An Encyclopedia of the Violin PDF Download

Author: Alberto Bachmann
Publisher:
ISBN:
Category : Cellists
Languages : en
Pages : 508

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Author: Robert Schumann
Publisher: Courier Corporation
ISBN: 0486241017
Category : Music
Languages : en
Pages : 290

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Book Description
"A selection of unabridged works from 'Serie IV. F'ur Streichinstrumente' and 'Serie V. F'ur Pianoforte und andere Instrumente' of the Collected Works Edition (Robert Schumann's Werke. Herausgegeben von Clara Schumann), originally published by Breitkopf & H'artel"--T.p. verso.

Author: Melvin Berger
Publisher: Courier Corporation
ISBN: 0486316726
Category : Music
Languages : en
Pages : 502

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Book Description
Authoritative guide presents 231 of the most frequently performed pieces by 55 composers. A must for music lovers and musicians alike. "No lover of chamber music should be without this Guide." — John Barkham Reviews.

Author: Patrick Kavanaugh
Publisher: Zondervan
ISBN: 0310208076
Category : Biography & Autobiography
Languages : en
Pages : 280

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Book Description
A unique guide to enhance and enrich your enjoyment of classical music, this book is for music lovers who want to better understand the works of the masters.

Author: Stephen Hefling
Publisher: Routledge
ISBN: 1135887616
Category : Music
Languages : en
Pages : 454

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Book Description
Nineteenth Century Chamber Music proceeds chronologically by composer, beginning with the majestic works of Beethoven, and continuing through Schubert, Spohr and Weber, Mendelssohn, Schumann, Brahms, the French composers, Smetana and Dvorák, and the end-of-the-century pre-modernists. Each chapter is written by a noted authority in the field. The book serves as a general introduction to Romantic chamber music, and would be ideal for a seminar course on the subject or as an adjunct text for Introduction to Romantic Music courses. Plus, musicologists and students of 19th century music will find this to be an invaluable resource.

Author: Vera Brodsky Lawrence
Publisher: University of Chicago Press
ISBN: 9780226470160
Category : Biography & Autobiography
Languages : en
Pages : 672

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Book Description
In Strong on Music Vera Brodsky Lawrence uses the diaries of lawyer and music lover George Templeton Strong as a jumping-off point from which to explore every aspect of New York City's musical life in the mid-nineteenth century. This third and final volume ranges across opera, orchestral and chamber music, blackface minstrels, military bands, church choirs, and even concert saloons. Among the many striking scenes vividly portrayed in Repercussions are the rapturous reception of Verdi's Ballo in maschera in 1861; the impact of the Civil War on New York's music scene, from theaters closing as their musicians enlisted to the performance of "The Star-Spangled Banner" at every possible occasion; and open-air concerts in the developing Central Park. Throughout, Lawrence mines a treasure trove of primary source materials including daily newspapers, memoirs, city directories, and architectural drawings. Indispensable for scholars, Repercussions will also fascinate music fans with its witty writing and detailed descriptions of the cultural life of America's first metropolis. Formerly a concert pianist, Vera Brodsky Lawrence spent the last third of her life as a historian of American music (she died in 1996). She was editor of The Piano Works of Louis Moreau Gottschalk and The Complete Works of Scott Joplin. On Volume 1: "A marvelous book. There is nothing like it in the literature of American music."—Harold C. Schonberg, New York Times Book Review On Volume 2: "A monumental achievement."—Victor Fell Yellin, Opera Quarterly

Author: Alfred Music
Publisher: Alfred Music
ISBN: 9781457471179
Category : Music
Languages : en
Pages : 356

