Author: William Cobb
Publisher: NewSouth Books
ISBN: 1603060626
Category : Fiction
Languages : en
Pages : 322
Book Description
William Cobb's first novel in nine years is a brilliant, quirky, highly readable story as compelling as it is original. Its main characters journey on parallel quests: Lester Ray, a fourteen-year-old boy who was deserted by his mother when he was a baby and has now escaped his abusive alcoholic father, and Minnie, a woman who was abandoned by her Gypsy family of migrant fruit pickers when she was eleven. The novel interweaves their searches for families they never really knew. It ranges from the Great Depression to the mid-1960s, and from the panhandle of Florida, where much of the novel is set, to New York City during World War II, to the Georgia and Carolina coasts, to Fort Myers and south Florida. Lester Ray finds work with a carnival as he looks for his mother, accompanied by all the odd and strange and wonderful people who make up that world. Minnie moves from the dry sandy heat of central Florida in 1933, to a brothel in Cedar Key, to New York, to the little town of Piper, to the winter camps of the Gypsies near Fort Myers. She is--first as a girl, then as a woman--a person of immense fortitude and strength, as engaging and unforgettable as Scarlett O'Hara.
The Gypsy Queen
Author: Anne Cleeland
Publisher: Bowser
ISBN: 9781734431650
Category :
Languages : en
Pages : 274
Book Description
The war was over, but Captain Geordie Venables was not leaving Spain just yet-not until he discovered the truth behind his commanding officer's death. Colonel Merryfield didn't deserve the cloud that was hanging over his good name, and Geordie has finally unearthed a promising lead-a gypsy troop, traveling by stealth along the River Tagus. With any luck, he can bribe them for some answers, and unravel the web of deception that seems to have led to the Colonel's death. It looked to be no easy task, though; he was fast running out of money, and everyone kept stealing his horse. . .
Publisher: Bowser
ISBN: 9781734431650
Category :
Languages : en
Pages : 274
Book Description
The war was over, but Captain Geordie Venables was not leaving Spain just yet-not until he discovered the truth behind his commanding officer's death. Colonel Merryfield didn't deserve the cloud that was hanging over his good name, and Geordie has finally unearthed a promising lead-a gypsy troop, traveling by stealth along the River Tagus. With any luck, he can bribe them for some answers, and unravel the web of deception that seems to have led to the Colonel's death. It looked to be no easy task, though; he was fast running out of money, and everyone kept stealing his horse. . .
The Last Queen of the Gypsies
Author: William Cobb
Publisher: NewSouth Books
ISBN: 1603060626
Category : Fiction
Languages : en
Pages : 322
Book Description
William Cobb's first novel in nine years is a brilliant, quirky, highly readable story as compelling as it is original. Its main characters journey on parallel quests: Lester Ray, a fourteen-year-old boy who was deserted by his mother when he was a baby and has now escaped his abusive alcoholic father, and Minnie, a woman who was abandoned by her Gypsy family of migrant fruit pickers when she was eleven. The novel interweaves their searches for families they never really knew. It ranges from the Great Depression to the mid-1960s, and from the panhandle of Florida, where much of the novel is set, to New York City during World War II, to the Georgia and Carolina coasts, to Fort Myers and south Florida. Lester Ray finds work with a carnival as he looks for his mother, accompanied by all the odd and strange and wonderful people who make up that world. Minnie moves from the dry sandy heat of central Florida in 1933, to a brothel in Cedar Key, to New York, to the little town of Piper, to the winter camps of the Gypsies near Fort Myers. She is--first as a girl, then as a woman--a person of immense fortitude and strength, as engaging and unforgettable as Scarlett O'Hara.
Publisher: NewSouth Books
ISBN: 1603060626
Category : Fiction
Languages : en
Pages : 322
Book Description
William Cobb's first novel in nine years is a brilliant, quirky, highly readable story as compelling as it is original. Its main characters journey on parallel quests: Lester Ray, a fourteen-year-old boy who was deserted by his mother when he was a baby and has now escaped his abusive alcoholic father, and Minnie, a woman who was abandoned by her Gypsy family of migrant fruit pickers when she was eleven. The novel interweaves their searches for families they never really knew. It ranges from the Great Depression to the mid-1960s, and from the panhandle of Florida, where much of the novel is set, to New York City during World War II, to the Georgia and Carolina coasts, to Fort Myers and south Florida. Lester Ray finds work with a carnival as he looks for his mother, accompanied by all the odd and strange and wonderful people who make up that world. Minnie moves from the dry sandy heat of central Florida in 1933, to a brothel in Cedar Key, to New York, to the little town of Piper, to the winter camps of the Gypsies near Fort Myers. She is--first as a girl, then as a woman--a person of immense fortitude and strength, as engaging and unforgettable as Scarlett O'Hara.
