Author: Raymond Queneau
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Fiction
Languages : en
Pages : 112
Book Description
The French writer Raymond Queneau (1903-1976) is coming to be recognized as one of the major voices in 20th-century literature. Although twelve of his novels have been translated, Chêne et Chien, considered by specialists to be the keystone of his oeuvre, has not until now been available in English. Labeled a «novel in verse» by Queneau, this autobiographical poem recounts the poet's childhood, portions of that childhood revisited through psychoanalysis, and finally his joy at finding himself whole. The translator's introduction situates the work in Queneau's life and oeuvre, addresses the problem of poetry as autobiography, examines the structure of the poem itself and discusses the difficulties of translating Queneu's many moods and rich wordplay into English verse. Explanatory notes complete the volume.
Raymond Queneau's Chêne Et Chien
Author: Raymond Queneau
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Fiction
Languages : en
Pages : 112
Book Description
The French writer Raymond Queneau (1903-1976) is coming to be recognized as one of the major voices in 20th-century literature. Although twelve of his novels have been translated, Chêne et Chien, considered by specialists to be the keystone of his oeuvre, has not until now been available in English. Labeled a «novel in verse» by Queneau, this autobiographical poem recounts the poet's childhood, portions of that childhood revisited through psychoanalysis, and finally his joy at finding himself whole. The translator's introduction situates the work in Queneau's life and oeuvre, addresses the problem of poetry as autobiography, examines the structure of the poem itself and discusses the difficulties of translating Queneu's many moods and rich wordplay into English verse. Explanatory notes complete the volume.
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Fiction
Languages : en
Pages : 112
Book Description
The French writer Raymond Queneau (1903-1976) is coming to be recognized as one of the major voices in 20th-century literature. Although twelve of his novels have been translated, Chêne et Chien, considered by specialists to be the keystone of his oeuvre, has not until now been available in English. Labeled a «novel in verse» by Queneau, this autobiographical poem recounts the poet's childhood, portions of that childhood revisited through psychoanalysis, and finally his joy at finding himself whole. The translator's introduction situates the work in Queneau's life and oeuvre, addresses the problem of poetry as autobiography, examines the structure of the poem itself and discusses the difficulties of translating Queneu's many moods and rich wordplay into English verse. Explanatory notes complete the volume.
Raymond Queneau’s Dubliners
Author: James Patrick Gosling
Publisher: Cambridge Scholars Publishing
ISBN: 1527539903
Category : History
Languages : en
Pages : 241
Book Description
This work is a broad-ranging exploration of two comic erotic and well-nigh feminist novels written by Raymond Queneau, On est toujours trop bon avec les femmes (1947) and Journal intime (1950). Both are set in Ireland, were initially published by Éditions du Scorpion under the pseudonym Sally Mara, and then later published together by Gallimard as Les Œuvres completes de Sally Mara (1962). The book examines Queneau’s life when he wrote these texts, the pervasive Joycean influences, his surreal version of the 1916 Dublin Uprising versus the real event, his remarkably accurate Dublin city and his use of the Irish language. The seven core chapters are explorations of prominent aspects of these works, and most involve the solution of puzzles by means of investigations of contexts, contemporary events, and a wide variety of sources. In conclusion, the book makes a convincing case for the literary and entertainment value of Les Œuvres completes de Sally Mara as a long-planned and subtly integrated work.
Publisher: Cambridge Scholars Publishing
ISBN: 1527539903
Category : History
Languages : en
Pages : 241
Book Description
This work is a broad-ranging exploration of two comic erotic and well-nigh feminist novels written by Raymond Queneau, On est toujours trop bon avec les femmes (1947) and Journal intime (1950). Both are set in Ireland, were initially published by Éditions du Scorpion under the pseudonym Sally Mara, and then later published together by Gallimard as Les Œuvres completes de Sally Mara (1962). The book examines Queneau’s life when he wrote these texts, the pervasive Joycean influences, his surreal version of the 1916 Dublin Uprising versus the real event, his remarkably accurate Dublin city and his use of the Irish language. The seven core chapters are explorations of prominent aspects of these works, and most involve the solution of puzzles by means of investigations of contexts, contemporary events, and a wide variety of sources. In conclusion, the book makes a convincing case for the literary and entertainment value of Les Œuvres completes de Sally Mara as a long-planned and subtly integrated work.
