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Author: George Bernard Shaw Publisher: ISBN: 0198793286 Category : Social classes Languages : en Pages : 545
Book Description
Pygmalion, Heartbreak House, and Saint Joan are widely considered to be three of the most important in the canon of modern British theatre.Pygmalion (1912) was a world-wide smash hit from the time of its premiere in Vienna 1913 and it has remained popular to this day. Shaw was awarded an Academy Award in 1938 for his screenplay of the film adaptation. It was, of course, later made into the much-loved musical My Fair Lady.Heartbreak House (1917), which was finally performed in 1920 and published in 1921, bares the hallmarks of European modernism and a formal break from Shaw's previous work. A meditation on the war and the resultant decline in European aristocratic culture, it was perhaps staged too soon after theconflict; indeed, it did not have the success of his earlier works, which was likely due to his experimental aesthetics combined with a war-weary audience that sought lighter fare. However, while this contemporary reception was muted, it is now recognised as a modernist masterpiece.Saint Joan (1923) marked Shaw's resurrection and apotheosis. The first major work written of Joan of Arc after her canonization (1920), the play interrogates the origins of European nationalism in the post-war era. Like Pygmalion, it was an immediate world-wide hit and secured Shaw the Nobel Prizefor Literature in 1925. Drawing upon the transcripts of Joan's trial, Shaw blended his trademark wit to produce a hybrid genre of comedy and history play. Despite the historical setting, Saint Joan is highly accessible and continues to delight audiences.
Author: George Bernard Shaw Publisher: ISBN: 0198793286 Category : Social classes Languages : en Pages : 545
Book Description
Pygmalion, Heartbreak House, and Saint Joan are widely considered to be three of the most important in the canon of modern British theatre.Pygmalion (1912) was a world-wide smash hit from the time of its premiere in Vienna 1913 and it has remained popular to this day. Shaw was awarded an Academy Award in 1938 for his screenplay of the film adaptation. It was, of course, later made into the much-loved musical My Fair Lady.Heartbreak House (1917), which was finally performed in 1920 and published in 1921, bares the hallmarks of European modernism and a formal break from Shaw's previous work. A meditation on the war and the resultant decline in European aristocratic culture, it was perhaps staged too soon after theconflict; indeed, it did not have the success of his earlier works, which was likely due to his experimental aesthetics combined with a war-weary audience that sought lighter fare. However, while this contemporary reception was muted, it is now recognised as a modernist masterpiece.Saint Joan (1923) marked Shaw's resurrection and apotheosis. The first major work written of Joan of Arc after her canonization (1920), the play interrogates the origins of European nationalism in the post-war era. Like Pygmalion, it was an immediate world-wide hit and secured Shaw the Nobel Prizefor Literature in 1925. Drawing upon the transcripts of Joan's trial, Shaw blended his trademark wit to produce a hybrid genre of comedy and history play. Despite the historical setting, Saint Joan is highly accessible and continues to delight audiences.
Author: George Bernard Shaw Publisher: Oxford University Press ISBN: 0192511750 Category : Drama Languages : en Pages : 320
Book Description
Pygmalion, Heartbreak House, and Saint Joan are widely considered to be three of the most important in the canon of modern British theatre. Pygmalion (1912) was a world-wide smash hit from the time of its première in Vienna 1913 and it has remained popular to this day. Shaw was awarded an Academy Award in 1938 for his screenplay of the film adaptation. It was, of course, later made into the much-loved musical My Fair Lady. Heartbreak House (1917), which was finally performed in 1920 and published in 1921, bares the hallmarks of European modernism and a formal break from Shaw's previous work. A meditation on the war and the resultant decline in European aristocratic culture, it was perhaps staged too soon after the conflict; indeed, it did not have the success of his earlier works, which was likely due to his experimental aesthetics combined with a war-weary audience that sought lighter fare. However, while this contemporary reception was muted, it is now recognised as a modernist masterpiece. Saint Joan (1923) marked Shaw's resurrection and apotheosis. The first major work written of Joan of Arc after her canonization (1920), the play interrogates the origins of European nationalism in the post-war era. Like Pygmalion, it was an immediate world-wide hit and secured Shaw the Nobel Prize for Literature in 1925. Drawing upon the transcripts of Joan's trial, Shaw blended his trademark wit to produce a hybrid genre of comedy and history play. Despite the historical setting, Saint Joan is highly accessible and continues to delight audiences.