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Book Description
Borodin: String Quartet in D Major. Debussy: String Quartet in G minor (Op. 10). Dvorák: Piano Quintet in A Major (Op. 81) * String Quartet in E-flat Major (Op. 51) * String Quartet in F Major (Op. 96) * String Quartet in G Major (Op. 106). Faure: Piano Quartet in C minor (Op. 15). Franck: Piano Quintet in F minor * String Quartet in D Major. Grieg: String Quartet in G minor (Op. 27). Mendelssohn: Piano Trio in D minor (Op. 49) * String Quartet in E-flat Major * String Quartet in D. Schumann: Piano Quartet in E-flat Major (Op. 47) * Piano Quintet in E-flat Major (Op. 44) * Piano Trio in D minor (Op. 63) * String Quartet in A minor (Op. 41) * String Quartet in A Major (Op. 41). Smetana: String Quartet in E minor. Tschaikowsky: Piano Trio in A minor (Op. 50) * String Quartet in F Major. Verdi: String Quartet in E minor.

Author: Abram Loft
Publisher: Hal Leonard Corporation
ISBN: 9781574670783
Category : Music
Languages : en
Pages : 314

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Book Description
(Amadeus). Performer and scholar Abram Loft wants every chamber musician to be a strong, collaborative ensemble voice. Here's his hard-headed advice on choosing colleagues, rehearsing and performing effectively together, building repertoire, programming, touring and other facets of the art and business of a chamber music career. Ranging from hilarious to sobering, this is essential reading for music lovers, amateur players, students, teachers and today's many emerging professional ensembles. Recent events in the field, including some strident litigation, highlight the usefulness of this veteran's realistic counsel.

Author: John Daverio
Publisher: Oxford University Press
ISBN: 0198025211
Category : Biography & Autobiography
Languages : en
Pages : 624

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Book Description
Forced by a hand injury to abandon a career as a pianist, Robert Schumann went on to become one of the world's great composers. Among many works, his Spring Symphony (1841), Piano Concerto in A Minor (1841/1845), and the Third, or Rhenish, Symphony (1850) exemplify his infusion of classical forms with intense, personal emotion. His musical influence continues today and has inspired many other famous composers in the century since his death. Indeed Brahms, in a letter of January 1873, wrote: "The remembrance of Schumann is sacred to me. I will always take this noble pure artist as my model." Now, in Robert Schumann: Herald of a "New Poetic Age," John Daverio presents the first comprehensive study of the composer's life and works to appear in nearly a century. Long regarded as a quintessentially romantic figure, Schumann also has been portrayed as a profoundly tragic one: a composer who began his career as a genius and ended it as a mere talent. Daverio takes issue with this Schumann myth, arguing instead that the composer's entire creative life was guided by the desire to imbue music with the intellectual substance of literature. A close analysis of the interdependence among Schumann's activities as reader, diarist, critic, and musician reveals the depth of his literary sensibility. Drawing on documents only recently brought to light, the author also provides a fresh outlook on the relationship between Schumann's mental illness--which brought on an extended sanitarium stay and eventual death in 1856--and his musical creativity. Schumann's character as man and artist thus emerges in all its complexity. The book concludes with an analysis of the late works and a postlude on Schumann's influence on successors from Brahms to Berg. This well-researched study of Schumann interprets the composer's creative legacy in the context of his life and times, combining nineteenth-century cultural and intellectual history with a fascinating analysis of the works themselves.

Author: Charles Youmans
Publisher: Cambridge University Press
ISBN: 1139828525
Category : Music
Languages : en
Pages : 369

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Book Description
Richard Strauss is a composer much loved among audiences throughout the world, both in the opera house and the concert hall. Despite this popularity, Strauss was for many years ignored by scholars, who considered his commercial success and his continued reliance on the tonal system to be liabilities. However, the past two decades have seen a resurgence of scholarly interest in the composer. This Companion surveys the results, focusing on the principal genres, the social and historical context, and topics perennially controversial over the last century. Chapters cover Strauss's immense operatic output, the electrifying modernism of his tone poems, and his ever-popular Lieder. Controversial topics are explored, including Strauss's relationship to the Third Reich and the sexual dimension of his works. Reintroducing the composer and his music in light of recent research, the volume shows Strauss's artistic personality to be richer and much more complicated than has been previously acknowledged.