Author: Rachilde
Publisher: Modern Language Association
ISBN: 1603292551
Category : Fiction
Languages : en
Pages : 272
Book Description
When the rich and well-connected Raoule de Vénérande becomes enamored of Jacques Silvert, a poor young man who makes artificial flowers for a living, she turns him into her mistress and eventually into her wife. Raoule's suitor, a cigar-smoking former hussar officer, becomes an accomplice in the complications that ensue.
Monsieur Vénus
Author: Rachilde
Publisher: Modern Language Association
ISBN: 1603292551
Category : Fiction
Languages : en
Pages : 272
Book Description
When the rich and well-connected Raoule de Vénérande becomes enamored of Jacques Silvert, a poor young man who makes artificial flowers for a living, she turns him into her mistress and eventually into her wife. Raoule's suitor, a cigar-smoking former hussar officer, becomes an accomplice in the complications that ensue.
Publisher: Modern Language Association
ISBN: 1603292551
Category : Fiction
Languages : en
Pages : 272
Book Description
When the rich and well-connected Raoule de Vénérande becomes enamored of Jacques Silvert, a poor young man who makes artificial flowers for a living, she turns him into her mistress and eventually into her wife. Raoule's suitor, a cigar-smoking former hussar officer, becomes an accomplice in the complications that ensue.
Rachilde and French Women's Authorship
Author: Melanie Hawthorne
Publisher: U of Nebraska Press
ISBN: 9780803224025
Category : Literary Criticism
Languages : en
Pages : 332
Book Description
Under the assumed name Rachilde, Marguerite Eymery (1860?1953) wrote over sixty works of fiction, drama, poetry, memoir, and criticism, including Monsieur Vänus, one of the most famous examples of decadent fiction. She was closely associated with the literary journal Mercure de France, inspired parts of Oscar Wilde's The Picture of Dorian Gray, and mingled with all the literary lights of the day. Yet for all that, very little has been written about her. Melanie C. Hawthorne corrects this oversight and counters the traditional approach to Rachilde by persuasively portraying this "eccentric" as patently representative of the French women writers of her time and of the social and literary issues they faced. Seen in this light, Rachilde's writing clearly illustrates important questions in feminist literary theory as well as significant features of turn-of-the-century French society. ø Hawthorne arranges her approach to Rachilde around several defining events in the author's life, including the controversial publication of Monsieur Vänus, with its presentation of sex reversals. Weaving back and forth in time, she is able to depict these moments in relation to Rachilde's life, work, and times and to illuminate nineteenth-century publishing practices and rivalries, including authorial manipulations of the market for sexually suggestive literature. The most complete and accurate account yet written of this emblematic author, Hawthorne's work is also the first to situate Rachilde in the broader social contexts and literary currents of her time and of our own.
Publisher: U of Nebraska Press
ISBN: 9780803224025
Category : Literary Criticism
Languages : en
Pages : 332
Book Description
Under the assumed name Rachilde, Marguerite Eymery (1860?1953) wrote over sixty works of fiction, drama, poetry, memoir, and criticism, including Monsieur Vänus, one of the most famous examples of decadent fiction. She was closely associated with the literary journal Mercure de France, inspired parts of Oscar Wilde's The Picture of Dorian Gray, and mingled with all the literary lights of the day. Yet for all that, very little has been written about her. Melanie C. Hawthorne corrects this oversight and counters the traditional approach to Rachilde by persuasively portraying this "eccentric" as patently representative of the French women writers of her time and of the social and literary issues they faced. Seen in this light, Rachilde's writing clearly illustrates important questions in feminist literary theory as well as significant features of turn-of-the-century French society. ø Hawthorne arranges her approach to Rachilde around several defining events in the author's life, including the controversial publication of Monsieur Vänus, with its presentation of sex reversals. Weaving back and forth in time, she is able to depict these moments in relation to Rachilde's life, work, and times and to illuminate nineteenth-century publishing practices and rivalries, including authorial manipulations of the market for sexually suggestive literature. The most complete and accurate account yet written of this emblematic author, Hawthorne's work is also the first to situate Rachilde in the broader social contexts and literary currents of her time and of our own.
The Marquise de Sade
Author: Rachilde
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 284
Book Description
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 284
Book Description
Beauty Raises the Dead
Author: Robert Ziegler
Publisher: Associated University Presse
ISBN: 9780874137736
Category : Literary Criticism
Languages : en
Pages : 194
Book Description
Drawing on psychoanalytic studies of mourning, from Freud and Melanie Klein, to Donald Winnicott and Nicolas Abraham and Maria Torok, Beauty Raises the Dead examines the unique way in which the Decadents defined loss as a precondition to literacy creation."--BOOK JACKET.
Publisher: Associated University Presse
ISBN: 9780874137736
Category : Literary Criticism
Languages : en
Pages : 194
Book Description
Drawing on psychoanalytic studies of mourning, from Freud and Melanie Klein, to Donald Winnicott and Nicolas Abraham and Maria Torok, Beauty Raises the Dead examines the unique way in which the Decadents defined loss as a precondition to literacy creation."--BOOK JACKET.