Author: George Bernard Shaw Publisher: Penguin ISBN: 1101157666 Category : Drama Languages : en Pages : 529
Book Description
George Bernard Shaw demanded truth and despised convention. He punctured hollow pretensions and smug prudishness—coating his criticism with ingenious and irreverent wit. In Mrs. Warren’s Profession, Arms and the Man, Candida, and Man and Superman, the great playwright satirizes society, military heroism, marriage, and the pursuit of man by woman. From a social, literary, and theatrical standpoint, these four plays are among the foremost dramas of the age—as intellectually stimulating as they are thoroughly enjoyable. “My way of joking is to tell the truth: It is the funniest joke in the world.”—G. B. Shaw With an Introduction by Eric Bentley and an Afterword by Norman Lloyd
Author: J. L. Wisenthal Publisher: Harvard University Press ISBN: 9780674550858 Category : Drama Languages : en Pages : 284
Book Description
This reading of Bernard Shaw focuses on his habit of seeing the world in terms of contraries, a habit related to his basic rejection of absolutes, his distaste for finality. The author examines nine of Shaw's finest plays: Man and Superman, Major Barbara, John Bull's Other Island, The Doctor's Dilemma, Pygmalion, Misalliance, Heartbreak House, Saint Joan, and Back to Methuselah. The book takes seriously Shaw's claim that all of his characters are "right from their several points of view." We are compelled to respect the qualities and values of opposing and very different characters in these plays, and we also have a sense of their complementary defects. J. L. Wisenthal's commentary sheds light on Shaw's techniques of portrayal as well as his dialectical habit of mind. This finely written essay is for all lovers of Shaw and the theater.
Author: George Bernard Shaw Publisher: Read Books Ltd ISBN: 1473375002 Category : Drama Languages : en Pages : 143
Book Description
This vintage book contains George Bernard Shaw's 1919 play, "Heartbreak House: A Fantasia in the Russian Manner on English Themes". Ellie Dunn, her father, and her fiancé attend one of Hesione Hushabye's notorious dinner parties. However, Ellie's partner is a rake, her father is an idiot, and she has amorous feelings for Hesione's husband. It is an adventurous farrago of comedy, tragedy, and satire that can only lead to disaster. George Bernard Shaw (1856 - 1950) was an Irish playwright who co-founded the London School of Economics. Many antiquarian books like this are increasingly rare and expensive, and it is with this in mind that we are republishing this book now in an affordable, modern edition - complete with a specially commissioned new biography of the author.
Author: George Bernard Shaw Publisher: Oxford University Press ISBN: 0198803834 Category : Irish drama Languages : en Pages : 401
Book Description
Mrs Warren's Profession, Candida, and You Never Can Tell are plays which give a clear sense of the range of Shaw's first forays into playwriting. Together they showcase his early negotiations between his political and social concerns and the constraints and possibilities of the British stageat the fin de siecle.These plays are bound together by shared concerns with gender roles, sexuality, concepts of familial and social duty, and how all these are shaped by wider financial, political, literary, philosophical and theatrical influences.Mrs Warren's Profession is the best known of Shaw's 'Plays Unpleasant', his first exercises in using the theatre as a means to awaken the consciences of morally complacent audiences. Written in 1893 in angry response to the success of A. W. Pinero's sensational hit The Second Mrs Tanqueray and arevival of Dumas's La dame aux camelias, Mrs Warren's Profession did not receive a public performance in Britain until 1925. Shaw's provocative response to the sentimental 'fallen woman' plays that dominated the fin-de-siecle stage was a play in which prostitution was presented not as a question offemale sexual morality, but as a direct result of the systematic economic exploitation of women.Candida (1894), by contrast, was categorised by Shaw as one of his 'Plays Pleasant', but the label was characteristically deceptive. The play appeared at first sight to offer audiences a reassuringly familiar drama of a marriage threatened by an interloper but ultimately reaffirmed when the wiferecognises her true place and her dangerous admirer is sent out into the cold. But, as critics have noted, the play was a re-working by Shaw of Ibsen's A Doll's House in which the husband played the part of the over-protected doll, unaware of the real power dynamics of his marriage.You Never Can Tell (1897) was Shaw's seaside comedy of manners, complete with an all-knowing waiter, exuberant twins, a lovelorn dentist, a long-lost father, lashings of food, and a comic catchphrase to provide the title. Shaw took all these familiar elements of Victorian farce and reworked theminto a modern play of ideas, in which etiquette and ideologies collide. Just as in Wilde's The Importance of Being Earnest (a comparison which Shaw always stubbornly rejected), questions of class, marriage, manners, money, sex and identity underpin the plot of love-at-first-sight, mislaid parentsand reunited families.
