Author: Louis Raemaekers
Publisher:
ISBN:
Category : Advertising cards
Languages : en
Pages : 318
Book Description
Raemaekers' Cartoons
Author: Louis Raemaekers
Publisher:
ISBN:
Category : Advertising cards
Languages : en
Pages : 318
Book Description
Publisher:
ISBN:
Category : Advertising cards
Languages : en
Pages : 318
Book Description
Raemaekers' Cartoon History of the War
Author: Louis Raemaekers
Publisher:
ISBN:
Category : World War, 1914-1918
Languages : en
Pages : 226
Book Description
A mostly chronological summary of World War I, using Louis Raemaekers' cartoons interspersed with excerpts from official and unofficial reports about the war.
Publisher:
ISBN:
Category : World War, 1914-1918
Languages : en
Pages : 226
Book Description
A mostly chronological summary of World War I, using Louis Raemaekers' cartoons interspersed with excerpts from official and unofficial reports about the war.
Kultur in Cartoons
Author: Louis Raemaekers
Publisher:
ISBN:
Category : World War, 1914-1918
Languages : en
Pages : 244
Book Description
A collection of wordless cartoons by Louis Raemaekers, reflecting particularly on the German atrocities during World War I and the Netherland's position during the war; each cartoon is accompanied by explanatory text.
Publisher:
ISBN:
Category : World War, 1914-1918
Languages : en
Pages : 244
Book Description
A collection of wordless cartoons by Louis Raemaekers, reflecting particularly on the German atrocities during World War I and the Netherland's position during the war; each cartoon is accompanied by explanatory text.
Mr. Punch's History of the Great War
Author: Charles Larcom Graves
Publisher: London : Cassell
ISBN:
Category : English wit and humor, Pictorial
Languages : en
Pages : 352
Book Description
A series of exerpts from Punch Magazine articles about World War I. Reprinted in the United States by Frederick Stokes.
Publisher: London : Cassell
ISBN:
Category : English wit and humor, Pictorial
Languages : en
Pages : 352
Book Description
A series of exerpts from Punch Magazine articles about World War I. Reprinted in the United States by Frederick Stokes.
Louis Raemaekers. Armed with Pen and Pencil
Author: Ariane de Ranitz
Publisher:
ISBN: 9789078074199
Category :
Languages : nl
Pages : 296
Book Description
On the occasion of the anniversary of 100 year First World War and the publication of Louis Raemaekers: ‘armed with Pen and Pencil': Cartoonist of World Fame in the First World War two exhibitions are organized: ‘Raemaekers|Bertrams: Roermondenaren op het wereldtoneel’ [Born in Roermond, working on the world stage] in Roermond and ‘Ten strijde met potlood en pen: Louis Raemaekers (1869-1956) herontdekt’ [Armed with pencil and pen: Louis Raemaekers rediscovered] in Venlo. The Raemaekers exhibition from Roermond will continue as a touring exhibition: ‘Louis Raemaekers: van Roermondenaar tot wereldburger’ [Louis Raemaekers: from citizen of Roermond to citizen of the world]0Exhibition: Limburgs Museum, Roermond, The Netherlands (29.11.2014-14.04.2015).
Publisher:
ISBN: 9789078074199
Category :
Languages : nl
Pages : 296
Book Description
On the occasion of the anniversary of 100 year First World War and the publication of Louis Raemaekers: ‘armed with Pen and Pencil': Cartoonist of World Fame in the First World War two exhibitions are organized: ‘Raemaekers|Bertrams: Roermondenaren op het wereldtoneel’ [Born in Roermond, working on the world stage] in Roermond and ‘Ten strijde met potlood en pen: Louis Raemaekers (1869-1956) herontdekt’ [Armed with pencil and pen: Louis Raemaekers rediscovered] in Venlo. The Raemaekers exhibition from Roermond will continue as a touring exhibition: ‘Louis Raemaekers: van Roermondenaar tot wereldburger’ [Louis Raemaekers: from citizen of Roermond to citizen of the world]0Exhibition: Limburgs Museum, Roermond, The Netherlands (29.11.2014-14.04.2015).
