaspora," etc. Looking at music and its performative power through the looking glass of cultural criticism allows this book to contribute to larger intellectual concerns and help redefine the field of U.S.-Mexico border studies beyond the North/South and American/Mexican dichotomies. Furthermore, the essays in this book problematize some of the widespread misconceptions about U.S.-Mexico border history and culture in the current debate about immigration.
Author: Ingrid Kummels Publisher: Berghahn Books ISBN: 1785335839 Category : Photography Languages : en Pages : 354
Book Description
Transborder Media Spaces offers a new perspective on how media forms like photography, video, radio, television, and the Internet have been appropriated by Mexican indigenous people in the light of transnational migration and ethnopolitical movements. In producing and consuming self-determined media genres, actors in Tamazulapam Mixe and its diaspora community in Los Angeles open up media spaces and seek to forge more equal relations both within Mexico and beyond its borders. It is within these spaces that Ayuujk people carve out their own, at times conflicting, visions of development, modernity, gender, and what it means to be indigenous in the twenty-first century.
Author: Michael Barnett Publisher: Wipf and Stock Publishers ISBN: 1725297027 Category : Social Science Languages : en Pages : 200
Book Description
"This Movement is Not About the Man Alone": Toward a Rastafari Woman's Studies Shamara Wyllie Alhassan Testimony: Charting the Matriarchal Shift in the Rastafari Movement Deena-Marie Beresford Shifting Models of Group Formation: Communes, Houses and Mansions of Rastafari Ennis B. Edmonds The Legacy of Charismatic Leadership in the Rastafari Movement Michael Barnett A Rastafari Cultural Institution: Herb Camps in the City Jahlani Niaah Bob Marley, Emerging Rasta 1966-1970 Dean MacNeil Black Racial Identity Theory, Nigrescence, Rastafari: Propositions on Black and Rastafari Identity Charles Price Livity and Law Richard C. Salter "They took us by boat and we're coming back by plane": An Assessment of Rastafari and Repatriation Giulia Bonacci Rastafari Citizenship Strategies in Ethiopia: Ethnic Existence, Diaspora Claims, Resident Identification Erin C. Macleod Testimony: Ivan Coore, a Rastafari in the Promised Land Derek Bishton Commentary: Reflections on 2020 through a Rastafari Lens Michael Barnett
Author: Michael Barnett Publisher: Routledge ISBN: 1134816995 Category : Religion Languages : en Pages : 220
Book Description
The Rastafari Movement: A North American and Caribbean Perspective provides a historical and ideological overview of the Rastafari movement in the context of its early beginnings in the island of Jamaica and its eventual establishment in other geographic locations. Building on previous scholarship and the author's own fieldwork, the text goes on to provide a rich comparative analysis of the Rastafari movement with other Black theological movements, specifically the Nation of Islam and the Black Hebrew Israelites in the context of the United States. The text explores the following topics: • Pan-Africanism, Black nationalism and Rastafari; • gender dynamics; • globalization; • concepts and symbols; • other Black theological movements. This text is ideal for students of religious studies, sociology, anthropology, African Diaspora studies, African American studies, and Black studies who wish to gain an understanding of the history and beliefs of the Rastafari Movement.
Author: Luis Alvarez Publisher: Univ of California Press ISBN: 0520934210 Category : History Languages : en Pages : 337
Book Description
Flamboyant zoot suit culture, with its ties to fashion, jazz and swing music, jitterbug and Lindy Hop dancing, unique patterns of speech, and even risqué experimentation with gender and sexuality, captivated the country's youth in the 1940s. The Power of the Zoot is the first book to give national consideration to this famous phenomenon. Providing a new history of youth culture based on rare, in-depth interviews with former zoot-suiters, Luis Alvarez explores race, region, and the politics of culture in urban America during World War II. He argues that Mexican American and African American youths, along with many nisei and white youths, used popular culture to oppose accepted modes of youthful behavior, the dominance of white middle-class norms, and expectations from within their own communities.
Author: Luis Alvarez
Author: Luis Alvarez
Author: Alejandro L. Madrid
Author: Ingrid Kummels
Author: Michael Barnett
Author: 
Author: Michael Barnett
Author: Anton Melik
Author: Fisheries Research Board of Canada
Author: Nathan Bailey
Author: Luis Alvarez