Author: MozartPublisher:
ISBN:
Category :
Languages : en
Pages : 8
Book Description
Quartet No. 19 in C Major, K.465 (Violin 1).
Author: MozartQuartet No. 19 in C Major, K.465 (Cello).
Author: MozartGraphic Music Analysis
Author: Eric WenPublisher: Rowman & Littlefield
ISBN: 1538104679
Category : Music
Languages : en
Pages : 390
Book Description
This book approaches Schenkerian analysis in a practical and accessible manner fit for the classroom, guiding readers through a step-by-step process. It is suitable for advanced undergraduates and graduate students of musicology, music theory, composition, and performance, and it is replete with a wide variety of musical examples.
Quartet No. 19 in C Minor, Op. 17, No. 4 (Violin 1).
Author: HaydnIowa Library Quarterly
Author: Iowa State Traveling LibraryPublisher:
ISBN:
Category : Libraries
Languages : en
Pages : 644
Book Description
String Quartet No. 19 in C K465 "dissonance
Author: Wolfgang A. MozartContemporary Counterpoint
Author: Beth DenischPublisher: Hal Leonard Corporation
ISBN: 1540012239
Category : Music
Languages : en
Pages : 184
Book Description
(Berklee Guide). Use counterpoint to make your music more engaging and creative. Counterpoint the relationship between musical voices is among the core principles for writing music, and it has been central to the study of composition for many centuries. Whether you are a composer, arranger, film composer, orchestrator, music director, bandleader, or improvising musician, this book will help hone your craft, gain control, and lead you to new creative possibilities. You will learn "tricks of the trade" from the masters and apply these skills to contemporary styles. Online audio examples illustrate the principles being discussed, and many recommended listening lists point you to additional examples of how these principles have been used in music over the past thousand years.
National Union Catalog
Author: In the Process of Becoming
Author: Janet SchmalfeldtPublisher: Oxford University Press
ISBN: 0190656123
Category : Music
Languages : en
Pages : 350
Book Description
With their insistence that form is a dialectical process in the music of Beethoven, Theodor Adorno and Carl Dahlhaus emerge as the guardians of a long-standing critical tradition in which Hegelian concepts have been brought to bear on the question of musical form. Janet Schmalfeldt's ground-breaking account of the development of this Beethoven-Hegelian tradition restores to the term "form" some of its philosophical associations in the early nineteenth century, when profound cultural changes were yielding new relationships between composers and their listeners, and when music itself-in particular, instrumental music-became a topic for renewed philosophical investigation. Precedents for Adorno's and Dahlhaus's concept of form as process arise in the Athenäum Fragments of Friedrich Schlegel and in the Encyclopaedia Logic of Hegel. The metaphor common to all these sources is the notion of becoming; it is the idea of form coming into being that this study explores in respect to music by Beethoven, Schubert, Mendelssohn, Chopin, and Schumann. A critical assessment of Dahlhaus's preoccupation with the opening of Beethoven's "Tempest" Sonata serves as the author's starting point for the translation of philosophical ideas into music-analytical terms-ones that encourage listening "both forward and backward," as Adorno has recommended. Thanks to the ever-growing familiarity of late eighteenth-century audiences with formal conventions, composers could increasingly trust that performers and listeners would be responsive to striking formal transformations. The author's analytic method strives to capture the dynamic, quasi-narrative nature of such transformations, rather than only their end results. This experiential approach to the perception of form invites listeners and especially performers to participate in the interpretation of processes by which, for example, a brooding introduction-like opening must inevitably become the essential main theme in Schubert's Sonata, Op. 42, or in which tremendous formal expansions in movements by Mendelssohn offer a dazzling opportunity for multiple retrospective reinterpretations. Above all, In the Process of Becoming proposes new ways of hearing beloved works of the romantic generation as representative of their striving for novel, intensely self-reflective modes of communication.
The Stereo Index
Author: William John WilsonPublisher: Praeger
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 232
Book Description
This guide to high quality stereo recordings includes classical works, jazz, popular music, and drama.