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Author: Barbara C. Bowen Publisher: Vanderbilt University Press ISBN: 9780826513069 Category : Fiction Languages : en Pages : 264
Book Description
Francois Rabelais (1483?-1553) is a difficult and often misunderstood author, whose reputation for coarse "Rabelaisian" jesting and "Gargantuan" indulgence in food, drink, and sex is highly misleading. He was in fact a committed humanist who expressed strong views on religion, good government, education, and much more through the mock-heroic adventures of his giants. While most books about Rabelais have relatively little to say about his comedic genius, Enter Rabelais, Laughing analyses the many sides of Rabelais's humor, focusing on why his writing was so hilariously funny to sixteenth-century readers. The author begins by discussing how the Renaissance defined laughter and situates Rabelais in a long tradition of literary laughter. Subsequent chapters examine specific contexts relevant to Gargantua and Pantagruel, beginning with the comic aspects of epic, chronicle, mock-epic, and farce, and proceeding to Renaissance and Reformation humanist satire, rhetoric, medicine, and law. All of these chapters combine information, much of it new, on the humanist message Rabelais wanted to convey to his readers, with an analysis of how he used his wit to reinforce his message. Rarely is a writer's work treated in such illuminating detail. On a broad level, Enter Rabelais, Laughing serves as an excellent introduction to French Renaissance literature and exhibits a remarkably charming and lucid writing style, free of jargon. To Rabelais scholars in particular it offers a thorough and innovative analysis that corrects misconceptions and questions commonly held views.
Author: Barbara C. Bowen Publisher: Vanderbilt University Press ISBN: 9780826513069 Category : Fiction Languages : en Pages : 264
Book Description
Francois Rabelais (1483?-1553) is a difficult and often misunderstood author, whose reputation for coarse "Rabelaisian" jesting and "Gargantuan" indulgence in food, drink, and sex is highly misleading. He was in fact a committed humanist who expressed strong views on religion, good government, education, and much more through the mock-heroic adventures of his giants. While most books about Rabelais have relatively little to say about his comedic genius, Enter Rabelais, Laughing analyses the many sides of Rabelais's humor, focusing on why his writing was so hilariously funny to sixteenth-century readers. The author begins by discussing how the Renaissance defined laughter and situates Rabelais in a long tradition of literary laughter. Subsequent chapters examine specific contexts relevant to Gargantua and Pantagruel, beginning with the comic aspects of epic, chronicle, mock-epic, and farce, and proceeding to Renaissance and Reformation humanist satire, rhetoric, medicine, and law. All of these chapters combine information, much of it new, on the humanist message Rabelais wanted to convey to his readers, with an analysis of how he used his wit to reinforce his message. Rarely is a writer's work treated in such illuminating detail. On a broad level, Enter Rabelais, Laughing serves as an excellent introduction to French Renaissance literature and exhibits a remarkably charming and lucid writing style, free of jargon. To Rabelais scholars in particular it offers a thorough and innovative analysis that corrects misconceptions and questions commonly held views.
Author: Mikhail Mikhaĭlovich Bakhtin Publisher: Indiana University Press ISBN: 9780253203410 Category : Literary Criticism Languages : en Pages : 520
Book Description
This classic work by the Russian philosopher and literary theorist Mikhail Bakhtin (1895-1975) examines popular humor and folk culture in the Middle Ages and the Renaissance. One of the essential texts of a theorist who is rapidly becoming a major reference in contemporary thought, Rabelais and His World is essential reading for anyone interested in problems of language and text and in cultural interpretation.
Author: Laurent Joubert Publisher: University of Alabama Press ISBN: 0817300260 Category : History Languages : en Pages : 173
Book Description
Translation from French of an essay on the nature and character of human laughter Until its translation, Treatise on Laughter remained accessible solely to readers of French for nearly four centuries. Joubert’s treatise offers a curious and stimulating experience: the sensation of moving through another epistemology. His theory was composed during a period of great turmoil in the history of France when the human race was becoming much more aware of the organic structure of man and nature. He begins with the immediately observable phenomena before penetrating into the more hidden aspects of one of the most admirable of human acts, amirables accions de l’homme, laughter. Joubert is keenly aware of the difficulty of his subject matter. Rather than discouraging him, however, this becomes an incentive, making the study of such a formidable mystery more enticing. His ideas can appear quaint, and many of his beliefs can make us smile. Yet our smile may well disappear when we wonder which of today’s accepted ideas might seem laughable half a millennium hence.