Narratives of the Therapeutic Encounter
Author: Susan Bainbrigge
Publisher: Cambridge Scholars Publishing
ISBN: 1527557316
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
This collection of essays explores the ways in which talking therapies have been depicted in twentieth century and contemporary narratives (life-writings, fiction and poetry) in French. This vibrant corpus of francophone literary engagements of therapy has so far been widely unexplored, but it offers rich insights into the connections between literature and psychoanalysis. As the number of autobiographical and fictional depictions of the therapeutic encounter is still on the rise, these creative outputs raise pressing questions: why do narratives of the therapeutic encounter continue to fascinate writers and readers? What do these works tell us about the particular culture and history in which they are written? What do they tell us about therapeutic and other human encounters? The volume highlights the important role that the creative arts have played in offering representations and explorations of our minds, our relationships, and our mental health, or more pressingly, ill-health. The volume’s focus is not only on the patient’s experience as expressed via the creative act and as counterweight to the practitioner’s “case study”, but more specifically on the therapeutic encounter, specifically the relationship between therapist and patient. The contributors here engage with ideas and methodologies within contemporary psychoanalytic thought, including, but not limited to, those of Sigmund Freud, Melanie Klein, André Green, Julia Kristeva, Jacques Lacan, and Donald Winnicott, highlighting the dynamic research culture that exists in this field and maintaining a dialogue between the humanities and various therapeutic disciplines. Narratives of the Therapeutic Encounter combines the analysis of psychoanalytic and fictional texts to explore the implications that arise from the space between the participants in therapy, including creative and aesthetic inspirations, therapeutic potentials, and ethical dilemmas.
Publisher: Cambridge Scholars Publishing
ISBN: 1527557316
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
This collection of essays explores the ways in which talking therapies have been depicted in twentieth century and contemporary narratives (life-writings, fiction and poetry) in French. This vibrant corpus of francophone literary engagements of therapy has so far been widely unexplored, but it offers rich insights into the connections between literature and psychoanalysis. As the number of autobiographical and fictional depictions of the therapeutic encounter is still on the rise, these creative outputs raise pressing questions: why do narratives of the therapeutic encounter continue to fascinate writers and readers? What do these works tell us about the particular culture and history in which they are written? What do they tell us about therapeutic and other human encounters? The volume highlights the important role that the creative arts have played in offering representations and explorations of our minds, our relationships, and our mental health, or more pressingly, ill-health. The volume’s focus is not only on the patient’s experience as expressed via the creative act and as counterweight to the practitioner’s “case study”, but more specifically on the therapeutic encounter, specifically the relationship between therapist and patient. The contributors here engage with ideas and methodologies within contemporary psychoanalytic thought, including, but not limited to, those of Sigmund Freud, Melanie Klein, André Green, Julia Kristeva, Jacques Lacan, and Donald Winnicott, highlighting the dynamic research culture that exists in this field and maintaining a dialogue between the humanities and various therapeutic disciplines. Narratives of the Therapeutic Encounter combines the analysis of psychoanalytic and fictional texts to explore the implications that arise from the space between the participants in therapy, including creative and aesthetic inspirations, therapeutic potentials, and ethical dilemmas.
Author:
Publisher: Editions Bréal
ISBN: 2749522897
Category :
Languages : en
Pages : 179
Book Description
Publisher: Editions Bréal
ISBN: 2749522897
Category :
Languages : en
Pages : 179
Book Description
Diaries Real and Fictional in Twentieth-Century French Writing
Author: Sam Ferguson
Publisher: Oxford University Press
ISBN: 0192545833
Category : Literary Collections
Languages : en
Pages : 386
Book Description
This volume is the first study of the diary in French writing across the twentieth century, as a genre which includes both fictional and non-fictional works. From the 1880s it became apparent to writers in France that their diaries—a supposedly private form of writing —would probably come to be published, strongly affecting the way their readers viewed their other published works, and their very persona as an author. More than any other, André Gide embraced the literary potential of the diary: the first part of this book follows his experimentation with the diary in the fictional works Les Cahiers d'André Walter (1891) and Paludes (1895), in his diary of the composition of his great novel, Le Journal des faux-monnayeurs (1926), and in his monumental Journal 1889-1939 (1939). The second part follows developments in diary-writing after the Second World War, inflected by radical changes in attitudes towards the writing subject. Raymond Queneau's works published under the pseudonym of Sally Mara (1947-1962) used the diary playfully at a time when the writing subject was condemned by the literary avant-garde. Roland Barthes's experiments with the diary (1977-1979) took it to the extremes of its formal possibilities, at the point of a return of the writing subject. Annie Ernaux's published diaries (1993-2011) demonstrate the role of the diary in the modern field of life-writing. Throughout the century, the diary has repeatedly been used to construct an oeuvre and author, but also to call these fundamental literary concepts into question.
