Raphael and the Villa Farnesina PDF Download

Author: Charles Bigot
Publisher:
ISBN:
Category :
Languages : en
Pages : 220

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Author: Charles Bigot
Publisher: Forgotten Books
ISBN: 9780259476993
Category : Art
Languages : en
Pages : 204

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Book Description
Excerpt from Raphael and the Villa Farnesina Renaissance, which all tourists have visited or have attempted to visit, called the Villa Farnesina. The place where this building stands was once occupied by fine gardens belonging to the Emperor Geta, Of tragic memory. He was co-heir with his brother Caracalla to the empire Of the Caesars. But the Roman empire was not in those days a thing to be owned in common. The association was broken by a fratricide, Of which, perhaps, these very gardens were the scene. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Alexis R. Culotta
Publisher: BRILL
ISBN: 9004430482
Category : Art
Languages : en
Pages : 238

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Alexis R. Culotta explores how the Renaissance master’s recombination of visual sources ultimately served as a springboard for artistic innovation for his close associates as they collaborated in the years following Raphael’s death.

Author: Robert Williams
Publisher: Cambridge University Press
ISBN: 1107131502
Category : Art
Languages : en
Pages : 317

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A comprehensive re-assessment of Raphael's artistic achievement and the ways in which it transformed the idea of what art is.

Author:
Publisher: BRILL
ISBN: 9004379592
Category : Art
Languages : en
Pages : 541

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Making Copies in European Art 1400-1600 comprises sixteen essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice of imitation, and they investigate the artistic techniques that enabled and facilitated the production of copies. They also ask what patrons and collectors wanted from a copy, which characteristics of an artwork were considered copyable, and where and how copies were stored, studied, displayed, and circulated. Making Copies in European Art, in addition to studying many unfamiliar pictures, incorporates previously unpublished documentary materials.

Author: Debbie Felton
Publisher: Oxford University Press
ISBN: 0192650459
Category : Literary Criticism
Languages : en
Pages : 641

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The Oxford Handbook of Monsters in Classical Myth presents forty chapters about the unique and terrifying creatures from myths of the long-ago Near East and Mediterranean world, featuring authoritative contributions by many of the top international experts on ancient monsters and the monstrous. The first part provides original studies of individual monsters such as the Chimaera, Cerberus, the Hydra, and the Minotaur, and of monster groups such as dragons, centaurs, sirens, and Cyclopes. This section also explores their encounters with the major heroes of classical myth, including Perseus, Jason, Heracles, and Odysseus. The second part examines monsters of ancient folklore and ethnography, encompassing the restless dead, blood-drinking lamiae, exotic hybrid animals, the so-called dog-headed men, and many other unexpected creatures and peoples. The third part covers various interpretations of these creatures from multiple perspectives, including psychoanalysis, colonialism, and disability studies, with monster theory itself evident across the entire volume. The final part discusses reception of these ancient monsters across time and space--from the Middle Ages to the Renaissance to modern times, from Persia to Scandinavia, the Caribbean, and Latin America-and concludes with chapters considering the use and adaptation of ancient monsters in children's literature, science fiction, fantasy, and modern scientific disciplines. This Handbook is the first large-scale, inclusive guide to monsters in antiquity, their places in literature and art across the millennia, and their influence on later literature and thought.

Author: Margaretha Rossholm Lagerlof
Publisher: Routledge
ISBN: 1351567195
Category : Design
Languages : en
Pages : 321

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Book Description
Analysing the decorative programmes of the most opulent European palaces of the time, Margaretha Rossholm Lagerl?f investigates how meaning was conveyed through display and visual effects. She explores the visual meaning inherent in the scheme of spatial relations; in effects of scale, perspective, lighting, figures' positions and postures; and in relations among image types. The analysis concerns the interrelations of various kinds of images in the ensembles; the relations between images and physical site; and the address to the beholder. Lagerl?f considers the visual impact of the imagery in conjunction with 'readable' or symbolically 'coded' meanings; thus, the study does not merely subject these decorations to formalist aesthetic principles. She shows the visual meaning generally to sustain the verbal or readable messages, but often in subtle ways, extending or elaborating the meaning. Occasionally, the visual meaning comes forth as an undercurrent or complication, deviating from the proclaimed and symbolic meaning. Fate, Glory, and Love in Early Modern Gallery Decoration contributes to the body of scholarship on visual rhetoric and on how images 'act' out their messages.

