Author: Georgie Augherton Gurney
Publisher:
ISBN:
Category : Color in literature
Languages : en
Pages : 648
Book Description
Rabelais and Renaissance Color Symbolism
Author: Georgie Augherton Gurney
Publisher:
ISBN:
Category : Color in literature
Languages : en
Pages : 648
Book Description
Publisher:
ISBN:
Category : Color in literature
Languages : en
Pages : 648
Book Description
Renaissance Colour Symbolism
Author: Roy Osborne
Publisher: Lulu.com
ISBN: 0244454760
Category : Art, Renaissance
Languages : en
Pages : 464
Book Description
"Renaissance Colour Symbolism brings together texts and translations of the four earliest printed books on the meaning of colours: Le Blason de toutes armes et éscutz [The Blazon of All Arms and Escutcheons] (1495) by Jean Courtois, the Sicily Herald; Le Blason des couleurs en armes, livrées et devises [The Blazon of Colours in Arms, Liveries and Devices] (1527) by Gilles Corrozet; Libellus de coloribus [Booklet on Colours] (1528) by Antonio Telesio (Thylesius); and Del significato de' colori [On the Signification of Colours] (1535) by Fulvio Pellegrino Morato. Parts of three other early books are included, from The Accedens of Armory (1562) by Gerard Legh; Trattato dell'arte della pittura, scoltura, et archittetura [Treatise on the Arts of Painting, Sculpture, and Architecture] (1584) by Giovanni Paolo Lomazzo; and A Tracte Containing the Artes of Curious Paintinge, Carvinge and Buildinge (1598) by Richard Haydocke"--Provided by publisher.
Publisher: Lulu.com
ISBN: 0244454760
Category : Art, Renaissance
Languages : en
Pages : 464
Book Description
"Renaissance Colour Symbolism brings together texts and translations of the four earliest printed books on the meaning of colours: Le Blason de toutes armes et éscutz [The Blazon of All Arms and Escutcheons] (1495) by Jean Courtois, the Sicily Herald; Le Blason des couleurs en armes, livrées et devises [The Blazon of Colours in Arms, Liveries and Devices] (1527) by Gilles Corrozet; Libellus de coloribus [Booklet on Colours] (1528) by Antonio Telesio (Thylesius); and Del significato de' colori [On the Signification of Colours] (1535) by Fulvio Pellegrino Morato. Parts of three other early books are included, from The Accedens of Armory (1562) by Gerard Legh; Trattato dell'arte della pittura, scoltura, et archittetura [Treatise on the Arts of Painting, Sculpture, and Architecture] (1584) by Giovanni Paolo Lomazzo; and A Tracte Containing the Artes of Curious Paintinge, Carvinge and Buildinge (1598) by Richard Haydocke"--Provided by publisher.
Sicily Herald and the Blazon of Colours (Renaissance Colour Symbolism I)
Author: Roy Osborne
Publisher: Lulu.com
ISBN: 1326639854
Category : Color in heraldry
Languages : en
Pages : 190
Book Description
'Sicily Herald and the Blazon of Colours' brings together the original texts with original English translations of two closely related primary sources on Renaissance colour symbolism. 'Le Blason de toutes armes et scutz' (The blazon of all arms and shields) was completed about 1420 by Jean Courtois (c. 1375-1436), the Sicily Herald, and printed in Paris in 1495. The second, 'Le Blason des couleurs en armes, livr es, et devises' (The blazon of colours in arms, liveries and devices), by Gilles Corrozet (1510-68), was published in Paris in 1527 by Pierre Le Brodeur. They were first two books on colour to be printed in Europe, and are now available in English for the first time in five centuries. Roy Osborne is an artist, educator and historian, and author of books on colour. He was awarded the Turner Medal of the Colour Group (Great Britain) in 2003, and the Colour in Art, Design and Environment Medal of the International Colour Association in 2019.