Fashioning Spaces
Author: Heidi Brevik-Zender
Publisher: University of Toronto Press
ISBN: 1442648031
Category : Art
Languages : en
Pages : 376
Book Description
In Fashioning Spaces, Heidi Brevik-Zender argues that in the years between 1870 and 1900 the chroniclers of Parisian modernity depicted the urban landscape not just in public settings such as boulevards and parks but also in dislocations, spaces where the public and the intimate overlapped in provocative and subversive ways. Stairwells, theatre foyers, dressmakers' studios, and dressing rooms were in-between places that have long been overlooked but were actually marked as indisputably modern through their connections with high fashion. Fashioning Spaces engages with and thinks beyond the work of critics Charles Baudelaire and Walter Benjamin to arrive at new readings of the French capital. Examining literature by Zola, Maupassant, Rachilde, and others, as well as paintings, architecture, and the fashionable garments worn by both men and women, Brevik-Zender crafts a compelling and innovative account of how fashion was appropriated as a way of writing about the complexities of modernity in fin-de-siècle Paris.
Publisher: University of Toronto Press
ISBN: 1442648031
Category : Art
Languages : en
Pages : 376
Book Description
In Fashioning Spaces, Heidi Brevik-Zender argues that in the years between 1870 and 1900 the chroniclers of Parisian modernity depicted the urban landscape not just in public settings such as boulevards and parks but also in dislocations, spaces where the public and the intimate overlapped in provocative and subversive ways. Stairwells, theatre foyers, dressmakers' studios, and dressing rooms were in-between places that have long been overlooked but were actually marked as indisputably modern through their connections with high fashion. Fashioning Spaces engages with and thinks beyond the work of critics Charles Baudelaire and Walter Benjamin to arrive at new readings of the French capital. Examining literature by Zola, Maupassant, Rachilde, and others, as well as paintings, architecture, and the fashionable garments worn by both men and women, Brevik-Zender crafts a compelling and innovative account of how fashion was appropriated as a way of writing about the complexities of modernity in fin-de-siècle Paris.
Gender and Fascism in Modern France
Author: Melanie Hawthorne
Publisher: UPNE
ISBN: 9780874518146
Category : History
Languages : en
Pages : 244
Book Description
Discovering the ways gender issues are articulated in the cultures of the extreme right in modern France.
Publisher: UPNE
ISBN: 9780874518146
Category : History
Languages : en
Pages : 244
Book Description
Discovering the ways gender issues are articulated in the cultures of the extreme right in modern France.
Before Trans
Author: Rachel Mesch
Publisher: Stanford University Press
ISBN: 150361235X
Category : Biography & Autobiography
Languages : en
Pages : 421
Book Description
“This thoughtful academic treatise . . . explores the lives of three famous gender nonconformists in fin-de-siècle Paris.” —Publishers Weekly Before the term “transgender” existed, there were those who experienced their gender in complex ways. Before Trans examines the lives and writings of Jane Dieulafoy (1850–1916), Rachilde (1860–1953), and Marc de Montifaud (1845–1912), three French writers whose gender expression did not conform to nineteenth-century notions of femininity. Dieulafoy fought alongside her husband in the Franco-Prussian War; later she wrote novels about girls becoming boys and enjoyed being photographed in her signature men's suits. Rachilde became famous in the 1880s for her controversial gender-bending novel Monsieur Vénus, published around the same time that she started using a calling card that read “Rachilde, Man of Letters.” Montifaud turned to erotic writings, for which she was repeatedly charged with "offense to public decency"; she wore tailored men's suits and a short haircut and went by masculine pronouns among certain friends. Dieulafoy, Rachilde, and Montifaud established themselves as fixtures in the literary world of fin-de-siècle Paris at the same time as French writers, scientists, and doctors were becoming fascinated with sexuality and sexual difference. Even so, the concept of gender identity as separate from sexual identity did not yet exist. Before Trans explores these three figures' efforts to articulate a sense of selfhood that did not align with the conventional gender roles of their day. Their personal stories provide vital historical context for our own efforts to understand the nature of gender identity. “A fresh and original take on trans history.” —Jack Halberstam, author of The Queer Art of Failure
Publisher: Stanford University Press
ISBN: 150361235X
Category : Biography & Autobiography
Languages : en
Pages : 421
Book Description