The Gypsies of Yetholm
Author: William Brockie
Publisher:
ISBN:
Category : Kirk Yetholm (Scotland)
Languages : en
Pages : 230
Book Description
Publisher:
ISBN:
Category : Kirk Yetholm (Scotland)
Languages : en
Pages : 230
Book Description
Journal of the Gypsy Lore Society
“I am Jugoslovenka!”
Author: Jasmina Tumbas
Publisher: Manchester University Press
ISBN: 1526156466
Category : Art
Languages : en
Pages : 277
Book Description
“I am Jugoslovenka” argues that queer-feminist artistic and political resistance were paradoxically enabled by socialist Yugoslavia’s unique history of patriarchy and women’s emancipation. Spanning performance and conceptual art, video works, film and pop music, lesbian activism and press photos of female snipers in the Yugoslav wars, the book analyses feminist resistance in a range of performative actions that manifest the radical embodiment of Yugoslavia’s anti-fascist, transnational and feminist legacies. It covers celebrated and lesser-known artists from the 1970s to today, including Marina Abramovic, Sanja Ivekovic, Vlasta Delimar, Tanja Ostojic, Selma Selman and Helena Janecic, along with music legends Lepa Brena and Esma Redžepova. “I am Jugoslovenka” tells a unique story of women’s resistance through the intersection of feminism, socialism and nationalism in East European visual culture.
Publisher: Manchester University Press
ISBN: 1526156466
Category : Art
Languages : en
Pages : 277
Book Description
“I am Jugoslovenka” argues that queer-feminist artistic and political resistance were paradoxically enabled by socialist Yugoslavia’s unique history of patriarchy and women’s emancipation. Spanning performance and conceptual art, video works, film and pop music, lesbian activism and press photos of female snipers in the Yugoslav wars, the book analyses feminist resistance in a range of performative actions that manifest the radical embodiment of Yugoslavia’s anti-fascist, transnational and feminist legacies. It covers celebrated and lesser-known artists from the 1970s to today, including Marina Abramovic, Sanja Ivekovic, Vlasta Delimar, Tanja Ostojic, Selma Selman and Helena Janecic, along with music legends Lepa Brena and Esma Redžepova. “I am Jugoslovenka” tells a unique story of women’s resistance through the intersection of feminism, socialism and nationalism in East European visual culture.
Queen of the Gypsies
Author: Paco Sevilla
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 422
Book Description
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 422
Book Description
Shades of Difference
Author: Sujata Iyengar
Publisher: University of Pennsylvania Press
ISBN: 081223832X
Category : History
Languages : en
Pages : 323
Book Description
Was there such a thing as a modern notion of race in the English Renaissance, and, if so, was skin color its necessary marker? In fact, early modern texts described human beings of various national origins—including English—as turning white, brown, tawny, black, green, or red for any number of reasons, from the effects of the sun's rays or imbalance of the bodily humors to sexual desire or the application of makeup. It is in this cultural environment that the seventeenth-century London Gazette used the term "black" to describe both dark-skinned African runaways and dark-haired Britons, such as Scots, who are now unquestioningly conceived of as "white." In Shades of Difference, Sujata Iyengar explores the cultural mythologies of skin color in a period during which colonial expansion and the slave trade introduced Britons to more dark-skinned persons than at any other time in their history. Looking to texts as divergent as sixteenth-century Elizabethan erotic verse, seventeenth-century lyrics, and Restoration prose romances, Iyengar considers the construction of race during the early modern period without oversimplifying the emergence of race as a color-coded classification or a black/white opposition. Rather, "race," embodiment, and skin color are examined in their multiple contexts—historical, geographical, and literary. Iyengar engages works that have not previously been incorporated into discussions of the formation of race, such as Marlowe's "Hero and Leander" and Shakespeare's "Venus and Adonis." By rethinking the emerging early modern connections between the notions of race, skin color, and gender, Shades of Difference furthers an ongoing discussion with originality and impeccable scholarship.
