Author: Susan ListonPublisher:
ISBN:
Category :
Languages : en
Pages : 328
Book Description
Rabelais and Medieval Epic Parody
Author: Susan ListonRabelais and His World
Author: Mikhail Mikhaĭlovich BakhtinPublisher: Indiana University Press
ISBN: 9780253203410
Category : Literary Criticism
Languages : en
Pages : 520
Book Description
This classic work by the Russian philosopher and literary theorist Mikhail Bakhtin (1895-1975) examines popular humor and folk culture in the Middle Ages and the Renaissance. One of the essential texts of a theorist who is rapidly becoming a major reference in contemporary thought, Rabelais and His World is essential reading for anyone interested in problems of language and text and in cultural interpretation.
Rabelais and Panurge
Author: RaglandPublisher: BRILL
ISBN: 9004651438
Category : Literary Criticism
Languages : en
Pages : 165
Book Description
Olifant
Author: François Rabelais
Author: Bruno BraunrotPublisher: Macmillan Reference USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 464
Book Description
An annotated listing of critical studies covering 40 years of secondary scholarship on the work of Francois Rabelais, one of the literary giants of the Renaissance. Presents a brief history of literary criticism on Rabelais, and lists editions of his work, reprints of important works on the author before 1950, and collections of articles devoted to Rabelais. Entries are grouped by year of first publication, with subsequent reprints and revisions indicated with cross-references to their original publications. Annotation copyright by Book News, Inc., Portland, OR
Rabelais in Context
Author: Barbara C. BowenPublisher: Summa Publications, Inc.
ISBN: 9780917786952
Category : Literary Criticism
Languages : en
Pages : 220
Book Description
Catalog of Copyright Entries. Third Series
Author: Library of Congress. Copyright OfficePublisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1608
Book Description
The Quest for an Appropriate Past in Literature, Art and Architecture
Author: Publisher: BRILL
ISBN: 9004378219
Category : Art
Languages : en
Pages : 818
Book Description
This volume explores the various strategies by which appropriate pasts were construed in scholarship, literature, art, and architecture in order to create “national”, regional, or local identities in late medieval and early modern Europe. Because authority was based on lineage, political and territorial claims were underpinned by historical arguments, either true or otherwise. Literature, scholarship, art, and architecture were pivotal media that were used to give evidence of the impressive old lineage of states, regions, or families. These claims were related not only to classical antiquity but also to other periods that were regarded as antiquities, such as the Middle Ages, especially the chivalric age. The authors of this volume analyse these intriguing early modern constructions of “antiquity” and investigate the ways in which they were applied in political, intellectual and artistic contexts in the period of 1400–1700. Contributors include: Barbara Arciszewska, Bianca De Divitiis, Karl Enenkel, Hubertus Günther, Thomas Haye, Harald Hendrix, Stephan Hoppe, Marc Laureys, Frédérique Lemerle, Coen Maas, Anne-Françoise Morel, Kristoffer Neville, Konrad Ottenheym, Yves Pauwels, Christian Peters, Christoph Pieper, David Rijser, Bernd Roling, Nuno Senos, Paul Smith, Pieter Vlaardingerbroek, and Matthew Walker.
A Companion to François Rabelais
Author: Bernd RennerPublisher: BRILL
ISBN: 9004460233
Category : Literary Criticism
Languages : en
Pages : 639
Book Description
Twenty-two eminent scholars of Early Modernity offer a thorough examination of the art and the main themes of François Rabelais’s work in the larger context of European humanism.
Debussy and the Fragment
Author: Linda CumminsPublisher: Rodopi
ISBN: 9042020652
Category : Art
Languages : en
Pages : 193
Book Description
Rather than solid frames, some less than perfect aesthetic objects have permeable membranes which allow them to diffuse effortlessly into the everyday world. In the parallel universes of music and literature, Linda Cummins extols the poetry of such imperfection. She places Debussy's work within a tradition thriving on anti-Aristotelian principles: motley collections, crumbling ruins real or fake, monstrous hybrids, patchwork and palimpsest, hasty sketches, ellipses, truncated beginnings and endings, meandering arabesques, irrelevant digressions, auto-quotations. Sensitive to the intermittences of memory and experience and with a keen ear for ironic intrusion, Cummins draws the reader into the Western cultural past in search of the surprisingly ubiquitous aesthetic of the unfinished, negatively silhouetted against expectations of rational coherence. Theories popularized by Schlegel and embraced by the French Symbolists are only the first waypoint on an elaborately illustrated tour reaching back to Petrarch. Cummins meticulously applies the derived results to Debussy's scores and finds convincing correlations in this chiasmatic crossover.