RAEMAEKERS SATIRICAL CARTOONS OF THE GREAT WAR
Author: Louis Raemaekers
Publisher: Abela Publishing Ltd
ISBN: 8826455430
Category : Art
Languages : en
Pages : 246
Book Description
Throughout history cartoons can have had a powerful psychological, emotional, and political impact. One hundred years before WWI, Napoleon is reported to have said that the English caricaturist James Gillray "did more than all the armies in Europe to bring me down.” During World War I, no cartoonist exercised more influence than Louis Raemaekers of Holland. Charged with "endangering Dutch neutrality," his cartoons led the German Government to offer a 12,000 guilder reward for his capture, dead or alive. A German newspaper, summarizing the terms of peace Germany would exact after it won the war, declared that “Indemnity would be demanded for every one of Raemaekers' cartoons.” Raemaekers cartoons were also instrumental in fighting against deeply entrenched American isolationism. When, in 1917, the United States entered the war, Raemaekers embarked on a lecture tour of the USA and Canada, rallying the new allies for support and arguing the case for mobilisation against the German Empire. The Christian Science Monitor commented “From the outset his works revealed something more than the humorous or ironical power of the caricaturist; they showed that behind the mere pictorial comment on the war was a man who thought and wrought with deep and uncompromising conviction as to right and wrong.” All too often art critics, art historians, aestheticians, and others have dismissed cartoons and caricatures as silly — not serious — trivial, and irrelevant. Yet, as you will see with the cartoons in this first volume, here are cartoons and caricatures that, in retrospect, possibly had more effect on the German High Command and German populace than possibly a new Allied offensive, giving weight to the adage “The Pen is Mightier than the Sword.” - if only pen and paper could have been used to greater effect in this, the Great War.
Publisher: Abela Publishing Ltd
ISBN: 8826455430
Category : Art
Languages : en
Pages : 246
Book Description
Throughout history cartoons can have had a powerful psychological, emotional, and political impact. One hundred years before WWI, Napoleon is reported to have said that the English caricaturist James Gillray "did more than all the armies in Europe to bring me down.” During World War I, no cartoonist exercised more influence than Louis Raemaekers of Holland. Charged with "endangering Dutch neutrality," his cartoons led the German Government to offer a 12,000 guilder reward for his capture, dead or alive. A German newspaper, summarizing the terms of peace Germany would exact after it won the war, declared that “Indemnity would be demanded for every one of Raemaekers' cartoons.” Raemaekers cartoons were also instrumental in fighting against deeply entrenched American isolationism. When, in 1917, the United States entered the war, Raemaekers embarked on a lecture tour of the USA and Canada, rallying the new allies for support and arguing the case for mobilisation against the German Empire. The Christian Science Monitor commented “From the outset his works revealed something more than the humorous or ironical power of the caricaturist; they showed that behind the mere pictorial comment on the war was a man who thought and wrought with deep and uncompromising conviction as to right and wrong.” All too often art critics, art historians, aestheticians, and others have dismissed cartoons and caricatures as silly — not serious — trivial, and irrelevant. Yet, as you will see with the cartoons in this first volume, here are cartoons and caricatures that, in retrospect, possibly had more effect on the German High Command and German populace than possibly a new Allied offensive, giving weight to the adage “The Pen is Mightier than the Sword.” - if only pen and paper could have been used to greater effect in this, the Great War.
Raemakers' Cartoon History of the War
Author: Louis Raemaekers
Publisher:
ISBN:
Category : World War, 1914-1918
Languages : en
Pages : 232
Book Description
Publisher:
ISBN:
Category : World War, 1914-1918
Languages : en
Pages : 232
Book Description
The Art of Ill Will
Author: Donald Dewey
Publisher: NYU Press
ISBN: 0814720153
Category : Art
Languages : en
Pages : 262
Book Description
Featuring over 200 illustrations, this book tells the story of American political cartoons. From the colonial period to contemporary cartoonists like Pat Oliphant and Jimmy Margulies, this title highlights these artists' uncanny ability to encapsulate the essence of a situation and to steer the public mood with a single drawing.
Publisher: NYU Press
ISBN: 0814720153
Category : Art
Languages : en
Pages : 262
Book Description
Featuring over 200 illustrations, this book tells the story of American political cartoons. From the colonial period to contemporary cartoonists like Pat Oliphant and Jimmy Margulies, this title highlights these artists' uncanny ability to encapsulate the essence of a situation and to steer the public mood with a single drawing.
War and Popular Culture
Author: Chang-tai Hung
Publisher: Univ of California Press
ISBN: 0520354869
Category : History
Languages : en
Pages : 468
Book Description
This is the first comprehensive study of popular culture in twentieth-century China, and of its political impact during the Sino-Japanese War of 1937-1945 (known in China as "The War of Resistance against Japan"). Chang-tai Hung shows in compelling detail how Chinese resisters used a variety of popular cultural forms—especially dramas, cartoons, and newspapers—to reach out to the rural audience and galvanize support for the war cause. While the Nationalists used popular culture as a patriotic tool, the Communists refashioned it into a socialist propaganda instrument, creating lively symbols of peasant heroes and joyful images of village life under their rule. In the end, Hung argues, the Communists' use of popular culture contributed to their victory in revolution.
