Author: Haydn
Publisher:
ISBN:
Category :
Languages : en
Pages : 6
Book Description
Quartet No. 65 in Eb Major, Op. 76, No. 6 (Violin 1).
Quartet No. 65 in Eb Major, Op. 76, No. 6 (Violin 2).
Quartet No. 65. B♭ Major for 2 Violins, Viola and Violoncello
Author: Joseph Haydn
Publisher:
ISBN:
Category : String quartets
Languages : en
Pages : 32
Book Description
Publisher:
ISBN:
Category : String quartets
Languages : en
Pages : 32
Book Description
String quartet no. 3, op. 65 for two violins, viola and cello, 1969
String Quartet No. 3, Op. 65 for Two Violins, Viola and Cello, 1969
Quartet No. 65 B♭ Major
Quartet no. 64 [i.e. 65]
Author: Joseph Haydn
Publisher:
ISBN:
Category : String quartets
Languages : en
Pages : 30
Book Description
Publisher:
ISBN:
Category : String quartets
Languages : en
Pages : 30
Book Description
String quartet
Quartet No. 65
Bartók and the Grotesque
Author: Julie Brown
Publisher: Routledge
ISBN: 1351574574
Category : Music
Languages : en
Pages : 193
Book Description
The grotesque is one of art's most puzzling figures - transgressive, comprising an unresolveable hybrid, generally focussing on the human body, full of hyperbole, and ultimately semantically deeply puzzling. In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bart ngaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In a number of instrumental works he also overtly engaged grotesque satirical strategies, sometimes - as in Two Portraits: 'Ideal' and 'Grotesque' - indicating this in the title. In this book, Julie Brown argues that Bart concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. While Bart eveloped each interest in highly individual ways, and did so separately to a considerable extent, the three concerns remained conceptually interlinked. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bart as composing.
Publisher: Routledge
ISBN: 1351574574
Category : Music
Languages : en
Pages : 193
Book Description
The grotesque is one of art's most puzzling figures - transgressive, comprising an unresolveable hybrid, generally focussing on the human body, full of hyperbole, and ultimately semantically deeply puzzling. In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bart ngaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In a number of instrumental works he also overtly engaged grotesque satirical strategies, sometimes - as in Two Portraits: 'Ideal' and 'Grotesque' - indicating this in the title. In this book, Julie Brown argues that Bart concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. While Bart eveloped each interest in highly individual ways, and did so separately to a considerable extent, the three concerns remained conceptually interlinked. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bart as composing.