Publisher: Lulu.com
ISBN: 1326639854
Category : Color in heraldry
Languages : en
Pages : 190
Book Description
'Sicily Herald and the Blazon of Colours' brings together the original texts with original English translations of two closely related primary sources on Renaissance colour symbolism. 'Le Blason de toutes armes et scutz' (The blazon of all arms and shields) was completed about 1420 by Jean Courtois (c. 1375-1436), the Sicily Herald, and printed in Paris in 1495. The second, 'Le Blason des couleurs en armes, livr es, et devises' (The blazon of colours in arms, liveries and devices), by Gilles Corrozet (1510-68), was published in Paris in 1527 by Pierre Le Brodeur. They were first two books on colour to be printed in Europe, and are now available in English for the first time in five centuries. Roy Osborne is an artist, educator and historian, and author of books on colour. He was awarded the Turner Medal of the Colour Group (Great Britain) in 2003, and the Colour in Art, Design and Environment Medal of the International Colour Association in 2019.
Rabelais and Renaissance Color Sybolism
François Rabelais
Author: Bruno Braunrot
Publisher: Macmillan Reference USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 464
Book Description
An annotated listing of critical studies covering 40 years of secondary scholarship on the work of Francois Rabelais, one of the literary giants of the Renaissance. Presents a brief history of literary criticism on Rabelais, and lists editions of his work, reprints of important works on the author before 1950, and collections of articles devoted to Rabelais. Entries are grouped by year of first publication, with subsequent reprints and revisions indicated with cross-references to their original publications. Annotation copyright by Book News, Inc., Portland, OR
Publisher: Macmillan Reference USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 464
Book Description
An annotated listing of critical studies covering 40 years of secondary scholarship on the work of Francois Rabelais, one of the literary giants of the Renaissance. Presents a brief history of literary criticism on Rabelais, and lists editions of his work, reprints of important works on the author before 1950, and collections of articles devoted to Rabelais. Entries are grouped by year of first publication, with subsequent reprints and revisions indicated with cross-references to their original publications. Annotation copyright by Book News, Inc., Portland, OR
The Rabelais Encyclopedia
Author: Elizabeth C. Zegura
Publisher: Bloomsbury Publishing USA
ISBN: 0313061564
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
The French humanist Rabelais (ca. 1483-1553) was the greatest French writer of the Renaissance and one of the most influential authors of all time. His Gargantua and Pantagruel, written in five books between 1532 and 1553, rivals the works of Shakespeare and Cervantes in terms of artistry, complexity of ideas and expression, and historical importance. Rabelais is read in numerous courses in French Literature, Renaissance Studies, and Western Civilization, and his writings continue to attract the attention of scholars and general readers alike. The first work of its kind, this encyclopedia is a comprehensive guide to his life and writings. Included are several hundred alphabetically arranged entries by expert contributors. These entries discuss his characters, his overt and veiled references to historical and Renaissance figures and events, his literary and philosophical allusions, his major themes, and the key events and influences that shaped his career. The entries cover such topics as education, religion, censors and censorship, humanism, death, and warfare. Entries cite works for further reading, and the encyclopedia closes with a selected, general bibliography.
Publisher: Bloomsbury Publishing USA
ISBN: 0313061564
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
The French humanist Rabelais (ca. 1483-1553) was the greatest French writer of the Renaissance and one of the most influential authors of all time. His Gargantua and Pantagruel, written in five books between 1532 and 1553, rivals the works of Shakespeare and Cervantes in terms of artistry, complexity of ideas and expression, and historical importance. Rabelais is read in numerous courses in French Literature, Renaissance Studies, and Western Civilization, and his writings continue to attract the attention of scholars and general readers alike. The first work of its kind, this encyclopedia is a comprehensive guide to his life and writings. Included are several hundred alphabetically arranged entries by expert contributors. These entries discuss his characters, his overt and veiled references to historical and Renaissance figures and events, his literary and philosophical allusions, his major themes, and the key events and influences that shaped his career. The entries cover such topics as education, religion, censors and censorship, humanism, death, and warfare. Entries cite works for further reading, and the encyclopedia closes with a selected, general bibliography.
Color and Culture
Author: John Gage
Publisher: Univ of California Press
ISBN: 0520222253
Category : Aesthetics
Languages : en
Pages : 344
Book Description
An encyclopaedic work on color in Western art and culture from the Middle Ages to Post-Modernism.
