Author: Liana CheneyPublisher:
ISBN:
Category : Art
Languages : en
Pages : 182
Book Description
Quattrocento Neoplatonism and Medici Humanism in Botticelli's Mythological Paintings
Author: Liana CheneyBotticelli's Neoplatonic Images
Author: Liana CheneyQuattrocento Neoplatonism and Medici Humanism in Botticelli's Mythological Paintings
Author: L. ChenegIconology, Neoplatonism, and the Arts in the Renaissance
Author: Berthold HubPublisher: Routledge
ISBN: 1000179117
Category : Art
Languages : en
Pages : 404
Book Description
The mid-twentieth century saw a change in paradigms of art history: iconology. The main claim of this novel trend in art history was that renowned Renaissance artists (such as Botticelli, Leonardo, or Michelangelo) created imaginative syntheses between their art and contemporary cosmology, philosophy, theology, and magic. The Neoplatonism in the books by Marsilio Ficino and Giovanni Pico della Mirandola became widely acknowledged for its lasting influence on art. It thus became common knowledge that Renaissance artists were not exclusively concerned with problems intrinsic to their work but that their artifacts encompassed a much larger intellectual and cultural horizon. This volume brings together historians concerned with the history of their own discipline – and also those whose research is on the art and culture of the Italian Renaissance itself – with historians from a wide variety of specialist fields, in order to engage with the contested field of iconology. The book will be of interest to scholars working in art history, Renaissance history, Renaissance studies, historiography, philosophy, theology, gender studies, and literature.
Botticelli's Secret: The Lost Drawings and the Rediscovery of the Renaissance
Author: Joseph LuzziPublisher: W. W. Norton & Company
ISBN: 1324004029
Category : History
Languages : en
Pages : 300
Book Description
A New Yorker Best Book of 2022 “Brilliantly conceived and executed, Botticelli's Secret is a riveting search for buried treasure.” —Stephen Greenblatt, author of The Swerve Some five hundred years ago, Sandro Botticelli, a painter of humble origin, created works of unearthly beauty. A star of Florence’s art world, he was commissioned by a member of the city’s powerful Medici family to execute a near-impossible project: to illustrate all one hundred cantos of The Divine Comedy by Dante Alighieri, the ultimate visual homage to that “divine” poet. This sparked a gripping encounter between poet and artist, between the religious and the secular, between the earthly and the evanescent, recorded in exquisite drawings by Botticelli that now enchant audiences worldwide. Yet after a lifetime of creating masterpieces including Primavera and The Birth of Venus, Botticelli declined into poverty and obscurity. His Dante project remained unfinished. Then the drawings vanished for over four hundred years. The once famous Botticelli himself was forgotten. The nineteenth-century rediscovery of Botticelli’s Dante drawings brought scholars and art lovers to their knees: this work embodied everything the Renaissance had come to mean. From Botticelli’s metaphorical rise from the dead in Victorian England to the emergence of eagle-eyed connoisseurs like Bernard Berenson and Herbert Horne in the early twentieth century, and even the rescue of precious art during World War II and the fall of the Berlin Wall in 1989, the posthumous story of Botticelli’s Dante drawings is, if anything, even more dramatic than their creation. A combination of artistic detective story and rich intellectual history, Botticelli’s Secret shows not only how the Renaissance came to life, but also how Botticelli’s art helped bring it about—and, most important, why we need the Renaissance and all that it stands for today.
The Understanding of Ornament in the Italian Renaissance
Author: Clare Lapraik GuestPublisher: BRILL
ISBN: 9004302085
Category : History
Languages : en
Pages : 708
Book Description
In this paradigm shifting study, developed through close textual readings and sensitive analysis of artworks, Clare Lapraik Guest re-evaluates the central role of ornament in pre-modern art and literature. Moving from art and thought in antiquity to the Italian Renaissance, she examines the understandings of ornament arising from the Platonic, Aristotelian and Sophistic traditions, and the tensions which emerged from these varied meanings. The book views the Renaissance as a decisive point in the story of ornament, when its subsequent identification with style and historicism are established. It asserts ornament as a fundamental, not an accessory element in art and presents its restoration to theoretical dignity as essential to historical scholarship and aesthetic reflection.
