Author: Franz Danzi
Publisher:
ISBN:
Category : Quintets (Piano, bassoon, clarinet, flute, oboe)
Languages : en
Pages : 98
Book Description
Quintet in D major, Opus 54, no. 2
Author: Franz Danzi
Publisher:
ISBN:
Category : Quintets (Piano, bassoon, clarinet, flute, oboe)
Languages : en
Pages : 98
Book Description
Publisher:
ISBN:
Category : Quintets (Piano, bassoon, clarinet, flute, oboe)
Languages : en
Pages : 98
Book Description
Quintet in D major
Quintet in D Major
Quintet in D Major, for Piano, Flute, Oboe, Clarinet & Bassoon : Op. 54, 20. 2
Author: Franz Danzi
Publisher:
ISBN:
Category : Quintets (Piano, bassoon, clarinet, flute, oboe)
Languages : en
Pages : 132
Book Description
Publisher:
ISBN:
Category : Quintets (Piano, bassoon, clarinet, flute, oboe)
Languages : en
Pages : 132
Book Description
The Pro Arte Quartet
Author: John W. Barker
Publisher: Boydell & Brewer
ISBN: 158046906X
Category : Biography & Autobiography
Languages : en
Pages : 368
Book Description
An engaging window into a century of musical life, as seen in the history of the Pro Arte String Quartet, first organized in 1912 and still performing today.
Publisher: Boydell & Brewer
ISBN: 158046906X
Category : Biography & Autobiography
Languages : en
Pages : 368
Book Description
An engaging window into a century of musical life, as seen in the history of the Pro Arte String Quartet, first organized in 1912 and still performing today.
The Chesterian
The Finale in Western Instrumental Music
Author: Michael Talbot
Publisher: Oxford Monographs on Music
ISBN: 9780198166955
Category : Language Arts & Disciplines
Languages : en
Pages : 272
Book Description
The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types offinale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata,string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at thefinales of all Shostakovich's string quartets, in which examples of most of the types may be found.
Publisher: Oxford Monographs on Music
ISBN: 9780198166955
Category : Language Arts & Disciplines
Languages : en
Pages : 272
Book Description
The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types offinale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata,string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at thefinales of all Shostakovich's string quartets, in which examples of most of the types may be found.
Nineteenth-Century Chamber Music
Author: Stephen Hefling
Publisher: Routledge
ISBN: 1135887624
Category : Music
Languages : en
Pages : 404
Book Description
Nineteenth Century Chamber Music proceeds chronologically by composer, beginning with the majestic works of Beethoven, and continuing through Schubert, Spohr and Weber, Mendelssohn, Schumann, Brahms, the French composers, Smetana and Dvorák, and the end-of-the-century pre-modernists. Each chapter is written by a noted authority in the field. The book serves as a general introduction to Romantic chamber music, and would be ideal for a seminar course on the subject or as an adjunct text for Introduction to Romantic Music courses. Plus, musicologists and students of 19th century music will find this to be an invaluable resource.
Publisher: Routledge
ISBN: 1135887624
Category : Music
Languages : en
Pages : 404
Book Description
Nineteenth Century Chamber Music proceeds chronologically by composer, beginning with the majestic works of Beethoven, and continuing through Schubert, Spohr and Weber, Mendelssohn, Schumann, Brahms, the French composers, Smetana and Dvorák, and the end-of-the-century pre-modernists. Each chapter is written by a noted authority in the field. The book serves as a general introduction to Romantic chamber music, and would be ideal for a seminar course on the subject or as an adjunct text for Introduction to Romantic Music courses. Plus, musicologists and students of 19th century music will find this to be an invaluable resource.
Catalogs
Author: Harold Reeves (Firm)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 700
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 700
Book Description
Metric Manipulations in Haydn and Mozart
Author: Danuta Mirka
Publisher: Oxford University Press
ISBN: 019538492X
Category : Music
Languages : en
Pages : 349
Book Description
Combining historical music theory with the cognitive study of music, Playing with Meter traces metric manipulations and strategies in Haydn and Mozart's string chamber music from 1787 to 1791. Her analysis shed new light on this repertoire and redefine the role of meter and rhythm in Classical music.
Publisher: Oxford University Press
ISBN: 019538492X
Category : Music
Languages : en
Pages : 349
Book Description
Combining historical music theory with the cognitive study of music, Playing with Meter traces metric manipulations and strategies in Haydn and Mozart's string chamber music from 1787 to 1791. Her analysis shed new light on this repertoire and redefine the role of meter and rhythm in Classical music.