Publisher: Univ of California Press
ISBN: 0520222253
Category : Aesthetics
Languages : en
Pages : 344
Book Description
An encyclopaedic work on color in Western art and culture from the Middle Ages to Post-Modernism.
Rabelais in Context
Author: Barbara C. Bowen
Publisher: Summa Publications, Inc.
ISBN: 9780917786952
Category : Literary Criticism
Languages : en
Pages : 220
Book Description
Publisher: Summa Publications, Inc.
ISBN: 9780917786952
Category : Literary Criticism
Languages : en
Pages : 220
Book Description
Rabelaisian Dialectic and the Platonic-Hermetic Tradition
Author: George Mallary Masters
Publisher: SUNY Press
ISBN: 9780873950398
Category : Dialectic
Languages : en
Pages : 180
Book Description
In this study, Professor Masters looks beyond the few critical attempts that heretofore have analyzed only isolated aspects of Platonism and Hermetism in Rabelaisian literature. He examines the closely related themes of Platonism, the Dionysian mysteries, and the Hermetic sciences in Rabelais's work and concludes that Rabelais shared with the Platonic-Hermetic tradition both its dialectic and perception of man's position in the universe. In the perspective of Platonic dialectic, Professor Masters analyzes Rabelaisian allegory, symbolism, and imagery as a play on appearance and reality. Through the allegorical myths of Gargantua and Pantagruel, Rabelais rejects the seemingly dichotomous extremes of materialism and ascetic spiritualism, while his philosophy of Pantagrue?lisme shows a positive acceptance of both the physical world and contemplative thought. Through the symbolism of wine, Rabelais manifests the Platonic ideal of Love-Harmony-Order on the literal level of conviviality, in the philosophical dialogue of the symposium, and in the intuitive dialectic of Socratic contemplation. In Rabelais's view, man can achieve self-knowledge only through reasonable control and by actively establishing a balance with society, nature, and God. The magus may diabolically use the "sciences" of astrology, magic, alchemy, and the Cabala in an attempt to subject the world to his own will, or he may achieve unity with himself and his total environment by restoring in himself the harmonious order he finds in the cosmos. In an appendix, Professor Masters examines the continuity of the several themes of the Platonic-Hermetic tradition as they occur in the five books of the Rabelaisian corpus. He concludes, as two corollaries of the main thesis, that their constant recurrence demonstrates the thematic unity of the five books and the authenticity of Book Five.
Publisher: SUNY Press
ISBN: 9780873950398
Category : Dialectic
Languages : en
Pages : 180
Book Description
In this study, Professor Masters looks beyond the few critical attempts that heretofore have analyzed only isolated aspects of Platonism and Hermetism in Rabelaisian literature. He examines the closely related themes of Platonism, the Dionysian mysteries, and the Hermetic sciences in Rabelais's work and concludes that Rabelais shared with the Platonic-Hermetic tradition both its dialectic and perception of man's position in the universe. In the perspective of Platonic dialectic, Professor Masters analyzes Rabelaisian allegory, symbolism, and imagery as a play on appearance and reality. Through the allegorical myths of Gargantua and Pantagruel, Rabelais rejects the seemingly dichotomous extremes of materialism and ascetic spiritualism, while his philosophy of Pantagrue?lisme shows a positive acceptance of both the physical world and contemplative thought. Through the symbolism of wine, Rabelais manifests the Platonic ideal of Love-Harmony-Order on the literal level of conviviality, in the philosophical dialogue of the symposium, and in the intuitive dialectic of Socratic contemplation. In Rabelais's view, man can achieve self-knowledge only through reasonable control and by actively establishing a balance with society, nature, and God. The magus may diabolically use the "sciences" of astrology, magic, alchemy, and the Cabala in an attempt to subject the world to his own will, or he may achieve unity with himself and his total environment by restoring in himself the harmonious order he finds in the cosmos. In an appendix, Professor Masters examines the continuity of the several themes of the Platonic-Hermetic tradition as they occur in the five books of the Rabelaisian corpus. He concludes, as two corollaries of the main thesis, that their constant recurrence demonstrates the thematic unity of the five books and the authenticity of Book Five.
Color Symbolism in Renaissance Literature ...
Author: Elmer Pratt Crittenden
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 162
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 162
Book Description