Encyclopedia of Comparative Iconography
Author: Helene E. RobertsPublisher: Routledge
ISBN: 1136787925
Category : Art
Languages : en
Pages : 2586
Book Description
First published in 1998. The Encyclopedia of Comparative Iconography compares the uses of iconographic themes from mythology, the Bible and other sacred texts, literature, and popular culture in works of art through various periods, cultures, and genres. Art historians now tend to study narrative themes depicted in works of art in relation to such subjects as gender and sexuality, politics and power, ownership and possession, ceremony and ritual, legitimacy and authority. The Encyclopedia of Comparative Iconography reflects these new approaches by ordering the themes of various iconographic sources in particular biblical, mythological, and literary texts according to these new emphases.Each handsomely illustrated entry discusses the major relevant iconographic narratives and the historical background of each theme. A list of selected works of art that accompanies each essay guides the reader to examples in art that depict the theme under discussion. Each essay includes a list of suggested reading that provides further sources of information about the themes. A general bibliography of reference books is listed separately and can be used in association with all the essays. With 119 entries written by 42 experts, the Encyclopedia of Comparative Iconography is an important reference work for art historians, students of art history, artists, and the general reader.
Looking at the Renaissance
Author: Charles R. MackPublisher: University of Michigan Press
ISBN: 9780472068906
Category : Art
Languages : en
Pages : 208
Book Description
Charles Mack examines the evolving context of Renaissance art while offering fresh insight into the meaning of the Renaissance.
Magnifico
Author: Miles J. UngerPublisher: Simon and Schuster
ISBN: 1416545107
Category : Biography & Autobiography
Languages : en
Pages : 539
Book Description
A vividly colorful portrait of one of the greatest and most fascinating figures of the Renaissance, Lorenzo de' Medici, focusing on his role as a brilliant—sometimes ruthless—statesman who was responsible for the artistic flowering of Florence, the city where the Renaissance first blossomed. Lorenzo de' Medici—a leading statesman, the uncrowned ruler of Florence during its golden age, a true Renaissance man known to history as Il Magnifico (the Magnificent). Lorenzo was not only the foremost patron of his day but also a renowned poet, equally adept at composing philosophical verses and obscene rhymes to be sung at Carnival. He befriended the greatest artists and writers of the time—Leonardo, Botticelli, Poliziano, and, especially, Michelangelo, whom he discovered as a young boy and invited to live at his palace—and, in the process, turned Florence into the cultural capital of Europe. Though Lorenzo's grandfather Cosimo had converted the vast wealth of the family bank into political power, Lorenzo's position was precarious. Bitter rivalries among the leading Florentine families and competition among the squabbling Italian states meant that Lorenzo's life was under constant threat. Those who plotted his death included a pope, a king, and a duke, but Lorenzo used his legendary charm and diplomatic skill—as well as occasional acts of violence—to navigate the murderous labyrinth of Italian politics. Florence in the age of Lorenzo was a city of contrasts, of unparalleled artistic brilliance and unimaginable squalor in the city's crowded tenements; of both pagan excess and the fire-and-brimstone sermons of the Dominican preacher Savonarola. Florence gave birth to both the otherworldly perfection of Botticelli's Primavera and the gritty realism of Machiavelli's The Prince. Nowhere was this world of contrasts more perfectly embodied than in the life and character of the man who ruled this most fascinating city.
Art And The Committed Eye
Author: Richard LeppertPublisher: Routledge
ISBN: 0429719663
Category : Art
Languages : en
Pages : 426
Book Description
In Art and the Committed Eye Richard Leppert examines Western European and American art from the fifteenth to the twentieth century. He studies the complex relation between the "look" of images and the variety of social and cultural uses to which they are put and demonstrates that the meaning of any image is significantly determined by its function, which changes over time. In particular, he emphasizes the ways in which visual culture is called on to mediate social differences defined by gender, class, and race. In , Leppert addresses the nature and task of representation, discussing how meaning accrues to images and what role vision and visuality play in the history of modernity. Here he explains imagery's power to attract our gaze by triggering desire and focuses on the long history of the use of representation to enact a deception, whether in painting or advertising. explores art's relation to the material world, to the ways in which images mark our various physical and psychic ties to objects. The author analyzes still life paintings whose subject matter is both extraordinarily diverse and deeply paradoxical—from flower bouquets to grotesque formal arrangements of human body parts. Leppert demonstrates that even in "innocent" still lifes, formal design and technical execution are imbued with cultural conflict and social power. is devoted to the representation of the human body—as subject to obsessive gazing and as an object of display, spectacle, and transgression. The variety of body representation is enormous: pleased or tortured, gorgeous or monstrous, modest or lascivious, powerful or weak, in the bloom of life or under the anatomist's knife, clothed or naked. But it is the sexual body, Leppert shows, that has provided the West with its richest, most complex, contradictory, conflicted, and paradoxical accounts of human identity in relation to social ideals.