Publisher: Univ of California Press
ISBN: 0520354869
Category : History
Languages : en
Pages : 468
Book Description
This is the first comprehensive study of popular culture in twentieth-century China, and of its political impact during the Sino-Japanese War of 1937-1945 (known in China as "The War of Resistance against Japan"). Chang-tai Hung shows in compelling detail how Chinese resisters used a variety of popular cultural forms—especially dramas, cartoons, and newspapers—to reach out to the rural audience and galvanize support for the war cause. While the Nationalists used popular culture as a patriotic tool, the Communists refashioned it into a socialist propaganda instrument, creating lively symbols of peasant heroes and joyful images of village life under their rule. In the end, Hung argues, the Communists' use of popular culture contributed to their victory in revolution.
RAEMAEKERS' CATOONS OF THE GREAT WAR Vol. 2
Author: Louis Raemaekers
Publisher: Abela Publishing Ltd
ISBN: 8826462151
Category : History
Languages : en
Pages : 240
Book Description
Herein are 107 more satirical cartoons from the master Louis Raemaeker which end off the second year of WWI. With so may atrocities committed by both sides, Raemakers was not short of material. One hundred years before WWI, Napoleon is reported to have said that the English caricaturist James Gillray "did more than all the armies in Europe to bring me down.” Likewise, during World War I, no cartoonist exercised more influence than Louis Raemaekers of Holland. Charged with "endangering Dutch neutrality," he fled to England. His satirical newspaper cartoons led the German Government to offer a 12,000 guilder (±US250,000 in 2014) reward for his capture, dead or alive. A German newspaper, summarizing the terms of peace Germany would exact after it won the war, declared that “Indemnity would be demanded for every one of Raemaekers' cartoons.” Raemaekers cartoons were also instrumental in fighting against deeply entrenched American isolationism. When, in 1917, the United States entered the war, Raemaekers embarked on a lecture tour of the USA and Canada, rallying the new allies for support and arguing the case for mobilisation against the German Empire. The Christian Science Monitor commented “From the outset his works revealed something more than the humorous or ironical power of the caricaturist; they showed that behind the mere pictorial comment on the war was a man who thought and wrought with deep and uncompromising conviction as to right and wrong.” All too often art critics, art historians, aestheticians, and others have dismissed cartoons and caricatures as silly — not serious — trivial, and irrelevant. Yet, as you will see with the cartoons in this first volume, here are cartoons and caricatures that, in retrospect, possibly had more effect on the German High Command and German populace than possibly a new Allied offensive, giving weight to the adage “The Pen is Mightier than the Sword.” - if only pen and paper could have been used to greater effect in this, the Great War.
Publisher: Abela Publishing Ltd
ISBN: 8826462151
Category : History
Languages : en
Pages : 240
Book Description
Herein are 107 more satirical cartoons from the master Louis Raemaeker which end off the second year of WWI. With so may atrocities committed by both sides, Raemakers was not short of material. One hundred years before WWI, Napoleon is reported to have said that the English caricaturist James Gillray "did more than all the armies in Europe to bring me down.” Likewise, during World War I, no cartoonist exercised more influence than Louis Raemaekers of Holland. Charged with "endangering Dutch neutrality," he fled to England. His satirical newspaper cartoons led the German Government to offer a 12,000 guilder (±US250,000 in 2014) reward for his capture, dead or alive. A German newspaper, summarizing the terms of peace Germany would exact after it won the war, declared that “Indemnity would be demanded for every one of Raemaekers' cartoons.” Raemaekers cartoons were also instrumental in fighting against deeply entrenched American isolationism. When, in 1917, the United States entered the war, Raemaekers embarked on a lecture tour of the USA and Canada, rallying the new allies for support and arguing the case for mobilisation against the German Empire. The Christian Science Monitor commented “From the outset his works revealed something more than the humorous or ironical power of the caricaturist; they showed that behind the mere pictorial comment on the war was a man who thought and wrought with deep and uncompromising conviction as to right and wrong.” All too often art critics, art historians, aestheticians, and others have dismissed cartoons and caricatures as silly — not serious — trivial, and irrelevant. Yet, as you will see with the cartoons in this first volume, here are cartoons and caricatures that, in retrospect, possibly had more effect on the German High Command and German populace than possibly a new Allied offensive, giving weight to the adage “The Pen is Mightier than the Sword.” - if only pen and paper could have been used to greater effect in this, the Great War.