Race, Nation, & Empire in American History (Volume 1 of 2) (EasyRead Super Large 20pt Edition) PDF Download

Author:
Publisher: ReadHowYouWant.com
ISBN: 1442994002
Category :
Languages : en
Pages : 594

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Author:
Publisher: ReadHowYouWant.com
ISBN: 1442993936
Category :
Languages : en
Pages : 394

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Author: Colin Wheildon
Publisher:
ISBN: 9781875750221
Category : Communication in marketing
Languages : en
Pages : 0

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For anyone who has a say in what appears in print and need to know whether, as well as looking good, it will do its job by being read. It gives practical answers on choosing the right typeface, on colour, tints, and many basic aspects of layout.

Author: Allan Ahlberg
Publisher: Penguin UK
ISBN: 0141942479
Category : Juvenile Fiction
Languages : en
Pages : 120

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'The teacher tapped his forehead. At last! the children cried! The answer, Sir's, in your head... What a perfect place to hide' Jump into Allan Ahlberg's playful world of poetry, perfect for primary school children. Shed a tear for The Boy Without A Name, discover the secrets to teachers (they NEVER leave the school!?) and try to solve the riddles of The Answer. Packed with rhythmic poetry and playful songs, this timeless collection has delighted children for generations. 'Every desk should hide a copy; every staff room own one' - The Observer Discover more school stories from Alan Ahlberg: Starting School Please Mrs Butler

Author: Lisa Robertson
Publisher: Coach House Books
ISBN: 1770564802
Category : Poetry
Languages : en
Pages : 122

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Recite your poem to your aunt. I threw myself to the ground. Where were you in the night? In a school among the pines. What was the meaning of the dream? Organs, hormones, toxins, lesions: what is a body? In 3 Summers, Lisa Robertson takes up her earlier concerns with form and literary precedent, and turns toward the timeliness of embodiment. What is form's time? Here the form of life called a poem speaks with the body's mortality, its thickness, its play. The 10 poem-sequences in 3 Summers inflect a history of textual voices — Lucretius, Marx, Aby Warburg, Deleuze, the Sogdian Sutras — in a lyricism that insists on analysis and revolt, as well as the pleasures of description. The poet explores the mysterious oddness of the body, its languor and persistence, to test how it shapes the materiality of thinking, which includes rivers and forests. But in these poems' landscapes, the time of nature is inherently political. Now only time is wild, and only time — embodied here in Lisa Robertson’s forceful cadences — can tell. "Robertson proves hard to explain but easy to enjoy. . . . Dauntlessly and resourcefully intellectual, Robertson can also be playful or blunt. . . . She wields language expertly, even beautifully."—The New York Times "Robertson makes intellect seductive; only her poetry could turn swooning into a critical gesture."— The Village Voice Lisa Robertson's books include Cinema of the Present, Debbie: An Epic, The Men, The Weather, R's Boat and Occasional Works and Seven Walks from the Office for Soft Architecture. Lisa Robertson's Magenta Soul Whip was named one of The New York Times' 100 Notable Books. She lives in France.

Author: James T. Campbell
Publisher: ReadHowYouWant.com
ISBN: 1442993987
Category :
Languages : en
Pages : 406

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While public debates over America's current foreign policy often treat American empire as a new phenomenon, this lively collection of essays offers a pointed reminder that visions of national and imperial greatness were a cornerstone of the new country when it was founded. In fact, notions of empire have long framed debates over western expansio...

Author: Sean Bonney
Publisher:
ISBN: 9781910392157
Category : Epistolary poetry, English
Languages : en
Pages : 0

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Sean Bonney offers a user's report on the end of the world, a treatise against Tory terror, a proposal for a new zodiac, a defence of poetry and a hex against the devourers of planet Earth. The letters and fierce epistolary poems provide a vivid account of the sheer panic and brutality of the austerity years.

Author: Sean Bonney
Publisher:
ISBN: 9780956817662
Category :
Languages : en
Pages : 65

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Author: Colin Wheildon
Publisher:
ISBN:
Category : Business & Economics
Languages : en
Pages : 266

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The proliferation of desktop publishing has reawakened interest in the presentational aspects of printed communication; that is, in what writing looks like. When picking a fonts package, the image-conscious self-expresser would do well to consult Wheildon on the ins and outs of typography and graphic design; indeed, for those in advertising, his book will serve as a layout primer. In measured, detailed language, and drawing on nine years of research, Wheildon discusses page layout, typefaces, reader behavior, and more. Further, given subject matter that lends itself to insightful illustration, he accompanies the text with graphics that enhance and underscore his points at every turn. His writing seems a bit technical, even dry, at first, but detailed and crisp exposition combine with apt illustration to impart as much depth about the technical aspects of presenting printed communication as many readers may want. Mike Tribby. --

Author: Sam Riviere
Publisher: Faber & Faber
ISBN: 0571321445
Category : Poetry
Languages : en
Pages : 109

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The 72 poems in Kim Kardashian's Marriage mark out equally sharpened lines of public and private engagement. Kim Kardashian's 2011 marriage lasted for 72 days, and was seen by some as illustrative of celebrity life as a performance, as spectacle. Whatever the truth of this (and Kardashian's own statements refute it), Sam Riviere has used the furor as a point of ignition, deploying terms from Kardashian's make-up regimen to explore surfaces and self-consciousness, presentation and obfuscation. His pursuit is toward a form of zero-privacy akin, perhaps, to Kardashian's own life, that eschews a dependence upon confessional modes of writing to explore what kind of meaning lies in impersonal methods of creation. The poems have been produced by harvesting and manipulating the results of search engines to create a poetry of part-collage, part-improvisation. The effect is as refractive as it is reflective, and disturbs the slant on biography through a bricolage of recycled and cross-referenced language, until we are left with a pixellation of the first person.