Author: Bryce Beattie Publisher: Createspace Independent Publishing Platform ISBN: 9781719584913 Category : Languages : en Pages : 174
Book Description
Learn from some of the fiction writing greats of yesteryear! This book contains 17 articles written by pulp era authors, helping you learn: - Several methods of plotting a story - How to make your characters memorable - How to study your genre - How to write a fight sequence - Tips for revising your novel - And much more...
Author: James Scott Bell Publisher: ISBN: 9780910355377 Category : Languages : en Pages :
Book Description
Type Hard. Type Fast. Make Dough. That was the formula of old-school pulp fiction-plot-driven, popular and gobbled up by a reading public hungry for more. And it produced many writers who hammered out a living selling "cash-and-carry" stories and novels. Some of these writers were among the best America has ever produced. Writers like Raymond Chandler, Dashiell Hammett and John D. MacDonald. Others are numbered among the bestselling authors of all time, including Erle Stanley Gardner, Lester Dent, and Frederick Faust (better known by his pen name, Max Brand). What were the secrets of these successful pulp writers? And how can any writer, of any genre, use them to produce fiction that sells? How to Write Pulp Fiction will teach you: - how to be more prolific - the secrets of pulp plotting - how to elevate your pulp prose - the fiction "formulas" of some of the best pulp writers of all time - the bestselling genres - how to harness the power of the series character - the most effective publishing strategies - how to market your pulp fiction Added bonus! The Start-A-Plot Machine, a brainstorming partner that will help you instantly generate a story or novel idea. You'll never again wonder what to write next. There has never been a better time to be a writer. By tapping into the vibe of the pulp writers of old, and making use of the tools of publication available now, any hard-working writer has a serious shot at realizing steady income from their fiction. "James Scott Bell is my go-to writing guru!" - Terri Blackstock, New York Times bestselling writer
Author: Brooks E. Hefner Publisher: U of Minnesota Press ISBN: 1452966788 Category : Literary Criticism Languages : en Pages : 249
Book Description
A deep dive into mid-century African American newspapers, exploring how Black pulp fiction reassembled genre formulas in the service of racial justice In recent years, Jordan Peele’s Get Out, Marvel’s Black Panther, and HBO’s Watchmen have been lauded for the innovative ways they repurpose genre conventions to criticize white supremacy, celebrate Black resistance, and imagine a more racially just world—important progressive messages widely spread precisely because they are packaged in popular genres. But it turns out, such generic retooling for antiracist purposes is nothing new. As Brooks E. Hefner’s Black Pulp shows, this tradition of antiracist genre revision begins even earlier than recent studies of Black superhero comics of the 1960s have revealed. Hefner traces it back to a phenomenon that began in the 1920s, to serialized (and sometimes syndicated) genre stories written by Black authors in Black newspapers with large circulations among middle- and working-class Black readers. From the pages of the Pittsburgh Courier and the Baltimore Afro-American, Hefner recovers a rich archive of African American genre fiction from the 1920s through the mid-1950s—spanning everything from romance, hero-adventure, and crime stories to westerns and science fiction. Reading these stories, Hefner explores how their authors deployed, critiqued, and reassembled genre formulas—and the pleasures they offer to readers—in the service of racial justice: to criticize Jim Crow segregation, racial capitalism, and the sexual exploitation of Black women; to imagine successful interracial romance and collective sociopolitical progress; and to cheer Black agency, even retributive violence in the face of white supremacy. These popular stories differ significantly from contemporaneous, now-canonized African American protest novels that tend to represent Jim Crow America as a deterministic machine and its Black inhabitants as doomed victims. Widely consumed but since forgotten, these genre stories—and Hefner’s incisive analysis of them—offer a more vibrant understanding of African American literary history.
Author: William Wallace Cook Publisher: Norton Creek Press ISBN: 0981928471 Category : Plots (Drama, novel, etc.) Languages : en Pages : 308
Book Description
Have you struggled to expand your initial idea into a complete story? Plotting can be frustrating work! What if there were a tool for this very problem, so you could navigate these uncharted waters as quickly as possible? A tool that starts with what you have (a situation, perhaps, or a group of characters) and sets you on the road to new possibilities? Plotto does all this. Created by a master of organized creativity, William Wallace Cook (one of the most prolific writers in history), Plotto has been prized by professional authors and screenwriters since its publication in 1928, and is still in demand today, with copies of the original edition selling for up to $400. This Norton Creek Edition is an exact reproduction of Cook's work. To keep the book down to a manageable size (300 pages of very small type) while retaining its powerful features, Cook uses a telegraphic format that takes some getting used to, so working your way carefully through the introduction and its examples is the key to professional-quality results. Because Plotto was written in the Twenties, its situations can seem old-fashioned and its terminology politically incorrect, but these problems are more apparent than real. Cook himself wrote both westerns and early classics of science fiction, so you see how replacing stagecoach with star ship or dance hall girl with male stripper are within the reach of anyone using the Plotto system, and, in fact, this kind of substitution is how the book is intended to be used, and is the key to its flexibility and enduring popularity.
