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Author: Jonathan Nathan Publisher: Hyperink Inc ISBN: 1614642745 Category : Performing Arts Languages : en Pages : 78
Book Description
Like the hipster movement it ridicules, Portlandia has its roots in the early 1990s - the Grunge Era. After early innovators like Mudhoney and Tad paved the way, the blockbuster triumvirate of Nirvana, Soundgarden, and Alice in Chains ruled MTV and college radio for half a decade, with Pearl Jam going on to even greater, and more sustained success. Kevin Smith and Richard Linklater made films that idealized underemployment and post-high-school doldrums. Quentin Tarantino pioneered a schizophrenic, heavily referential style of film that seemed designed to mimic the long, drawn-out, conversations of a group of stoned young film buffs with nothing to do and too big of a videotape collection. Flannel shirts and what Silver Jews frontman David Berman would later describe as "sarcastic hair" were the height of fashion. Every young kid in America since the second World War has probably been called a lazy, good-for-nothing slacker by his or her parents at least once, but in 1993, there was no higher compliment. Everybody was going to be an artist, a comedian, a writer, a filmmaker, an actor, a poet. And in two different grunge havens, separated by half a continent, Fred Armisen and Carrie Brownstein were starting their long journeys toward that dreamed-of success. Given that they both found their most widely celebrated success working together on a sketch comedy series, it is perhaps surprising that they both started out playing in cult favorite indie rock bands.
Author: Jonathan Nathan Publisher: Hyperink Inc ISBN: 1614642745 Category : Performing Arts Languages : en Pages : 78
Book Description
Like the hipster movement it ridicules, Portlandia has its roots in the early 1990s - the Grunge Era. After early innovators like Mudhoney and Tad paved the way, the blockbuster triumvirate of Nirvana, Soundgarden, and Alice in Chains ruled MTV and college radio for half a decade, with Pearl Jam going on to even greater, and more sustained success. Kevin Smith and Richard Linklater made films that idealized underemployment and post-high-school doldrums. Quentin Tarantino pioneered a schizophrenic, heavily referential style of film that seemed designed to mimic the long, drawn-out, conversations of a group of stoned young film buffs with nothing to do and too big of a videotape collection. Flannel shirts and what Silver Jews frontman David Berman would later describe as "sarcastic hair" were the height of fashion. Every young kid in America since the second World War has probably been called a lazy, good-for-nothing slacker by his or her parents at least once, but in 1993, there was no higher compliment. Everybody was going to be an artist, a comedian, a writer, a filmmaker, an actor, a poet. And in two different grunge havens, separated by half a continent, Fred Armisen and Carrie Brownstein were starting their long journeys toward that dreamed-of success. Given that they both found their most widely celebrated success working together on a sketch comedy series, it is perhaps surprising that they both started out playing in cult favorite indie rock bands.
Author: Jonathan Kaufman Nathan Publisher: Hyperink Inc ISBN: 1614646279 Category : Study Aids Languages : en Pages : 80
Book Description
ABOUT THE BOOK “I like to describe Portland as a city with a lot of self-esteem, filled with people with a lot of self-doubt. Portland is a really kind place, with all kinds of people who will go to tyrannical lengths to show you how kind they are, to the point that it actually feels kind of mean. I think a lot of our characters are trying to navigate that.” – Portlandia co-creator Carrie Brownstein, quoted in The Daily Beast “You remember the 90s, when everyone was pickling their own vegetables, and brewing their own beer? People were growing out their mutton chops and waxing their handlebar moustaches. Everyone was knitting and sewing clothes for their children. People were wearing glasses all the time, like contact lenses had never been invented.” “Wait, are we talking about the 1990s?” – Jason From LA and Melanie, Episode 5, “The Dream of the 1890s” If you haven’t heard the joke, then you haven’t been going to the right bars in the right cities with the right people. Hang around enough cool, plugged-in, young, urban progressives - “hipsters,” as they’ve been termed in the last few years - and you’re bound to eventually meet a couple of them who are self-aware enough to have latched on to it. The joke is dry, bitter, self-deprecating. It indicts the entire hipster scene for a sin, one which is simultaneously inconsequential and monumental, that has characterized American progressives - young and old, hip and square, urban and rural - for decades. “Hey, are you a hipster?” “No.” “OK, you’re a hipster.” Hipsters are becoming notorious for their self-loathing. The internet is lousy with Tumblrs, blogs, and entire websites dedicated to bashing the hipster phenomenon. But who are the people hanging out long enough to make all these observations in the Mission, in Williamsburg, in Silver Lake, in Wicker Park, in Capitol Hill? It generally takes one to know one, when it comes to hipsters, and the joke is that one of the first identifiers of a hipster is denial of membership in the group. It’s a social identity literally built around participants’ pretending to not be participants. EXCERPT FROM THE BOOK “Hey, are you a hipster?” “No.” “OK, you’re a hipster.” Hipsters are becoming notorious for their self-loathing. The internet is lousy with Tumblrs, blogs, and entire websites dedicated to bashing the hipster phenomenon. But who are the people hanging out long enough to make all these observations in the Mission, in Williamsburg, in Silver Lake, in Wicker Park, in Capitol Hill? It generally takes one to know one, when it comes to hipsters, and the joke is that one of the first identifiers of a hipster is denial of membership in the group. It’s a social identity literally built around participants’ pretending to not be participants. It’s not new, this progressive self-hatred. Its roots run deep. Liberals have always seemed uneasy with their own ideals. Conservatives rarely engage in the same degree of public, brutal, hilarious, humiliating self-flagellation. Recent studies have confirmed that conservative politics are bolstered by what is termed “low-effort thinking.” Firmly attached to a relatively simple, black-and-white worldview, a conservative does not see enough complexity in the issues of the day to see the funny side of his or her own perspective. But philosophical self-mutilation is so deeply entrenched in the left that progressives even do it in their daily lives. They wryly adopt and self-apply the most insulting terms hurled at them from across the aisle. Bleeding heart. Flaming liberal. Treehugger. And so on and so forth.