Publisher: Oxford University Press
ISBN: 0192545833
Category : Literary Collections
Languages : en
Pages : 386
Book Description
This volume is the first study of the diary in French writing across the twentieth century, as a genre which includes both fictional and non-fictional works. From the 1880s it became apparent to writers in France that their diaries—a supposedly private form of writing —would probably come to be published, strongly affecting the way their readers viewed their other published works, and their very persona as an author. More than any other, André Gide embraced the literary potential of the diary: the first part of this book follows his experimentation with the diary in the fictional works Les Cahiers d'André Walter (1891) and Paludes (1895), in his diary of the composition of his great novel, Le Journal des faux-monnayeurs (1926), and in his monumental Journal 1889-1939 (1939). The second part follows developments in diary-writing after the Second World War, inflected by radical changes in attitudes towards the writing subject. Raymond Queneau's works published under the pseudonym of Sally Mara (1947-1962) used the diary playfully at a time when the writing subject was condemned by the literary avant-garde. Roland Barthes's experiments with the diary (1977-1979) took it to the extremes of its formal possibilities, at the point of a return of the writing subject. Annie Ernaux's published diaries (1993-2011) demonstrate the role of the diary in the modern field of life-writing. Throughout the century, the diary has repeatedly been used to construct an oeuvre and author, but also to call these fundamental literary concepts into question.
Queneau's Fiction
Author: Christopher Shorley
Publisher: Cambridge University Press
ISBN: 0521303974
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
A general study of Queneau in English, originally published in 1985, which offers a straightforward introduction to his novels and short stories.
Publisher: Cambridge University Press
ISBN: 0521303974
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
A general study of Queneau in English, originally published in 1985, which offers a straightforward introduction to his novels and short stories.
Revels in Madness
Author: Allen Thiher
Publisher: University of Michigan Press
ISBN: 0472089994
Category : History
Languages : en
Pages : 363
Book Description
"The scope of this book is daunting, ranging from madness in the ancient Greco-Roman world, to Christianized concepts of medieval folly, through the writings of early modern authors such as Shakespeare, Cervantes, and Descartes, and on to German Romantic philosophy, fin de siecle French poetry, and Freud . . . Artaud, Duras, and Plath."-Isis"This provocative and closely argued work will reward many readers."-ChoiceIn Revels in Madness, Allen Thiher surveys a remarkable range of writers as he shows how conceptions of madness in literature have reflected the cultural assumptions of their era, and emphasizes the transition from classical to modern theories of madness-a transition that began at the end of the Enlightenment and culminates in recent women's writing that challenges the postmodern understanding of madness as a fall from language or as a dysfunction of culture.
Publisher: University of Michigan Press
ISBN: 0472089994
Category : History
Languages : en
Pages : 363
Book Description
"The scope of this book is daunting, ranging from madness in the ancient Greco-Roman world, to Christianized concepts of medieval folly, through the writings of early modern authors such as Shakespeare, Cervantes, and Descartes, and on to German Romantic philosophy, fin de siecle French poetry, and Freud . . . Artaud, Duras, and Plath."-Isis"This provocative and closely argued work will reward many readers."-ChoiceIn Revels in Madness, Allen Thiher surveys a remarkable range of writers as he shows how conceptions of madness in literature have reflected the cultural assumptions of their era, and emphasizes the transition from classical to modern theories of madness-a transition that began at the end of the Enlightenment and culminates in recent women's writing that challenges the postmodern understanding of madness as a fall from language or as a dysfunction of culture.
French XX Bibliography
Author: William J. Thompson
Publisher: Associated University Presse
ISBN: 9781575911151
Category : Literary Criticism
Languages : en
Pages : 360
Book Description
Provides the listing of books, articles, and book reviews concerned with French literature since 1885. This is a reference source in the study of modern French literature and culture. It contains nearly 8,800 entries.
Publisher: Associated University Presse
ISBN: 9781575911151
Category : Literary Criticism
Languages : en
Pages : 360
Book Description
Provides the listing of books, articles, and book reviews concerned with French literature since 1885. This is a reference source in the study of modern French literature and culture. It contains nearly 8,800 entries.
Naming and Unnaming
Author: Jordan Stump
Publisher: U of Nebraska Press
ISBN: 9780803242685
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
Naming and Unnaming is a dazzling study that centers on the work of Raymond Queneau, one of the most influential French novelists of the twentieth century. Jordan Stump takes as his subject the many implications?epistemological, political, literary, sometimes even physical?of naming in Queneau?s remarkable novels. From the idea that the names of characters offer a more immediate and perhaps even a more intimate understanding of their souls than we might glean from their words and deeds has grown the broad field of inquiry known as literary onomastics. Stump argues that there is another approach to the literary proper name, one that concentrates not on the meaning of names but on the meaning of the use of those names?the ways in which the characters and narrator of a novel address or refer to others. Naming and Unnaming considers the literary and philosophical implications of names and naming. Stump examines four issues in Queneau?s novels?the nature of writing and of creation in general, the possibility or impossibility of knowledge, the relationship between the individual and the group, and the uses of power and control?in relation to which naming emerges as a force both powerful and utterly impotent. By exploring these forces and their evocation, Stump reveals the complexity of both the act of naming and the novels of Queneau.
