Raphael, Cellini, & a Renaissance Banker PDF Download

Author: Alan Chong
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 520

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Author: Alan Chong
Publisher:
ISBN: 9780914660200
Category :
Languages : en
Pages : 487

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Author: Francesco Guidi Bruscoli
Publisher: Routledge
ISBN: 1351912941
Category : History
Languages : en
Pages : 378

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Book Description
Benvenuto Olivieri was a Florentine banker active in Rome during the first half of the sixteenth century. A self made man without any great family patrimony, he rose to prominence during the pontificate of Pope Paul III, becoming involved with a variety of papal enterprises which allowed him to get to the heart of the mechanisms governing the papal finances. Amassing a considerable fortune along the way, Olivieri soon built himself a role as co-ordinator of the appalti (revenue farms) and became one of the most powerful players in the complex network that connected bankers and the papal revenue. This book explores the indissoluble link that had developed between the papacy and bankers, illuminating how the Apostolic Chamber, increasingly in need of money, could not meet its debts, without farming out the rights to future income. Utilising documents from a rich corpus of unpublished sources in Florence and Rome, Guidi Bruscoli unravels the web of financial connections that bound together Florentine and Genoese bankers with the papacy, and looks at how money was raised and the appalti managed.

Author: Robert Williams
Publisher: Cambridge University Press
ISBN: 1107131502
Category : Art
Languages : en
Pages : 317

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Book Description
A comprehensive re-assessment of Raphael's artistic achievement and the ways in which it transformed the idea of what art is.

Author: Nicholas Penny
Publisher: Oxford University Press
ISBN: 0190297956
Category : Art
Languages : en
Pages : 67

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Book Description
The Italian painter, draughtsman, and architect known as Raphael has always been acknowledged as one of the greatest European artists. In his own time he was one of the most famous painters working in Italy during the High Renaissance, commissioned to create celebrated altarpieces and devotional paintings, and to decorate the papal apartments in the Vatican Palace. This fully illustrated and comprehensive Grove Art Essentials title covers Raphael's life and prolific artistic career, exploring the development of his style and technique as well as his later critical reception.

Author: Claudia La Malfa
Publisher: Reaktion Books
ISBN: 1789141796
Category : Art
Languages : en
Pages : 305

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Book Description
The Renaissance artist Raphael is known for his extraordinary frescoes, his sublime Madonnas, devotional altarpieces, architectural designs, and his inventive designs for prints and tapestries. It was his use of ancient Roman art—the sculptures, the marble reliefs, the wall-paintings, and the stuccoes—and architecture—the temples, the palaces, and the theaters—as well as the churches and mosaics of early-Christian Rome, that formed his much-admired classical style. In Raphael and the Antique, Claudia La Malfa gives a full account of Raphael’s prodigious career, from central Italy when he was seventeen years old, to Perugia, Siena, and Florence, where he first met with Leonardo and Michelangelo, to Rome where he became one of the most feted artists of the Renaissance. This book brings to light Raphael’s reinvention of classical models, his draftsmanship, and his concept of art—ideas he pursued and was still striving to perfect at the time of his death in 1520 at the young age of thirty-seven.

Author: James Grantham Turner
Publisher: Cambridge University Press
ISBN: 1009041630
Category : Art
Languages : en
Pages : 927

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The frescoes of Peruzzi, Raphael and Sodoma still dazzle visitors to the Villa Farnesina, but they survive in a stripped-down environment bereft of its landscape, sealed so it cannot breathe. Turner takes you outside that box, restoring these canonical images to their original context, when each element joined in a productive conversation. He is the first to reconstruct the architect-painter Peruzzi's original, well-proportioned, well-appointed building and to re-visualize his lost façade decoration‒erotic scenes and mythological figures who make it come alive and soar upward. More comprehensively than any previous scholar, he reintegrates painting, sculpture, architecture, garden design, topographical prints and drawings, archaeological discoveries and literature from the brilliant circle around the patron Agostino Chigi, the powerful banker who 'loved all virtuosi' and commissioned his villa-palazzo from the best talents in multiple arts. It can now be understood as a Palace of Venus, celebrating aesthetic, social and erotic pleasure.

Author: Jessica A. Maratsos
Publisher: Cambridge University Press
ISBN: 1009036947
Category : Art
Languages : en
Pages : 595

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Both lauded and criticized for his pictorial eclecticism, the Florentine artist Jacopo Carrucci, known as Pontormo, created some of the most visually striking religious images of the Renaissance. These paintings, which challenged prevailing illusionistic conventions, mark a unique contribution into the complex relationship between artistic innovation and Christian traditions in the first half of the sixteenth century. Pontormo's sacred works are generally interpreted as objects that reflect either pure aesthetic experimentation, or personal and cultural anxiety. Jessica Maratsos, however, argues that Pontormo employed stylistic change deliberately for novel devotional purposes. As a painter, he was interested in the various modes of expression and communication - direct address, tactile evocation, affective incitement - as deployed in a wide spectrum of devotional culture, from sacri monti, to Michelangelo's marble sculptures, to evangelical lectures delivered at the Accademia Fiorentina. Maratsos shows how Pontormo translated these modes in ways that prompt a critical rethinking of Renaissance devotional art.

Author: Vincenzo Sorrentino
Publisher: Taylor & Francis
ISBN: 1000569047
Category : Art
Languages : en
Pages : 277

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Book Description
This book tells the story of the Del Riccio family in Florence in the early modern period, investigating the cultural mediations fostered by the family between Florence, Rome, and Naples, as well as shedding light on the intellectual and social exchanges between different regions of Italy and on the creation of foreign nations within the main Italian cities. These social and cultural dimensions are further explored through the study of the obsessive persistence of the family’s relationship with Michelangelo Buonarroti, exhibited both publicly, in the Florentine and Neapolitan family chapels, and privately in their homes. The main achievement of this study is to move the focus from the ruling power, the Medici family and the immediate members of their court, to a Florentine middle-class family and its social mobility: this shift from the conventional narrative to a distributed microhistory is fundamental to better assess the use of images and artworks in early modern Florence and abroad. The aesthetic and stylistic choices in the use of art and art display made by the Del Riccio reveal a deep awareness of the substantial differences in taste and meaning between different cities of the Italian peninsula. The book will be of interest to scholars working in art history, visual culture, and Renaissance studies.

Author: Nicholas Scott Baker
Publisher: Harvard University Press
ISBN: 0674727622
Category : History
Languages : en
Pages : 356

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Book Description
In the middle decades of the sixteenth century, the republican city-state of Florence--birthplace of the Renaissance--failed. In its place the Medici family created a principality, becoming first dukes of Florence and then grand dukes of Tuscany. The Fruit of Liberty examines how this transition occurred from the perspective of the Florentine patricians who had dominated and controlled the republic. The book analyzes the long, slow social and cultural transformations that predated, accompanied, and facilitated the institutional shift from republic to principality, from citizen to subject. More than a chronological narrative, this analysis covers a wide range of contributing factors to this transition, from attitudes toward office holding, clothing, and the patronage of artists and architects to notions of self, family, and gender. Using a wide variety of sources including private letters, diaries, and art works, Nicholas Baker explores how the language, images, and values of the republic were reconceptualized to aid the shift from citizen to subject. He argues that the creation of Medici principality did not occur by a radical break with the past but with the adoption and adaptation of the political culture of Renaissance republicanism.