Publisher: University of Pennsylvania Press
ISBN: 081223832X
Category : History
Languages : en
Pages : 323
Book Description
Was there such a thing as a modern notion of race in the English Renaissance, and, if so, was skin color its necessary marker? In fact, early modern texts described human beings of various national origins—including English—as turning white, brown, tawny, black, green, or red for any number of reasons, from the effects of the sun's rays or imbalance of the bodily humors to sexual desire or the application of makeup. It is in this cultural environment that the seventeenth-century London Gazette used the term "black" to describe both dark-skinned African runaways and dark-haired Britons, such as Scots, who are now unquestioningly conceived of as "white." In Shades of Difference, Sujata Iyengar explores the cultural mythologies of skin color in a period during which colonial expansion and the slave trade introduced Britons to more dark-skinned persons than at any other time in their history. Looking to texts as divergent as sixteenth-century Elizabethan erotic verse, seventeenth-century lyrics, and Restoration prose romances, Iyengar considers the construction of race during the early modern period without oversimplifying the emergence of race as a color-coded classification or a black/white opposition. Rather, "race," embodiment, and skin color are examined in their multiple contexts—historical, geographical, and literary. Iyengar engages works that have not previously been incorporated into discussions of the formation of race, such as Marlowe's "Hero and Leander" and Shakespeare's "Venus and Adonis." By rethinking the emerging early modern connections between the notions of race, skin color, and gender, Shades of Difference furthers an ongoing discussion with originality and impeccable scholarship.
Demorests' Monthly Magazine
Chambers's Journal of Popular Literature, Science and Arts
Hidden in History: The Untold Story of Female Artists, Musicians, and Writers
Author: Myra Faye Turner
Publisher: Atlantic Publishing Company
ISBN: 1620235633
Category : Young Adult Nonfiction
Languages : en
Pages : 232
Book Description
Of the few historical shortlists women make as influencers in the arts; the same few names are recognized; making the catalogue of powerful and gifted females feel like an small and exclusive club. The truth is; however; that far more women than we know can be credited with contributions to the industries in which they honed their crafts. In 1940; when the world was at war and the Civil Rights Movement had yet to turn the page of history; Hattie McDaniel became the first black woman to win an Academy Award. She and Anna May Wong fought hard to pave the way for actresses of color and fight against racial stereotypes. Maria Tallchief was the first; and one of the only; Native American prima ballerinas to push past the stage wings toward the limelight. More than just performers; these women were people as well. In Hidden in History: The Untold Stories of Female Artists; Musicians; and Writers; the lives of many of these artists are explored; from Edmonia Lewis' wrongful expulsion from higher learning to the boundary-breaking talents of the International Sweethearts of Rhythm and their untraditional start as a school band. This book is an open door to the lives of 10 female artists; wordsmiths and performers whose work has often been overlooked in the dusty pages of an often male-dictated narration.
Publisher: Atlantic Publishing Company
ISBN: 1620235633
Category : Young Adult Nonfiction
Languages : en
Pages : 232
Book Description
Of the few historical shortlists women make as influencers in the arts; the same few names are recognized; making the catalogue of powerful and gifted females feel like an small and exclusive club. The truth is; however; that far more women than we know can be credited with contributions to the industries in which they honed their crafts. In 1940; when the world was at war and the Civil Rights Movement had yet to turn the page of history; Hattie McDaniel became the first black woman to win an Academy Award. She and Anna May Wong fought hard to pave the way for actresses of color and fight against racial stereotypes. Maria Tallchief was the first; and one of the only; Native American prima ballerinas to push past the stage wings toward the limelight. More than just performers; these women were people as well. In Hidden in History: The Untold Stories of Female Artists; Musicians; and Writers; the lives of many of these artists are explored; from Edmonia Lewis' wrongful expulsion from higher learning to the boundary-breaking talents of the International Sweethearts of Rhythm and their untraditional start as a school band. This book is an open door to the lives of 10 female artists; wordsmiths and performers whose work has often been overlooked in the dusty pages of an often male-dictated narration.