Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1142
Book Description
Books and Pamphlets, Including Serials and Contributions to Periodicals
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1142
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1142
Book Description
Catalog of Copyright Entries. Third Series
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1206
Book Description
Includes Part 1A: Books and Part 1B: Pamphlets, Serials and Contributions to Periodicals
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1206
Book Description
Includes Part 1A: Books and Part 1B: Pamphlets, Serials and Contributions to Periodicals
The National Union Catalog, Pre-1956 Imprints
The Library of Congress Author Catalog
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 670
Book Description
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 670
Book Description
Catalog of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 1152
Book Description
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 1152
Book Description
Catalog of Copyright Entries, Third Series
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1228
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1228
Book Description
L'art de parler en public à l'usage de tous
Author: Raymond de Saint-Laurent
Publisher:
ISBN: 9782700600322
Category : Public speaking
Languages : fr
Pages : 222
Book Description
Publisher:
ISBN: 9782700600322
Category : Public speaking
Languages : fr
Pages : 222
Book Description
L'Art de parler en public à l'usage de tous
Author: Raymond de Saint-Laurent
Publisher:
ISBN:
Category : Elocution
Languages : fr
Pages : 236
Book Description
Publisher:
ISBN:
Category : Elocution
Languages : fr
Pages : 236
Book Description
Making Public Pasts
Author: Alan Gordon
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773522541
Category : History
Languages : en
Pages : 284
Book Description
It conscripts historical events in a bid to guide shared memories into a coherent narrative that helps individuals negotiate their place in broader collective identities." "The contest over public memories involves an exclusiveness that packages "other" according to the ideological preferences of the dominant cultures. Gordon shows that in Montreal ethnic, class, and gender voices strove to stake their own claims to legitimacy."--BOOK JACKET.
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773522541
Category : History
Languages : en
Pages : 284
Book Description
It conscripts historical events in a bid to guide shared memories into a coherent narrative that helps individuals negotiate their place in broader collective identities." "The contest over public memories involves an exclusiveness that packages "other" according to the ideological preferences of the dominant cultures. Gordon shows that in Montreal ethnic, class, and gender voices strove to stake their own claims to legitimacy."--BOOK JACKET.
The Allure of Empire
Author: Todd Burke Porterfield
Publisher:
ISBN: 9780691059594
Category : Art
Languages : en
Pages : 244
Book Description
From monumental battle paintings to the public display of archaeological spoils to the decoration of urban vistas, visual culture promoted modern French imperialism. So argues Todd Porterfield in this provocative look at the forces of art and politics in France's military conquest of the Near East. In challenging the conventional wisdom that France happened into imperial venture, Porterfield explores interactions among artists, generals, journalists, curators, and politicians from the time of Napoleon's Egyptian campaign to the invasion of Algeria during the Restoration and July Monarchy. Together they forged an official culture that provided a rationale for imperialism--based on images of France's moral and technological superiority--and an enduring project for Frenchmen of all political persuasions during an era of domestic instability. The allure of empire derived in part from its function as an alternative, surrogate, mask, and displacement of the Revolution. Porterfield reveals the interlocking strategies, the historical, scientific, moralistic, and gendered judgments, that imperial art conveyed in a strikingly rich variety of media: the obelisk at the Place de la Concorde, battle paintings of the Egyptian campaign, the first Egyptian Museum in the Louvre, and Delacroix's Women of Algiers. Not only do his analyses engage a wide range of urgent debates within cultural studies, but they also shed light on a troubling question. How in the age oflibert,, egalit,, and fraternit, was visual culture enlisted to fabricate a sense of national superiority that led to the subjugation of others?
Publisher:
ISBN: 9780691059594
Category : Art
Languages : en
Pages : 244
Book Description
From monumental battle paintings to the public display of archaeological spoils to the decoration of urban vistas, visual culture promoted modern French imperialism. So argues Todd Porterfield in this provocative look at the forces of art and politics in France's military conquest of the Near East. In challenging the conventional wisdom that France happened into imperial venture, Porterfield explores interactions among artists, generals, journalists, curators, and politicians from the time of Napoleon's Egyptian campaign to the invasion of Algeria during the Restoration and July Monarchy. Together they forged an official culture that provided a rationale for imperialism--based on images of France's moral and technological superiority--and an enduring project for Frenchmen of all political persuasions during an era of domestic instability. The allure of empire derived in part from its function as an alternative, surrogate, mask, and displacement of the Revolution. Porterfield reveals the interlocking strategies, the historical, scientific, moralistic, and gendered judgments, that imperial art conveyed in a strikingly rich variety of media: the obelisk at the Place de la Concorde, battle paintings of the Egyptian campaign, the first Egyptian Museum in the Louvre, and Delacroix's Women of Algiers. Not only do his analyses engage a wide range of urgent debates within cultural studies, but they also shed light on a troubling question. How in the age oflibert,, egalit,, and fraternit, was visual culture enlisted to fabricate a sense of national superiority that led to the subjugation of others?