Author: Johann Wolfgang von Goethe
Publisher: Good Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 24734

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The 'Harvard Classics - Complete Collection of the Greatest Works of World Literature' stands as a monumental anthology that traverses the broad landscape of human thought and artistic expression. Within its pages, readers encounter an array of literary styles from the seminal works of philosophy, poetry, science, and drama. This carefully curated collection spans the epochs, offering an unparalleled glimpse into the intellectual and cultural currents that have shaped our world. Among its myriad offerings, standout pieces delve into the complexities of human nature, the pursuit of knowledge, and the beauty of the natural world, reflecting the diverse and significant contributions of its authors to the literary canon. The contributing authors and editors represent a veritable who's who of literary and intellectual giants across history. From the poetic grandeur of Goethe and the philosophical depths of Plato, to the scientific curiosity of Charles Darwin and the dramatic intensity of Sophocles, each contributor brings a unique voice and perspective to the collection. Bound by a common pursuit of truth and beauty, these works collectively highlight the cultural, historical, and literary movements of their times, offering readers a comprehensive understanding of the human experience as seen through the eyes of some of its greatest observers. This anthology is not merely a collection of great works; it is an invitation to explore the richness of human culture and thought across ages. For scholars, students, and lovers of literature and philosophy alike, the 'Harvard Classics' presents a unique opportunity to engage with the profound ideas and diverse narratives that have shaped human history. Encompassing the profound, the poetic, and the profound, this collection promises to enrich the mind and stir the soul, encouraging a deeper appreciation of the interconnectedness of human endeavor in the pursuit of knowledge and beauty.

Author: Johann Wolfgang von Goethe
Publisher: Good Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 18656

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Book Description
The Complete Harvard Classics - All 51 Volumes in One Edition represents an unparalleled assembly of the seminal works spanning across literature, philosophy, science, and history. This collection stands as a testament to the breadth and depth of human thought and creativity. From the dramatic eloquence of Shakespeare and the keen insights of Plato to the transformative theories of Darwin and the poignant reflections of Thoreau, this anthology traverses a vast landscape of literary styles and periods. It highlights the diversity of human thought, showcasing the enduring relevance of these works, and features pieces that have shaped the very fabric of Western culture, ensuring its stature as a cornerstone of scholarly collections. The contributors to this anthology, including figures such as Johann Wolfgang von Goethe, Immanuel Kant, and John Stuart Mill, represent a spectrum of intellectual giants whose works have ignited the flames of inquiry, revolutionized thought, and influenced countless generations. These authors' backgrounds, ranging from ancient philosophy to the Enlightenment, Romanticism, and beyond, offer a rich tapestry of cultural and historical contexts. The collective alignment of these varied voices with pivotal movements across literary history and philosophical thought illustrates a shared human endeavor to understand and articulate our place in the universe. This compendium is a must-have for any scholar, student, or enthusiast eager to explore the depths of human ingenuity and reflection. Offering a unique opportunity to engage with the minds that have profoundly shaped our world, The Complete Harvard Classics encourages a dialogue between different epochs, disciplines, and perspectives. Its educational value is immeasurable, providing readers with a comprehensive foundation in the humanities and a renewed appreciation for the dialogue across centuries that continues to inform and enrich our modern discourse.

Author: Anne Bloemacher
Publisher: BRILL
ISBN: 9004445862
Category : Art
Languages : en
Pages : 392

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In this first in-depth study dedicated to the intriguing history of the translation of statues and reliefs into print, the essays in this volume reflect the printmakers’ various approaches and challenges of translating antique or contemporary artworks, underlining their highly creative handling.