Author: United States. Circuit Court (Illinois : Northern District)Publisher:
ISBN:
Category :
Languages : en
Pages : 110
Book Description
Rafael R. Govin, James H. Eckels and Marshall E. Sampsell, Receivers of the Chicago Union Traction Company and of the North Chicago Street Railroad Company, Vs. the City of Chicago and the North Chicago City Railway Company Et Al ...
Author: United States. Circuit Court (Illinois : Northern District)Publisher:
ISBN:
Category :
Languages : en
Pages : 110
Book Description
The National Union Catalog, Pre-1956 Imprints
Author: Library of CongressPublisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 616
Book Description
Briefs and Records Relating to Govin Et Al. V. City of Chicago Et Al
Author: United States. Circuit Court (7th Circuit)Publisher:
ISBN:
Category : Street-railroads
Languages : en
Pages : 958
Book Description
Catalog of Government Publications in the Research Libraries
Author: New York Public Library. Economic and Public Affairs DivisionPublisher:
ISBN:
Category : Government publications
Languages : en
Pages : 698
Book Description
Dictionary Catalog of the Research Libraries of the New York Public Library, 1911-1971
Author: New York Public Library. Research LibrariesPublisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 646
Book Description
Hollywood Highbrow
Author: Shyon BaumannPublisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Environment, Health, and Safety
Author: Lari A. BishopPublisher:
ISBN:
Category : Corporations
Languages : en
Pages : 50
Book Description
Hallelujah Trombone!
Author: Paul E. BierleyPublisher: Grupo Editorial Norma
ISBN: 9780825849664
Category : Composers
Languages : en
Pages : 180
Book Description