Author: Johann Christian BachPublisher:
ISBN:
Category : Quartets (Flute, violin, viola, cello)
Languages : en
Pages :
Book Description
Quartet, Op. 8, No. 2
Author: Johann Christian BachPublisher:
ISBN:
Category : Quartets (Flute, violin, viola, cello)
Languages : en
Pages :
Book Description
Quartet, op. 8, no. 2, for flute, violin, viola and cello
Author: Johann Christian BachPublisher:
ISBN:
Category : Quartets (Flute, violin, viola, cello)
Languages : en
Pages : 20
Book Description
Quartet No. 8 in E Major, Op. 2, No. 2 (Violin 2).
Author: HaydnQuartet, E flat major, op.8, no.4
Author: Karl StamitzThe Violin Conspiracy
Author: Brendan SlocumbPublisher: Anchor
ISBN: 059331543X
Category : Fiction
Languages : en
Pages : 353
Book Description
GOOD MORNING AMERICA BOOK CLUB PICK! • Ray McMillian is a Black classical musician on the rise—undeterred by the pressure and prejudice of the classical music world—when a shocking theft sends him on a desperate quest to recover his great-great-grandfather’s heirloom violin on the eve of the most prestigious musical competition in the world. “I loved The Violin Conspiracy for exactly the same reasons I loved The Queen’s Gambit: a surprising, beautifully rendered underdog hero I cared about deeply and a fascinating, cutthroat world I knew nothing about—in this case, classical music.” —Chris Bohjalian, #1 New York Times bestselling author of The Flight Attendant and Hour of the Witch Growing up Black in rural North Carolina, Ray McMillian’s life is already mapped out. But Ray has a gift and a dream—he’s determined to become a world-class professional violinist, and nothing will stand in his way. Not his mother, who wants him to stop making such a racket; not the fact that he can’t afford a violin suitable to his talents; not even the racism inherent in the world of classical music. When he discovers that his beat-up, family fiddle is actually a priceless Stradivarius, all his dreams suddenly seem within reach, and together, Ray and his violin take the world by storm. But on the eve of the renowned and cutthroat Tchaikovsky Competition—the Olympics of classical music—the violin is stolen, a ransom note for five million dollars left in its place. Without it, Ray feels like he's lost a piece of himself. As the competition approaches, Ray must not only reclaim his precious violin, but prove to himself—and the world—that no matter the outcome, there has always been a truly great musician within him.
Quartet No. 8 in E Major, Op. 2, No. 2 (Violin 1).
Author: HaydnBoccherini’s Body
Author: Elisabeth Le GuinPublisher: Univ of California Press
ISBN: 0520240170
Category : Biography & Autobiography
Languages : en
Pages : 375
Book Description
Annotation A study of how the physical processes of learning to play a piece of music can enrich and inform the mental process of studying and analyzing the music, using the cello music of Luigi Boccherini as a case study.
Catalogs
Author: Harold Reeves (Firm)Publisher:
ISBN:
Category : Music
Languages : en
Pages : 700
Book Description
Brahms and the Scherzo
Author: Professor Ryan McClellandPublisher: Ashgate Publishing, Ltd.
ISBN: 1409494020
Category : Music
Languages : en
Pages : 344
Book Description
Despite the incredible diversity in Brahms's scherzo-type movements, there has been no comprehensive consideration of this aspect of his oeuvre. Professor Ryan McClelland provides an in-depth study of these movements that also contributes significantly to an understanding of Brahms's compositional language and his creative dialogue with musical traditions. McClelland especially highlights the role of rhythmic-metric design in Brahms's music and its relationship to expressive meaning. In Brahms's scherzo-type movements, McClelland traces transformations of primary thematic material, demonstrating how the relationship of the initial music to its subsequent versions creates a musical narrative that provides structural coherence and generates expressive meaning. McClelland's interpretations of the expressive implications of Brahms's fascinatingly intricate musical structures frequently engage issues directly relevant to performance. This illuminating book will appeal to music theorists, musicologists working on nineteenth-century instrumental music and performers.
Author: Edwin Evans