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Author: Sarah Parker Publisher: Taylor & Francis ISBN: 1003853641 Category : Literary Criticism Languages : en Pages : 241
Book Description
While W. B. Yeats’s influential account of the ‘Tragic Generation’ claims that most fin-de-siècle poets died, or at least stopped writing, shortly after 1900, this book explodes this narrative by attending to the twentieth-century poetry produced by women poets Alice Meynell, Michael Field (Katharine Bradley and Edith Cooper), Dollie Radford, and Katharine Tynan. While primarily associated with the late nineteenth century, these poets were active in the twentieth century, but their later writing is overlooked in modernist-dominated studies, partly due to this poetry’s adherence to traditional form. This book reveals that these poets, far from being irrelevant to modernity, used these established forms to address contemporary concerns, including suffrage, sexuality, motherhood, and the First World War. The chapters focus on Meynell’s manipulations of metre to contemplate temporality and literary tradition; Michael Field’s use of blank verse to portray the conflicted modern woman; Radford’s adaptation of the aesthetic song-like lyric to tackle the experience of the city, urban crime, and suffrage; and Tynan’s employment of the ballad to soothe bereaved mothers during the First World War. This book ultimately shows that traditional forms played a vital role in shaping mature women poets’ responses to modernity, illuminating debates about form, tradition, and gender in twentieth-century poetry.
Author: Sarah Parker Publisher: Taylor & Francis ISBN: 1003853641 Category : Literary Criticism Languages : en Pages : 241
Book Description
While W. B. Yeats’s influential account of the ‘Tragic Generation’ claims that most fin-de-siècle poets died, or at least stopped writing, shortly after 1900, this book explodes this narrative by attending to the twentieth-century poetry produced by women poets Alice Meynell, Michael Field (Katharine Bradley and Edith Cooper), Dollie Radford, and Katharine Tynan. While primarily associated with the late nineteenth century, these poets were active in the twentieth century, but their later writing is overlooked in modernist-dominated studies, partly due to this poetry’s adherence to traditional form. This book reveals that these poets, far from being irrelevant to modernity, used these established forms to address contemporary concerns, including suffrage, sexuality, motherhood, and the First World War. The chapters focus on Meynell’s manipulations of metre to contemplate temporality and literary tradition; Michael Field’s use of blank verse to portray the conflicted modern woman; Radford’s adaptation of the aesthetic song-like lyric to tackle the experience of the city, urban crime, and suffrage; and Tynan’s employment of the ballad to soothe bereaved mothers during the First World War. This book ultimately shows that traditional forms played a vital role in shaping mature women poets’ responses to modernity, illuminating debates about form, tradition, and gender in twentieth-century poetry.
Author: Edward Morgan Forster Publisher: ISBN: Category : Fiction Languages : en Pages : 184
Book Description
"This was a lovely collection of little known Forster writings. You can find many tales inside to delight any fancy. A great book to have around when you want to read for a shorter amount of time, but still get a lot out of your reading." - Mama Reads Hazel ReadsThis compilation of short stories by one of the twentieth century's preeminent authors spotlights journal and magazine fiction from 1900 to 1911. These early tales exhibit the first traces of E. M. Forster's witty and elegant style as well as the profound humanism that he further developed in his later novels. Six fables reinterpret classical stories and themes, drawing upon folkloric elements to explore the truth of the imagination and the effects of the unseen on ordinary lives.In "The Story of a Panic," a spoiled boy discovers his true self. "The Road from Colonus" echoes the tragedy of Oedipus and Antigone, "Other Kingdom" offers a modern version of Apollo's pursuit of Daphne, and "The Curate's Friend" centers on a clergyman who's advised by a faun. "The Other Side of the Hedge" illustrates the futility of chasing goals, and "The Celestial Omnibus" recounts a boy's visit to heaven, where he is forever changed by encounters with characters from literature and myth.
Author: LeeAnne M. Richardson Publisher: Springer Nature ISBN: 3030861260 Category : Literary Criticism Languages : en Pages : 288
Book Description
Michael Field, the poetic identity created by Katharine Bradley (1846-1914) and her niece Edith Cooper (1862-1913), ceaselessly experimented with forms of identity and forms of literary expression. The Forms of Michael Field argues that their modes of self-creation are analogous to their poetic creations, and that exploring them in tandem is the best way to understand Michael Field’s cultural and literary importance. Michael Field deploys a different form in each volume of their lyric poetry: translations of Sappho, ekphrasis, songs, sonnets, and devotional verse. They also appropriate and revise the dramatic genres of verse tragedy and the masque. Each of these experiments in form enable Michael Field to differently address the cultural questions that beset late-Victorian women writers. Drawing on the insights of new lyric studies and new formalism, this book analyzes Michael Field’s continual quest for the aesthetic forms that best express their evolving ideas about identity and sexuality, gender and sacrifice, lyric voice and authority.
Author: T. Bose Publisher: UBC Press ISBN: 0774844833 Category : Literary Collections Languages : en Pages : 538
Book Description
The Colbeck collection was formed over half a century ago by the Bournemouth bookseller Norman Colbeck. Focusing primarily on British essayists and poets of the nineteenth century from the Romantic Movement through the Edwardian era, the collection features nearly 500 authors and lists over 13,000 works. Entries are alphabetically arranged by author with copious notes on the condition and binding of each copy. Nine appendices provide listings of selected periodicals, series publications, anthologies, yearbooks, and topical works.
Author: Michael Field Publisher: Princeton University Press ISBN: 0691208115 Category : Literary Collections Languages : en Pages : 360
Book Description
The first book-length selection from the extraordinary unpublished diary of the late-Victorian writer “Michael Field”—the pen name of two female coauthors and romantic partners Michael Field was known to late-Victorian readers as a superb poet and playwright—until Robert Browning let slip Field’s secret identity: in fact, “Michael Field” was a pseudonym for Katharine Bradley (1846–1914) and Edith Cooper (1862–1913), who were lovers, a devoted couple, and aunt and niece. For thirty years, they kept a joint diary titled Works and Days that eventually reached almost 10,000 pages. One Soul We Divided is the first critical edition of selections from this remarkable unpublished work. A fascinating personal and literary experiment, the diary tells the extraordinary story of the love, art, ambitions, and domestic life of a queer couple in fin de siècle London. It also tells vivid firsthand stories of the literary and artistic worlds Bradley and Cooper inhabited and of their encounters with such celebrities as Browning, Oscar Wilde, W. B. Yeats, Aubrey Beardsley, and Bernard Berenson. Carolyn Dever provides essential context, including explanatory notes, a cast of characters, a family tree, and a timeline. An unforgettable portrait of two writers and their unexpected romantic, literary, and artistic marriage, One Soul We Divided rewrites what we think we know about Victorian women, intimacy, and sexuality.
Author: Sarah Parker
Author: Sarah Parker
Author: Samuel Halkett
Author: Edward Morgan Forster
Author: LeeAnne M. Richardson
Author: St. Louis Public Library
Author: Mary Lovett Cameron
Author: T. Bose
Author: St. Louis Public Library
Author: Michael Field
Author: St. Louis Public Library