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Author: Hamideh Sedghi Publisher: ISBN: 9780511296574 Category : SOCIAL SCIENCE Languages : en Pages : 359
Book Description
Why were urban women veiled in the early 1900s, unveiled from 1936 to 1979, and reveiled after the 1979 revolution? This question forms the basis of Hamideh Sedghi's original and unprecedented contribution to politics and Middle Eastern studies. Using primary and secondary sources, Sedghi offers new knowledge on women's agency in relation to state power. In this rigorous analysis she places contention over women at the centre of the political struggle between secular and religious forces and demonstrates that control over women's identities, sexuality, and labor has been central to the consolidation of state power. Sedghi links politics and culture with economics to present an integrated analysis of the private and public lives of different classes of women and their modes of resistance to state power.
Author: Hamideh Sedghi Publisher: ISBN: 9780511296574 Category : SOCIAL SCIENCE Languages : en Pages : 359
Book Description
Why were urban women veiled in the early 1900s, unveiled from 1936 to 1979, and reveiled after the 1979 revolution? This question forms the basis of Hamideh Sedghi's original and unprecedented contribution to politics and Middle Eastern studies. Using primary and secondary sources, Sedghi offers new knowledge on women's agency in relation to state power. In this rigorous analysis she places contention over women at the centre of the political struggle between secular and religious forces and demonstrates that control over women's identities, sexuality, and labor has been central to the consolidation of state power. Sedghi links politics and culture with economics to present an integrated analysis of the private and public lives of different classes of women and their modes of resistance to state power.
Author: Mounia Chekhab-Abudaya Publisher: Silvana Editoriale ISBN: 9788836635252 Category : Art Languages : en Pages : 183
Book Description
Qajar Women highlights the diversity of women?s representations throughout Qajar artistic production and explores changes in the defining notions of female beauty in modern Islamic art.0Representations of women in the public and private sphere, female musicians, and aristocratic or symbolic women help to demonstrate their centrality in the artistic expression of 19th-century Iran.0Qajar Women offers the opportunity to showcase artworks of the Museum of Islamic Art?s permanent collection that have never been displayed in the past and to contextualise them with historical photographs from the Women?s Worlds in Qajar Iran digital archive of the Harvard University Library, which demonstrate the artistic modernisation in Iran that appeared through both paintings and photography.0The objects range from albums featuring watercolour paintings to exquisite jewels evoking fascinating and rarely-told narratives of the Qajar artistic and social tradition.00Exhibition: Museum of Islamic Art, Doha, Qatar (09.04.-11.06.2017).
Author: Publisher: Syracuse University Press ISBN: 0815651511 Category : Social Science Languages : en Pages : 218
Book Description
At the close of the nineteenth century, modern ideas of democracy and equality were slowly beginning to take hold in Iran. Exposed to European ideas about law, equality, and education, upper- and middle-class men and women increasingly questioned traditional ideas about the role of women and their place in society. In apparent response to this emerging independence of women, an anonymous author penned The Education of Women, a small booklet published in 1889. This guide, aimed at husbands as much as at wives, instructed women on how to behave toward their husbands, counseling them on proper dress, intimacy, and subservience. One woman, Bibi Khanom Astarabadi, took up the author’s challenge and wrote a refutation of the guide’s arguments. An outspoken mother of seven, Astarabadi established the first school for girls in Tehran and often advocated for the rights of women. In The Vices of Men, she details the flaws of men, offering a scathing diatribe on the nature of men’s behavior toward women. Astarabadi mixes the traditional florid style of the time with street Persian, slang words, and bawdy language. This new edition, the first to be translated into English, faithfully preserves the style and irreverent tone of the essays. The two texts, together with an introduction and afterword situating both within the customs, language, and social life of Iran, offer a rare candid dialogue between men and women in late nineteenth-century Persia.