Publisher: U of Nebraska Press
ISBN: 9780803242685
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
Naming and Unnaming is a dazzling study that centers on the work of Raymond Queneau, one of the most influential French novelists of the twentieth century. Jordan Stump takes as his subject the many implications?epistemological, political, literary, sometimes even physical?of naming in Queneau?s remarkable novels. From the idea that the names of characters offer a more immediate and perhaps even a more intimate understanding of their souls than we might glean from their words and deeds has grown the broad field of inquiry known as literary onomastics. Stump argues that there is another approach to the literary proper name, one that concentrates not on the meaning of names but on the meaning of the use of those names?the ways in which the characters and narrator of a novel address or refer to others. Naming and Unnaming considers the literary and philosophical implications of names and naming. Stump examines four issues in Queneau?s novels?the nature of writing and of creation in general, the possibility or impossibility of knowledge, the relationship between the individual and the group, and the uses of power and control?in relation to which naming emerges as a force both powerful and utterly impotent. By exploring these forces and their evocation, Stump reveals the complexity of both the act of naming and the novels of Queneau.
Nathalie Sarraute
Author: Ann Jefferson
Publisher: Princeton University Press
ISBN: 0691210241
Category : Biography & Autobiography
Languages : en
Pages : 448
Book Description
The definitive biography of a leading twentieth-century French writer A leading exponent of the nouveau roman, Nathalie Sarraute (1900–1999) was also one of France's most cosmopolitan literary figures, and her life was bound up with the intellectual and political ferment of twentieth-century Europe. Ann Jefferson's Nathalie Sarraute: A Life Between is the authoritative biography of this major writer. Sarraute's life spanned a century and a continent. Born in tsarist Russia to Jewish parents, she was soon uprooted and brought to the city that became her lifelong home, Paris. This dislocation presaged a life marked by ambiguity and ambivalence. A stepchild in two families, a Russian émigré in Paris, a Jew in bourgeois French society, and a woman in a man’s literary world, Sarraute was educated at Oxford, Berlin, and the Sorbonne. She embarked on a career in law that was ended by the Nazi occupation of France, and she spent much of the war in hiding, under constant threat of exposure. Rising to literary eminence after the Liberation, she was initially associated with the existentialist circle of Beauvoir and Sartre, before becoming the principal theorist and practitioner of the avant-garde French novel of the 1950s and 1960s. Her tireless exploration of the deepest parts of our inner psychological life produced an oeuvre that remains daringly modern and resolutely unclassifiable. Nathalie Sarraute: A Life Between explores Sarraute's work and the intellectual, social, and political context from which it emerged. Drawing on newly available archival material and Sarraute's letters, this deeply researched biography is the definitive account of a life lived between countries, families, languages, literary movements, and more.
Publisher: Princeton University Press
ISBN: 0691210241
Category : Biography & Autobiography
Languages : en
Pages : 448
Book Description
The definitive biography of a leading twentieth-century French writer A leading exponent of the nouveau roman, Nathalie Sarraute (1900–1999) was also one of France's most cosmopolitan literary figures, and her life was bound up with the intellectual and political ferment of twentieth-century Europe. Ann Jefferson's Nathalie Sarraute: A Life Between is the authoritative biography of this major writer. Sarraute's life spanned a century and a continent. Born in tsarist Russia to Jewish parents, she was soon uprooted and brought to the city that became her lifelong home, Paris. This dislocation presaged a life marked by ambiguity and ambivalence. A stepchild in two families, a Russian émigré in Paris, a Jew in bourgeois French society, and a woman in a man’s literary world, Sarraute was educated at Oxford, Berlin, and the Sorbonne. She embarked on a career in law that was ended by the Nazi occupation of France, and she spent much of the war in hiding, under constant threat of exposure. Rising to literary eminence after the Liberation, she was initially associated with the existentialist circle of Beauvoir and Sartre, before becoming the principal theorist and practitioner of the avant-garde French novel of the 1950s and 1960s. Her tireless exploration of the deepest parts of our inner psychological life produced an oeuvre that remains daringly modern and resolutely unclassifiable. Nathalie Sarraute: A Life Between explores Sarraute's work and the intellectual, social, and political context from which it emerged. Drawing on newly available archival material and Sarraute's letters, this deeply researched biography is the definitive account of a life lived between countries, families, languages, literary movements, and more.