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Author: Zora Gilbert Publisher: ISBN: 9780997664300 Category : Graphic novels Languages : en Pages : 268
Book Description
DATES is an anthology of positive queer historical fiction, set throughout time and across the world. This is Volume 2! Watch a young trans woman grow into herself in 19th century Bengal, or a young woman from the 1920s Dominican Republic study to become a doctor. Or, if you're interested in a raucous good time, join two innkeepers as they stand their ground in Mesopotamia during Hammurabi's reign. In DATES 2, 35 amazing creators have come together to tell stories about personal, societal, and technological progress, creating a total of 218 pages of comics, 16 stunning color illustrations, and 2 short prose stories.
Author: Katie Kerr Publisher: ISBN: 9780473544782 Category : xxx Languages : en Pages : 295
Book Description
On the periphery of Aotearoa New Zealand's publishing scene, there is a rich and varied cottage industry of small press publishers. They work in collaboration, in gaps between paid gigs and with the support of like-minded peers: poets who print, curators-cum-editors, self-publishing photographers, and cross-disciplinary designers. From this rich set of makers come books that are inventive. Books that are attentive and thoughtful. Books that are often genre-bending and indeterminate. Books that are exquisitely designed. Books that exist as beautiful objects, often made to be admired rather than mass-produced. Despite the huge costs of printing, and even bigger challenges of distribution, alternative publishing in Aotearoa is thriving. Dwelling in the Margins introduces the leading figures of independent publishing in their own words.
Author: Richard Swenson Publisher: Tyndale House ISBN: 1615214755 Category : Religion Languages : en Pages : 240
Book Description
Margin is the space that once existed between ourselves and our limits. Today we use margin just to get by. This book is for anyone who yearns for relief from the pressure of overload. Reevaluate your priorities, determine the value of rest and simplicity in your life, and see where your identity really comes from. The benefits can be good health, financial stability, fulfilling relationships, and availability for God’s purpose.
Author: Jeremy Groskopf Publisher: Indiana University Press ISBN: 0253059364 Category : Performing Arts Languages : en Pages : 295
Book Description
Between the advent of print advertising and the dawn of radio came cinema ads. These ads, aimed at a captive theater audience, became a symbol of the developing binary between upper-class film consumption and more consumerist media. In Profit Margins, Jeremy Groskopf examines how the ad industry jockeyed for direct advertisement space in American motion pictures. In fact, advertisers, who recognized the import of film audiences, fought exhibitors over what audiences expected in a theater outing. Looking back at these debates in four case studies, Groskopf reveals that advertising became a marker of class distinctions in the cinema experience as the film industry pushed out advertisers in order to create a space free of ads. By restricting advertising, especially during the rise of high-class, palatial theaters, the film industry continued its ongoing effort to ascend the cultural hierarchy of the arts. An important read for film studies and the history of marketing, Profit Margins exposes the fascinating truth surrounding the invention of cinema advertising techniques and the resulting rhetoric of class division.
Author: Sergio Puig Publisher: Cambridge University Press ISBN: 1108497640 Category : Law Languages : en Pages : 167
Book Description
This book explores how Indigenous Peoples are impacted by globalization and the cult of the individual that often accompanies the phenomenon.
Author: Michele Lancione Publisher: Routledge ISBN: 1317063996 Category : Political Science Languages : en Pages : 348
Book Description
Experimenting with new ways of looking at the contexts, subjects, processes and multiple political stances that make up life at the margins, this book provides a novel source for a critical rethinking of marginalisation. Drawing on post-colonialism and critical assemblage thinking, the rich ethnographic works presented in the book trace the assemblage of marginality in multiple case-studies encompassing the Global North and South. These works are united by the approach developed in the book, characterised by the refusal of a priori definitions and by a post-human and grounded take on the assemblage of life. The result is a nuanced attention to the potential expressed by everyday articulations and a commitment to produce a processual, vitalist and non-normative cultural politics of the margins. The reader will find in this book unique challenges to accepted and authoritative thinking, and provides new insights into researching life at the margins.
Author: Melissa Ferguson Publisher: Thomas Nelson ISBN: 0785231080 Category : Fiction Languages : en Pages : 321
Book Description
You’ve Got Mail meets The Proposal—this romance is one for the books. Savannah Cade’s dreams are coming true. The Claire Donovan, editor-in-chief of the most successful romance publishing company in the country, has requested to see the manuscript Savannah’s been secretly writing. The only problem: she’s an editor for a different company, and their philosophy is only highbrow works are worth printing and romance should be reserved for the lowest level of Dante’s inferno. But when Savannah drops her manuscript during a staff meeting and nearly exposes herself to the whole company—including William Pennington, the new boss and son of the romance-despising CEO herself—she has no choice but to hide the manuscript in a hidden room. When she returns, she’s dismayed to discover that someone has not only been in her hidden nook but has written notes in the margins—quite critical ones. But when Claire’s own reaction turns out to be nearly identical to the scribbled remarks, and worse, Claire announces that Savannah has six weeks to resubmit before she retires, Savannah finds herself forced to seek the help of the shadowy editor after all. As their notes back and forth start to fill up the pages, however, Savannah finds him not just becoming pivotal to her work but her life. There’s no doubt about it: she’s falling for her mystery editor. If she only knew who he was. “Meet Me in the Margins is a delightfully charming jewel of a book that fans of romantic comedy won’t be able to put down!” — Kristy Woodson Harvey, New York Times bestselling author of Under the Southern Sky
Author: Kate Eichhorn Publisher: MIT Press ISBN: 0262033968 Category : Art Languages : en Pages : 216
Book Description
How xerography became a creative medium and political tool, arming artists and activists on the margins with an accessible means of making their messages public. This is the story of how the xerographic copier, or “Xerox machine,” became a creative medium for artists and activists during the last few decades of the twentieth century. Paper jams, mangled pages, and even fires made early versions of this clunky office machine a source of fear, rage, dread, and disappointment. But eventually, xerography democratized print culture by making it convenient and affordable for renegade publishers, zinesters, artists, punks, anarchists, queers, feminists, street activists, and others to publish their work and to get their messages out on the street. The xerographic copier adjusted the lived and imagined margins of society, Eichhorn argues, by supporting artistic and political expression and mobilizing subcultural movements. Eichhorn describes early efforts to use xerography to create art and the occasional scapegoating of urban copy shops and xerographic technologies following political panics, using the post-9/11 raid on a Toronto copy shop as her central example. She examines New York's downtown art and punk scenes of the 1970s to 1990s, arguing that xerography—including photocopied posters, mail art, and zines—changed what cities looked like and how we experienced them. And she looks at how a generation of activists and artists deployed the copy machine in AIDS and queer activism while simultaneously introducing the copy machine's gritty, DIY aesthetics into international art markets. Xerographic copy machines are now defunct. Office copiers are digital, and activists rely on social media more than photocopied posters. And yet, Eichhorn argues, even though we now live in a post-xerographic era, the grassroots aesthetics and political legacy of xerography persists.
Author: David C. Greetham
Author: David C. Greetham
Author: Zora Gilbert
Author: Katie Kerr
Author: Richard Swenson
Author: Rose L. Chou
Author: Jeremy Groskopf
Author: Sergio Puig
Author: Michele Lancione
Author: Melissa Ferguson
Author: Kate Eichhorn