Author: Icy Sedgwick Publisher: Beat to a Pulp ISBN: 9781943035151 Category : Fiction Languages : en Pages : 146
Book Description
The search for a murderous outlaw has brought the long roving Grey O'Donnell near to his hometown of Retribution, Arizona. Bounty hunters might not be popular but old fashioned manners, kindness to regular folk and a face for the ladies make Grey an exception when he rides into town. Grey has a job to do, upholding the law when others won't, like the odious Jasper Roberts who has made himself Sheriff of Retribution and who has a personal score to settle with Grey.
Author: Lee Server Publisher: Infobase Publishing ISBN: 1438109121 Category : Literary Collections Languages : en Pages : 321
Book Description
Provides an introduction to American pulp fiction during the twentieth century with brief author biographies and lists of their works.
Author: Ed Hulse Publisher: Createspace Independent Publishing Platform ISBN: 9781491010938 Category : Pulp literature, American Languages : en Pages : 0
Book Description
During the 20th century's first half, millions of Americans flocked to newsstands every month in search of thrills provided by all-fiction magazines printed on cheap pulp paper. These periodicals introduced and popularized such famous characters as Tarzan, Zorro, Sam Spade, Buck Rogers, Doc Savage, Hopalong Cassidy, and Conan the Barbarian, to name just a few. The producers of pulp fiction churned out their vigorous and occasionally outre stories at a feverish pace, generally for a mere penny per word. Some eventually graduated from the pulps to become world-famous, best-selling authors-among them Edgar Rice Burroughs, Max Brand, Erle Stanley Gardner, Ray Bradbury, Louis L'Amour, Dashiell Hammett, and Raymond Chandler. Often derided in their own time, the "rough paper" magazines had an incalculable effect on American pop culture. They gave birth to modern science fiction and the hardboiled detective story, but also to plot devices, character types, and storytelling innovations that live on in today's most popular novels, movies, and TV shows. Illustrated with more than 600 magazine covers and original paintings, THE BLOOD 'N' THUNDER GUIDE TO PULP FICTION presents a complete and lively history of this unique literary form, covering genres individually and identifying key titles, authors, and stories. It also offers advice on collecting the vintage magazines and directs readers to recently published reprints of classic pulp."
Author: Ellen Gruber Garvey Publisher: Oxford University Press ISBN: 0199986355 Category : Literary Criticism Languages : en Pages : 315
Book Description
Men and women 150 years ago grappled with information overload by making scrapbooks-the ancestors of Google and blogging. From Abraham Lincoln to Susan B. Anthony, African American janitors to farmwomen, abolitionists to Confederates, people cut out and pasted down their reading. Writing with Scissors opens a new window into the feelings and thoughts of ordinary and extraordinary Americans. Like us, nineteenth-century readers spoke back to the media, and treasured what mattered to them. In this groundbreaking book, Ellen Gruber Garvey reveals a previously unexplored layer of American popular culture, where the proliferating cheap press touched the lives of activists and mourning parents, and all who yearned for a place in history. Scrapbook makers documented their feelings about momentous public events such as living through the Civil War, mediated through the newspapers. African Americans and women's rights activists collected, concentrated, and critiqued accounts from a press that they did not control to create "unwritten histories" in books they wrote with scissors. Whether scrapbook makers pasted their clippings into blank books, sermon collections, or the pre-gummed scrapbook that Mark Twain invented, they claimed ownership of their reading. They created their own democratic archives. Writing with Scissors argues that people have long had a strong personal relationship to media. Like newspaper editors who enthusiastically "scissorized" and reprinted attractive items from other newspapers, scrapbook makers passed their reading along to family and community. This book explains how their scrapbooks underlie our present-day ways of thinking about information, news, and what we do with it.
Author: Bryce Beattie
Author: James Scott Bell
Author: Brooks E. Hefner
Author: William Wallace Cook
Author: Icy Sedgwick
Author: Lee Server
Author: Mary Johnston
Author: Ed Hulse
Author: Ellen Gruber Garvey
Author: Stephen Jones