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Author: Dominique Nasta Publisher: Columbia University Press ISBN: 0231167458 Category : Performing Arts Languages : en Pages : 282
Book Description
Over the last decade, audiences worldwide have become familiar with highly acclaimed films from the Romanian New Wave such as 4 Months, 3 Weeks and 2 Days (2007), The Death of Mr. Lazarescu (2005), and 12:08 East of Bucharest (2006). However, the hundred or so years of Romanian cinema leading to these accomplishments have been largely overlooked. This book is the first to provide in-depth analyses of essential works ranging from the silent period to contemporary productions. In addition to relevant information on historical and cultural factors influencing contemporary Romanian cinema, this volume covers the careers of daring filmmakers who approached various genres despite fifty years of Communist censorship. An important chapter is dedicated to Lucian Pintilie, whose seminal work, Reconstruction (1969), strongly inspired Romania's 21st-century innovative output. The book's second half closely examines both the 'minimalist' trend (Cristian Mungiu, Cristi Puiu, Corneliu Porumboiu, Radu Muntean) and the younger, but no less inspired, directors who have chosen to go beyond the 1989 revolution paradigm by dealing with the complexities of contemporary Romania.
Author: Dominique Nasta Publisher: Columbia University Press ISBN: 0231167458 Category : Performing Arts Languages : en Pages : 282
Book Description
Over the last decade, audiences worldwide have become familiar with highly acclaimed films from the Romanian New Wave such as 4 Months, 3 Weeks and 2 Days (2007), The Death of Mr. Lazarescu (2005), and 12:08 East of Bucharest (2006). However, the hundred or so years of Romanian cinema leading to these accomplishments have been largely overlooked. This book is the first to provide in-depth analyses of essential works ranging from the silent period to contemporary productions. In addition to relevant information on historical and cultural factors influencing contemporary Romanian cinema, this volume covers the careers of daring filmmakers who approached various genres despite fifty years of Communist censorship. An important chapter is dedicated to Lucian Pintilie, whose seminal work, Reconstruction (1969), strongly inspired Romania's 21st-century innovative output. The book's second half closely examines both the 'minimalist' trend (Cristian Mungiu, Cristi Puiu, Corneliu Porumboiu, Radu Muntean) and the younger, but no less inspired, directors who have chosen to go beyond the 1989 revolution paradigm by dealing with the complexities of contemporary Romania.
Author: Pierre-Jean Benghozi Publisher: Editions L'Harmattan ISBN: 2296333397 Category : Art Languages : fr Pages : 271
Book Description
Existe-t-il un modèle audiovisuel européen ? Cette question en entraîne d'autres: celles de l'interaction entre cinma et télévision, de l'hégémonie américaine dans le domaine, des spécificités de la télévision de service public, du rôle de l'Etat et des régions, des rapports entre médias audiovisuels et spectateurs... L'ouvrage propose une démarche pluridisciplinaire : des perspectives historiques, économiques et sociologiques, mais aussi des réflexions sur l'identité culturelle et sur les rapports entre art et industrie de la communication.
Author: Jonathan Buchsbaum Publisher: Columbia University Press ISBN: 0231543077 Category : Performing Arts Languages : en Pages : 429
Book Description
In Exception Taken, Jonathan Buchsbaum examines the movements that have emerged in opposition to the homogenizing force of Hollywood in global filmmaking. While European cinema was entering a steady decline in the 1980s, France sought to strengthen support for its film industry under the new Mitterrand government. Over the following decades, the country lobbied partners in the European Economic Community to design strategies to protect the audiovisual industries and to resist cultural free-trade pressures in international trade agreements. These struggles to preserve the autonomy of national artistic prerogatives emboldened many countries to question the benefits of accelerated globalization. Led by the energetic minister of culture Jack Lang, France initiated a series of measures to support all sectors of the film industry. Lang introduced laws mandating that state and private television invest in the film industry, effectively replacing the revenue lost from a shrinking theatrical audience for French films. With the formation of the European Union in 1992, Europe passed a new treaty (Maastricht) that extended its legal purview to culture for the first time, setting up the dramatic confrontation over the General Agreement on Trade and Tariffs (GATT) in 1993. Pushed by France, the EU fought the United States over the idea that countries should preserve their right to regulate cultural activity as they saw fit. France and Canada then initiated a campaign to protect cultural diversity within UNESCO that led to the passage of the Convention on Cultural Diversity in 2005. As France pursued these efforts to protect cultural diversity beyond its borders, it also articulated "a certain idea of cinema" that did not simply defend a narrow vision of national cinema. France promoted both commercial cinema and art cinema, disproving announcements of the death of cinema.
Author: E. de Bens Publisher: Springer Science & Business Media ISBN: 9400939493 Category : Social Science Languages : en Pages : 535
Book Description
L'histoire r~cente de l'audiovisuel en France ne peut ~tre rapport~e sans prendre en compte le changement de majorit~ poli tique de 1981. Sans doute les innovations techniques qui inter pellent aujourd'hui les diff~rents acteurs du champ audiovisuel ~taient-elles d~ja pr~sentes ou en germe d~s la fin de la d~cennie pr~c~dente. Mais la volont~ de l'Etat de faire de la communication audiovisuelle une des cl~s de voQte d'une nouvelle politique culturelle et ~conomique n'a cess~ d'entretenir une tension toute particuli~re dans un paysage qui n'avait que fort peu ~volu~ de 1974 a 1982, si l'on excepte la dissolution de l'ORTF et la cr~ation simultan~e de sept soci~t~s, chacune sp~cialis~e dans une des fonctions de la radio-diffusion (produc tion, programmation, diffusion-- l. Les exp~riences de t~l~ distribution lanc~es en 1975 n'avaient pas ~t~ relay~s par une politique plus ambitieuse. Seul le projet de satellite de t~l~ vision directe TDF 1 t~moignait d'une vision plus prospective, plus aventureuse du d~veloppement de l'audiovisuel.
Author: European Commission. High Level Group on Audiovisual Policy Publisher: ISBN: Category : Audio-visual equipment industry Languages : en Pages : 44
Author: Dominique Nasta
Author: Dominique Nasta
Author: Pierre-Jean Benghozi
Author: Observatoire européen de l'audiovisuel = European audiovisual observatory
Author: 
Author: Jonathan Buchsbaum
Author: Observatoire européen de l'audiovisuel = European audiovisual observatory
Author: E. de Bens
Author: European audiovisual observatory
Author: Observatoire européen de l'audiovisuel
Author: European Commission. High Level Group on Audiovisual Policy