“This thoughtful academic treatise . . . explores the lives of three famous gender nonconformists in fin-de-siècle Paris.” —Publishers Weekly Before the term “transgender” existed, there were those who experienced their gender in complex ways. Before Trans examines the lives and writings of Jane Dieulafoy (1850–1916), Rachilde (1860–1953), and Marc de Montifaud (1845–1912), three French writers whose gender expression did not conform to nineteenth-century notions of femininity. Dieulafoy fought alongside her husband in the Franco-Prussian War; later she wrote novels about girls becoming boys and enjoyed being photographed in her signature men's suits. Rachilde became famous in the 1880s for her controversial gender-bending novel Monsieur Vénus, published around the same time that she started using a calling card that read “Rachilde, Man of Letters.” Montifaud turned to erotic writings, for which she was repeatedly charged with "offense to public decency"; she wore tailored men's suits and a short haircut and went by masculine pronouns among certain friends. Dieulafoy, Rachilde, and Montifaud established themselves as fixtures in the literary world of fin-de-siècle Paris at the same time as French writers, scientists, and doctors were becoming fascinated with sexuality and sexual difference. Even so, the concept of gender identity as separate from sexual identity did not yet exist. Before Trans explores these three figures' efforts to articulate a sense of selfhood that did not align with the conventional gender roles of their day. Their personal stories provide vital historical context for our own efforts to understand the nature of gender identity. “A fresh and original take on trans history.” —Jack Halberstam, author of The Queer Art of Failure
Rachilde
Author: Diana Holmes
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
Her extraordinary life and work, including a vast output as a literary reviewer, offer a prism through which to view the vibrant social and cultural history of France from the belle epoque to the Second World War. The first serious critical study of Rachilde's work, this book explores the interwoven themes of French naturalism, modernism, decadence and feminism."--Jacket.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
Her extraordinary life and work, including a vast output as a literary reviewer, offer a prism through which to view the vibrant social and cultural history of France from the belle epoque to the Second World War. The first serious critical study of Rachilde's work, this book explores the interwoven themes of French naturalism, modernism, decadence and feminism."--Jacket.
Hysteria, Hypnotism, the Spirits, and Pornography
Author: Michael R. Finn
Publisher: University of Delaware Press
ISBN: 0874130670
Category : History
Languages : en
Pages : 279
Book Description
This book explores the life and fiction of the French decadent writer Rachilde (pen name of Marguerite Eymery), using her as a case study to examine the impact late nineteenth-century theories about female hysteria, medical hypnotism, mediums, and spiritualism had on the female creative psyche. It is a book about disempowerment, and re-empowerment through writing.
Publisher: University of Delaware Press
ISBN: 0874130670
Category : History
Languages : en
Pages : 279
Book Description
This book explores the life and fiction of the French decadent writer Rachilde (pen name of Marguerite Eymery), using her as a case study to examine the impact late nineteenth-century theories about female hysteria, medical hypnotism, mediums, and spiritualism had on the female creative psyche. It is a book about disempowerment, and re-empowerment through writing.
Modern Drama by Women 1880s-1930s
Author: Katherine E. Kelly
Publisher: Routledge
ISBN: 1134802374
Category : Performing Arts
Languages : en
Pages : 390
Book Description
Modern Drama by Women 1880s-1930s offers the first direct evidence that women playwrights helped create the movement known as Modern Drama. It contains twelve plays by women from the Americas, Europe and Asia, spanning a national and stylistic range from Swedish realism to Russian symbolism. Six of these plays are appearing in their first English-language translation. Playwrights include: * Anne-Charlotte Leffler Edgren (Sweden) * Amelai Pincherle Rosselli (Italy) * Elsa Berstein (Germany) * Elizabeth Robins (Britain) * Marie Leneru (France) * Alfonsina Storni (Argentina) * Hella Wuolijoki (Finland) * Hasegawa Shigure (Japan) * Rachilde (France) * Zinaida Gippius (Russia) * Djuna Barnes (USA) * Marita Bonner (USA) This groundbreaking anthology explodes the traditional canon. In these plays, the New Woman represents herself and her crises in all of the styles and genres available to the modern dramatist. Unprecedented in diversity and scope, it is a collection which no scholar, student or lover of modern drama can afford to miss.
Publisher: Routledge
ISBN: 1134802374
Category : Performing Arts
Languages : en
Pages : 390
Book Description
Modern Drama by Women 1880s-1930s offers the first direct evidence that women playwrights helped create the movement known as Modern Drama. It contains twelve plays by women from the Americas, Europe and Asia, spanning a national and stylistic range from Swedish realism to Russian symbolism. Six of these plays are appearing in their first English-language translation. Playwrights include: * Anne-Charlotte Leffler Edgren (Sweden) * Amelai Pincherle Rosselli (Italy) * Elsa Berstein (Germany) * Elizabeth Robins (Britain) * Marie Leneru (France) * Alfonsina Storni (Argentina) * Hella Wuolijoki (Finland) * Hasegawa Shigure (Japan) * Rachilde (France) * Zinaida Gippius (Russia) * Djuna Barnes (USA) * Marita Bonner (USA) This groundbreaking anthology explodes the traditional canon. In these plays, the New Woman represents herself and her crises in all of the styles and genres available to the modern dramatist. Unprecedented in diversity and scope, it is a collection which no scholar, student or lover of modern drama can afford to miss.