Author: George Bernard Shaw Publisher: Oxford University Press ISBN: 0198800711 Category : Languages : en Pages : 465
Book Description
The three plays in this volume are some of George Bernard Shaw's most popular and frequently performed works. They demonstrate the development of Shavian comedy and contain early formulations of his idea of the Superman, an extraordinary individual who catalyzes the evolution of mankind.Arms and the Man (1894) was Shaw's first commercial success and the first public confirmation that he could make playwriting his profession. It is the first of what Shaw called his "pleasant plays", comedies that critique idealism in general rather than specific social problems (as his earlier playsdid). Specifically, Shaw undermines the romance of wartime courage, reckless heroism, and nationalist pride among British spectators while using the Serbo-Bulgarian War of 1886 as an exotic veneer.Shaw wrote The Devil's Disciple (1897) for William Terriss, an actor known for his swashbuckling roles who had requested a play that would "contain every 'surefire" melodramatic situation' - mistaken identities, terrifying adventures and last-second escapes, and frequent emotional outpourings..Caesar and Cleopatra (1898) is Shaw's revision of Shakespeare's Julius Caesar and Antony and Cleopatra as well as a fusion of the pragmatism and unconventionality of the heroes of Arms and the Man and The Devil's Disciple into a portrait of jocular, morally serious leadership.
Author: Bernard Shaw Publisher: Oxford University Press ISBN: 0198809948 Category : Languages : en Pages : 529
Book Description
The four dramas in this volume are some of George Bernard Shaw's most interesting plays. They stretch from 1929 to 1935 and coincide with the Great Depression, the intensification of the crisis of democracy that began after the war, and the rise of totalitarianism, all of which find expressionin these plays. They also signal the beginning of an important new phase in Shaw's writing, one marked especially by the development of two new Shaw genres: the political extravaganza and the political allegory.The Apple Cart (1929) marked Shaw's return to playwriting after the long hiatus that followed Saint Joan (1923). The Apple Cart is perhaps the most pointed critique of parliamentary democracy in the entire Shavian canon.Too True to Be Good (1931) is another 'political extravaganza', with the opening stage direction - 'The patient is sleeping heavily. Near her, in the easy chair, sits a Monster' - signaling that Shaw is advancing further into uncharted dramaturgical territory. He began writing shortly before histrip to the Soviet Union and finished the play and wrote the preface after his return. In the preface Shaw asserts that the USSR is a new Catholic church.The dark mood continues in Shaw's next play, On the Rocks (1933) which Shaw subtitled, 'a political comedy'. It is reminiscent of The Apple Cart in that it is sharply focused on British politics and set in the Cabinet Room at 10 Downing Street during the economic depression of the 1930s.Shaw started writing The Millionairess in 1934 and finished it in 1935. On the surface, it is a simple comedy, and if not for the preface we might acquiesce to Shaw's assessment that the play 'oes not pretend to be anything more than a comedy of humorous and curious contemporary characters such asBen Jonson might write'. Yet the preface appended to the play is entirely about leadership and declaims at great length on Mussolini and Hitler.
Author: Philip Coleman Publisher: Bloomsbury Publishing USA ISBN: 1851096191 Category : History Languages : en Pages : 1025
Book Description
This work is a distinctive, multidisciplinary encyclopedia covering the cultural, political, economic, musical, and literary impact that Ireland and the nations of the Americas have had on one another since the time of Brendan the Navigator. Ireland and the Americas: Culture, Politics, and History aims to broaden the traditional notion of 'Irish-American' beyond Boston, New York, and Chicago. In additional to full coverage of Irish culture in those settings, it reveals the pervasive Irish influence in everything from the settling of the American West, to the spread of Christianity throughout the hemisphere, to Irish involvement in revolutionary movements from the American colonies to Mexico to South America. In addition, the encyclopedia shows the profound impact of Irish Americans on their homeland, in everything from art and literature informed by the emigrant experience, to efforts by Irish Americans to influence Irish politics. Ranging from colonial times to the present, and informed by the surge of academic interest in the past 30 years, Ireland and the Americas is the definitive resource on the profound ties that bind the cultures of Ireland, the United States, Canada, and Latin America.
Author: George Bernard Shaw
Author: George Bernard Shaw
Author: George Bernard Shaw
Author: George Bernard Shaw
Author: J. L. Wisenthal
Author: George Bernard Shaw
Author: George Bernard Shaw
Author: George Bernard Shaw
Author: Bernard Shaw![Ireland and the Americas [3 volumes] PDF](https://books.google.com/books/content/images/frontcover/MOTNEAAAQBAJ?fife=w80-h100)
Author: Philip Coleman
Author: Jane Milling