Author: Heike Steinhoff Publisher: Bloomsbury Publishing USA ISBN: 1501370391 Category : Social Science Languages : en Pages : 432
Book Description
Twenty-first century popular culture has given birth to a peculiar cultural figure: the hipster. Stereotypically associated with nerd glasses, beards and buns, boho clothing, and ironic T-shirts, hipsters represent a (post-)postmodern (post-)subculture whose style, aesthetics, and practices have increasingly become mainstream. Hipster Culture is the first comprehensive collection of original studies that address the hipster and hipster culture from a range of cultural studies perspectives. Analyzing the cultural, economic, aesthetic, and political meanings and implications of a wide range of phenomena prominently associated with hipster culture, the contributors bring their expertise and own research perspectives to bear, thus shaping the volume's transnational and intersectional approach. Chapters address global and local manifestations of hipster culture, processes of urban gentrification and cultural appropriation, alternative foodways and eclectic fashion styles, the significance of nostalgia, retro technologies and social media, and the aesthetics and cultural politics of literature, film, art, and music marked by self-reflexivity, irony, and a simultaneous longing for an earnest authenticity. Hipster Culture explores the diversification of hipster culture, sheds light on popular constructions of the hipster as cultural Other, and critically investigates hipster culture's entanglements with and challenges to dominant cultural discourses of gender, ethnicity, race, sexuality, age, religion, and nationality.
Author: Joyce Antler Publisher: Oxford University Press ISBN: 0195147871 Category : Family & Relationships Languages : en Pages : 336
Book Description
Continually revised and reinvented, the Jewish Mother archetype becomes in Antler's expert hands a unique lens with which to examine vital concerns of American Jews and the culture at large.
Author: Jonathan Ferrara Publisher: Inkshares ISBN: 194175872X Category : Art Languages : en Pages : 220
Book Description
In the 1990s, the New Orleans murder rate exploded. In 1996, 350 people were killed—the highest number in the city’s history, and the highest rate in the nation. In response to this crisis, gallery owner and artist Jonathan Ferrara and artist Brian Borrello, launched a powerful project: Guns in the Hands of Artists. Over sixty artists, including painters, glass artists, sculptors, photographers, and poets, used decommissioned guns taken off the city streets via a gun buyback program to express a thought, make a statement, open a discussion, and to stimulate thinking about guns and gun violence in America. As gun violence continues to devastate the nation on a daily basis, Guns in the Hands of Artists reemerged in 2012 as a community-based social activist art project that has since traveled to six cities across the US. Using art as a mirror for life and interweaving the works of thirty diverse artists with the voices of seventeen national thought leaders, this book is an important outgrowth of the exhibition and an extension of its efforts to employ art as a vehicle for dialogue, as a call to action, and—ultimately—as an agent of change. Essays by: Walter Isaacson, Senator Tim Kaine, Lupe Fiasco, Richard Ford, Joe Nocera, Trymaine Lee, Lolis Eric Elie, John M. Barry, Dan Cameron, Lucia McBath, Harry Shearer, Jonathan Ferrara, Brian Borrello, Maria Cuomo Cole, Michael Waldman, E. Ethelbert Miller, Mayor Mitchell J. Landrieu, Congresswoman Gabrielle Giffords and Captain Mark Kelly.
Author: Jeffrey Toobin Publisher: Random House ISBN: 030782912X Category : Political Science Languages : en Pages : 498
Book Description
NEW YORK TIMES BESTSELLER • The inspiration for Impeachment: American Crime Story on FX The definitive account of the Clinton-Lewinsky sex scandals, the extraordinary ordeal that nearly brought down a president—with a new preface by the author that reframes the events in light of the Me Too movement “A story as taut and surprising as any thriller . . . [an] unimpeachable page-turner.”—People First published a year after the infamous impeachment trial, this propulsive narrative captures the full arc of the Clinton sex scandals—from their beginnings in a Little Rock hotel to their culmination on the floor of the United States Senate with only the second vote on presidential removal in American history. Rich in character and fueled with the high octane of a sensational legal thriller, A Vast Conspiracy has indelibly shaped our understanding of this disastrous moment in American political history.
Author: Alyssa Ayres Publisher: Oxford University Press ISBN: 0190494522 Category : Business & Economics Languages : en Pages : 361
Book Description
Long plagued by poverty, India's recent economic growth has vaulted it into the ranks of the world's emerging powers, but what kind of power it wants to be remains a mystery. Our Time Has Come explains why India behaves the way it does, and the role it is likely to play globally as its prominence grows.
Author: David Hockney Publisher: ISBN: 9781904621584 Category : Languages : en Pages : 96
Book Description
Annely Juda Fine will be exhibiting David Hockney's series of 16 iPad drawings; The Arrival of Spring. These bold and striking iPad drawings have been printed on paper in an edition of 25. A further four prints have been printed in large format and mounted on dibond in an edition of 10.
Author: Jonathan Nathan
Author: Jonathan Nathan
Author: Jonathan Kaufman Nathan
Author: Heike Steinhoff
Author: Allison R. Dubinsky
Author: Joyce Antler
Author: Jonathan Ferrara
Author: Jeffrey Toobin
Author: Alyssa Ayres
Author: David Hockney