Author: Albrecht Classen Publisher: Walter de Gruyter ISBN: 3110245485 Category : Literary Criticism Languages : en Pages : 864
Book Description
Despite popular opinions of the ‘dark Middle Ages’ and a ‘gloomy early modern age,’ many people laughed, smiled, giggled, chuckled, entertained and ridiculed each other. This volume demonstrates how important laughter had been at times and how diverse the situations proved to be in which people laughed, and this from late antiquity to the eighteenth century. The contributions examine a wide gamut of significant cases of laughter in literary texts, historical documents, and art works where laughter determined the relationship among people. In fact, laughter emerges as a kaleidoscopic phenomenon reflecting divine joy, bitter hatred and contempt, satirical perspectives and parodic intentions. In some examples protagonists laughed out of sheer happiness and delight, in others because they felt anxiety and insecurity. It is much more difficult to detect premodern sculptures of laughing figures, but they also existed. Laughter reflected a variety of concerns, interests, and intentions, and the collective approach in this volume to laughter in the past opens many new windows to the history of mentality, social and religious conditions, gender relationships, and power structures.
Author: Abílio Almeida Publisher: Taylor & Francis ISBN: 1040154352 Category : History Languages : en Pages : 123
Book Description
Is laughter a sin? Or is it man’s best medicine? Is laughter now trivialised, mechanised or even weaponised by contemporary media? This book explores the social history of laughter in the West, from classical antiquity to the present day. Engaging with a range of thought from Plato to Nietzsche, it moves from classical to modern thought, considering the changing emotional climate of societies – including the postmodern "dictatorship of happiness" – and the role played by the technological changes of the last century in shaping our interpretation of laughter. A broad, historical study of the physical and emotional aspects of laughter, as well as its social role, A Cultural History of Laughter will appeal to scholars of sociology, history and cultural studies, among other fields of knowledge.
Author: Dustin Peone Publisher: Wipf and Stock Publishers ISBN: 1666755990 Category : Philosophy Languages : en Pages : 167
Book Description
Contemporary philosophy has adopted an increasingly tragic point of view. Tragedy, though, is only a partial truth of the human condition. Comedy is another partial truth. The nature of human existence is neither wholly the one nor the other, but tragi-comic. Philosophy must be attuned to both despair and laughter if it is to understand its own world. In Making Philosophy Laugh, the philosopher Dustin Peone makes an apology for the comic side of existence and its use in philosophy. He demonstrates the social and moral uses of humor and analyzes its significance for speculative thinking. Folly and irony are shown to be vital facets of dialectical philosophy. The reader is introduced to the comical side of Socrates and Homer, Descartes and Vico, Kant and Hegel, and many others. Finally, a doctrine of the tragi-comic sense of life is presented that does justice to all aspects of human existence and liberates the spirit from the grimness of serious thought.
Author: Johan Verberckmoes Publisher: Springer ISBN: 1349271764 Category : History Languages : en Pages : 224
Book Description
Prior to the modern age laughter raised passions and activated the body to sweat and shake. Derision was not distinguished from joy. Deceiving the senses by tricks or funny stories made all people laugh loudly, regardless of class. Johan Verberckmoes describes, in this innovating book, the hotchpotch of comic images and stories in 'Flandes' during the rule of the Spanish Habsburgs, from 1500 to 1700. It challenges the Bakhtinian idea of a caesura in the history of laughter around 1600.
Author: Max Gauna Publisher: Fairleigh Dickinson Univ Press ISBN: 9780838636312 Category : Literary Criticism Languages : en Pages : 306
Book Description
Chapter 4 examines in detail the various myths of the fourth book and suggests that in it Rabelais propounds a radically unorthodox syncretism in which the poetic attractions of Platonic and Plutarchan demonology are preponderant, in which Christ Himself may be seen as the greatest of the demons, and where the climax of the book shows us the hero Pantagruel in direct communication with his own guardian demon. A short epilogue sums up Gauna's conclusions and suggests reasons for the literary and philosophical attractions of magical Platonism.
Author: Barbara C. Bowen
Author: Barbara C. Bowen
Author: John O'Brien
Author: Mikhail Mikhaĭlovich Bakhtin
Author: Laurent Joubert
Author: Albrecht Classen
Author: Abílio Almeida
Author: Kathleen M. Hall
Author: Dustin Peone
Author: Johan Verberckmoes
Author: Max Gauna