Author: Afsaneh Najmabadi Publisher: Univ of California Press ISBN: 0520242637 Category : History Languages : en Pages : 377
Book Description
"This book is groundbreaking, at once highly original, courageous, and moving. It is sure to have a tremendous impact in Iranian studies, modern Middle East history, and the history of gender and sexuality."—Beth Baron, author of Egypt as a Woman "This is an extraordinary book. It rereads the story of Iranian modernity through the lens of gender and sexuality in ways that no other scholars have done."—Joan W. Scott, author of Gender and the Politics of History
Author: Parviz Tanavoli Publisher: Bloomsbury Publishing ISBN: 1838608486 Category : History Languages : en Pages : 251
Book Description
During the course of the 19th century, a relatively modern medium entered the private space of Iranian houses of the wealthy and became a popular feature of interior design in Persia. This was print media - lithographed images on paper and postcards - and their subject was European women. These idealised images adorned houses across the country throughout the Qajar period and this trend was particularly fashionable in Isfahan and mural decorations at the entrance gate of the Qaysarieh bazaar. The interest in images of Western women was an unusual bi-product of Iran's early political and cultural encounters with the West. In a world where women were rarely seen in public and, even then, were heavily veiled, the notion of European women dressed in - by Iranian standards - elegant and revealing clothing must have sparked much curiosity and some titillation among well-to-do merchants and aristocrats who felt the need to create some association, however remote, with these alien creatures. The introduction of such images began during the Safavid era in the 17th century with frescoes in royal palaces. This spread to other manifestations in the form of tile work and porcelain in the Qajar era, which became a testament to the popularity of this visual phenomenon among Iran's urban elite in the 19th and early 20th century. Parviz Tanavoli, the prominent Iranian artist and sculptor, here brings together the definitive collection of these unique images. European Women in Persian Houses will be essential for collectors and enthusiasts interested in Iranian art, culture and social history.
Author: Staci Gem Scheiwiller Publisher: Routledge ISBN: 1315512114 Category : Art Languages : en Pages : 444
Book Description
Nineteenth-century Iran was an ocularcentered society predicated on visuality and what was seen and unseen, and photographs became liminal sites of desire that maneuvered "betwixt and between" various social spaces—public, private, seen, unseen, accessible, and forbidden—thus mapping, graphing, and even transgressing those spaces, especially in light of increasing modernization and global contact during the nineteenth and early twentieth centuries. Of primary interest is how photographs negotiated and coded gender, sexuality, and desire, becoming strategies of empowerment, of domination, of expression, and of being seen. Hence, the photograph became a vehicle to traverse multiple locations that various gendered physical bodies could not, and it was also the social and political relations that had preceded the photograph that determined those ideological spaces of (im)mobility. In identifying these notions in photographs, one may glean information about how modern Iran metamorphosed throughout its own long durée or resisted those societal transformations as a result of modernization.
Author: David J. Roxburgh Publisher: Yale University Press ISBN: 0300229194 Category : Art Languages : en Pages : 193
Book Description
-This catalogue accompanies the exhibition Technologies of the Image: Art in 19th-Century Iran, on view at the Harvard Art Museums, Cambridge, Massachusetts, from August 26, 2017 through January 7, 2018.-
Author: Maryam Dezhamkhooy Publisher: Springer Nature ISBN: 3031280970 Category : History Languages : en Pages : 140
Book Description
Most scholarship on the nineteenth and early twentieth century Constitutional Revolution in Iran has focused on the role of two groups, intellectuals and the clergy. The role of women has largely been ignored, despite their widespread participation in the Revolution, and existing research on women has mainly focused on their achievements in the realm of women’s rights, which means that other aspects of women’s activism remain un-investigated. The aim of this book is twofold: first, it presents one of the very first studies of women’s resistance strategies and their resistance to consumerism in Iran; second, and in relation to the first objective, it attempts to demonstrate the biased nature of knowledge production in the studies of women in past societies, particularly the role of women in economics. This book therefore explores the public role of women and their efforts to revive Iran’s economy during and after the Constitutional Revolution.
Author: Hamideh Sedghi
Author: Hamideh Sedghi
Author: Mounia Chekhab-Abudaya
Author: 
Author: Afsaneh Najmabadi
Author: Parviz Tanavoli
Author: Nikki R. Keddie
Author: Staci Gem Scheiwiller
Author: David J. Roxburgh
Author: Sivan Balslev
Author: Maryam Dezhamkhooy