Author: Karl Ditters von Dittersdorf
Publisher:
ISBN:
Category : String quintets (Violins (2), viola, cellos (2))
Languages : en
Pages : 60

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Book Description

Author: Johannes Brahms
Publisher:
ISBN:
Category : String quintets (Violins (2), violas (2), cello)
Languages : en
Pages : 68

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Book Description

Author: Johannes Brahms
Publisher:
ISBN:
Category : Chamber music
Languages : en
Pages : 70

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Book Description

Author: Johann Christian Bach
Publisher:
ISBN: 9781633616950
Category :
Languages : en
Pages : 12

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Book Description
Two bright, energetic movements that can incorporate flute, oboe and substitute viola for violin 3. Every part is active, with ornaments and scale and arpeggio passages.

Author: Johannes Brahms
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description

Author: Luigi Boccherini
Publisher: Alfred Music
ISBN: 9781457486654
Category : Music
Languages : en
Pages : 28

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Book Description
A quintet composed by Luigi Boccherini for two violins, viola, cello, and guitar.

Author: Brahms Studies
Publisher: U of Nebraska Press
ISBN: 9780803261969
Category : Biography & Autobiography
Languages : en
Pages : 272

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Book Description
A publication of the American Brahms Society, Brahms Studies publishes essays on the life, work, and artistic milieu of Johannes Brahms. Each volume collects the best in Brahms scholarship, including criticism, analysis, theory, biography, archival and documentary studies, and translations of important studies that have appeared in foreign languages.

Author: Johannes Brahms
Publisher:
ISBN:
Category :
Languages : en
Pages : 92

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Book Description

Author: Lucy Miller Murray
Publisher: Rowman & Littlefield
ISBN: 1442243430
Category : Music
Languages : en
Pages : 463

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Book Description
In Chamber Music: An Extensive Guide for Listeners,Lucy Miller Murray transforms her decades of program notes for some of the world’s most distinguished artists and presenters into the go-to guide for the chamber music novice and enthusiast. Offering practical information on the broad array of chamber music works from the Classical, Romantic, and Modern periods—and an artful selection from the Baroque period of Johann Sebastian Bach’s works—Chamber Music: An Extensive Guide for Listeners is both the perfect reference resource and chamber music primer for listeners. Covering over 500 works, Murray surveys in clear and simple language the historical and musical impact of some 130 composers—20 of them living. Notably, Chamber Music includes the complete string quartets of Beethoven, Bartok, and Shostakovich, as well as 35 piano trios of Haydn. It also provides critical information and assessments of works by composers not nearly so well known, both past and present. Entries appear in alphabetical order by composer, and, in every instance, give a brief introduction to the composer’s life and work. Of particular interest are the brief spotlight contributions, from well-known figures in the chamber music world, who focus on the performance experience or offer special knowledge of the works. This work is an ideal introduction and reference for students and scholars, new listeners, and enthusiasts of the chamber music tradition in Western music. Special contributors include: ·Charles Abramovic ·James Bonn ·Michael Brown ·Eugene Drucker ·James Dunham ·Daniel Epstein ·Ralph Evans ·Jeremy Gill ·Jake Heggie ·Paul Katz ·Bert Lucarelli ·Stuart Malina ·Robert Martin ·Peter Orth ·Jann Pasler ·Susan Salm ·David Shifrin ·Peter Sirotin/Ya-Ting Chang ·Arnold Steinhardt ·Kenneth Woods ·David Yang Phillip Ying

Author: Jeremy Dibble
Publisher: Oxford University Press, USA
ISBN: 9780198163831
Category : Biography & Autobiography
Languages : en
Pages : 584

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Book Description
'Jeremy Dibble has written a book which adds substantially to Stanford's reputation and which greatly enriches both British and Irish musical scholarship. It is brilliantly done.' -Irish TimesJeremy Dibble presents the first authoritative, comprehensive study of the life and works of Charles Villiers Stanford (1852-1924), one of the most gifted and influential composers. Dibble reveals how, although perhaps best known for his church music, Stanford was also an eminent symphonist, songwriter, and author of many fine choral works. Cosmopolitan, ambitious, and pragmatic, he was untiring in his efforts to advance the cause of British music during its renaissance at the end of the nineteenth century, promoting the music of his contemporaries, and the many pupils he taught at Cambridge and the Royal College of Music, including Vaughan Williams, Ireland, Howells, Bliss, Holst, and Gurney.