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Author: Helen Merritt Publisher: University of Hawaii Press ISBN: 9780824817329 Category : Crafts & Hobbies Languages : en Pages : 380
Book Description
"[An] impressive volume, with a valuable amount of information not otherwise available in one source." --Choice Companion volume to Merritt's Modern Japanese Woodblock Prints. This volume is a reference work that is both comprehensive and rigorously chronological.
Author: Helen Merritt Publisher: University of Hawaii Press ISBN: 9780824817329 Category : Crafts & Hobbies Languages : en Pages : 380
Book Description
"[An] impressive volume, with a valuable amount of information not otherwise available in one source." --Choice Companion volume to Merritt's Modern Japanese Woodblock Prints. This volume is a reference work that is both comprehensive and rigorously chronological.
Author: Andreas Marks Publisher: Tuttle Publishing ISBN: 1462905994 Category : Art Languages : en Pages : 994
Book Description
Japanese woodblock prints, or ukiyo-e, are the most recognizable Japanese art form. Their massive popularity has spread from Japan to be embraced by a worldwide audience. Covering the period from the beginning of the Japanese woodblock print in the 1680s until the year 1900, Japanese Woodblock Prints provides a detailed survey of all the famous ukiyo-e artists, along with over 500 full-color prints. Unlike previous examinations of this art form, Japanese Woodblock Prints includes detailed histories of the publishers of woodblock prints--who were often the driving force determining which prints, and therefore which artists, would make it into mass circulation for a chance at critical and popular success. Invaluable as a guide for ukiyo-e enthusiasts looking for detailed information about their favorite Japanese woodblock print artists and prints, it is also an ideal introduction for newcomers to the world of the woodblock print. This lavishly illustrated book will be a valued addition to the libraries of scholars, as well as the general art enthusiast.
Author: Andreas Marks Publisher: Tuttle Publishing ISBN: 1462905994 Category : Art Languages : en Pages : 994
Book Description
Japanese woodblock prints, or ukiyo-e, are the most recognizable Japanese art form. Their massive popularity has spread from Japan to be embraced by a worldwide audience. Covering the period from the beginning of the Japanese woodblock print in the 1680s until the year 1900, Japanese Woodblock Prints provides a detailed survey of all the famous ukiyo-e artists, along with over 500 full-color prints. Unlike previous examinations of this art form, Japanese Woodblock Prints includes detailed histories of the publishers of woodblock prints--who were often the driving force determining which prints, and therefore which artists, would make it into mass circulation for a chance at critical and popular success. Invaluable as a guide for ukiyo-e enthusiasts looking for detailed information about their favorite Japanese woodblock print artists and prints, it is also an ideal introduction for newcomers to the world of the woodblock print. This lavishly illustrated book will be a valued addition to the libraries of scholars, as well as the general art enthusiast.
Author: Rebecca Salter Publisher: University of Hawaii Press ISBN: 9780824825539 Category : Crafts & Hobbies Languages : en Pages : 132
Book Description
Of all the sophisticated traditional arts and crafts of Japan, woodblock prints are probably the most widely known in the West. The bold yet refined compositions are as fresh to the Western eye today as they were when they first came to the attention of the Impressionists in the nineteenth century. With their fluid lines, intricate carving and delicate colors, Japanese prints are still as fascinating as ever. In this book, Rebecca Salter takes us through the history of the Japanese woodblock, discusses the materials, tools, and papers available (and their Western equivalents) and shows how to get the most out of them through interesting step-by-step projects. The work of an international group of artists shows the varied and exciting prints being produced today.
Author: Kurt Meissner Publisher: Tuttle Publishing ISBN: 1462912559 Category : Art Languages : en Pages : 246
Book Description
With dozens of classic miniature Japanese woodblock prints and informative text, this Japanese art book is an essential for print collectors. Of the many genres of ukio-e, perhaps the least known is that of the diminutive surimono produced by Utamaro, Kiyonaga, Hokusai, Hiroshige, and others. They were the small, relatively little-known woodblock prints of the Tokugawa era, produced in smaller numbers and better quality than the ukiyo-e prints as we know them today. This beautifully illustrated book, a collector's item, is based on the author's private collection of more than sixty years. It is a unique introduction to the background and aesthetic appreciation of the rare and elegant art form. Included in the pages are notes on technique, terminology, surimono collecting and commissioning, as well as biographies of known surimono artists, and a detailed list of surimono catalogs and exhibitions. The text is supplemented by 33 color plates, Index Glossary, and Annotated Bibliography.
Author: Chazen Museum of Art Publisher: Chazen Museum of Art ISBN: 9780932900647 Category : Art Languages : en Pages : 154
Book Description
Color woodcut printmaking was not new to Britain, America, or Japan in the late eighteenth century. Yet after Japan was opened to the West in 1854 and deeper cultural exchange began, Japanese prints captured the European and American imagination. The fresh colors, simplicity of materials, and departure from traditional compositions entranced western artists and the public alike. Likewise, Japanese audiences and artists were intrigued by the styles and techniques of western art, which was broadly available in Japan by the end of the nineteenth century. Artists there created images of the strange foreigners and imagined what American cities looked like. By the beginning of the twentieth century, artists were not content to merely imagine what the other side of the world looked like. As prints traveled around the globe for study so did artists, and with them spread the tricks and techniques of color woodblock printmaking as well as appreciation for the prints. Woodblock printmakers in the West started to investigate Japanese processes, and Japanese publishers began to seriously seek out the print market outside of Japan. Important themes began to emerge; scenes of nature and old-fashioned architecture outnumbered modern city views, and images of animals were nearly as popular as those of human figures. Imagery was often idyllic and beautiful, attractive to an international audience. Twentieth-century art, however, moves at a furious pace, and the ferment of the international woodcut style quickly ran its course. Artists appropriated what they needed from the color woodcut, then developed techniques, subjects, and styles in their own ways. An ever-expanding range of prints became indebted to the artists of the previous generation who had reinvigorated woodblock printmaking styles and practices around the world. This full-color catalogue includes many prints from this colorful exhibition and shows how the progression of styles became more similar as international artists learned from and competed with each other, then stylistically diverged as artists of each country took what they learned in new directions. The three essays each focus on the influences and contributions made to the international style by three countries: Japan, Britain, and America.
Author: Frederick Harris Publisher: Tuttle Publishing ISBN: 1462906141 Category : Art Languages : en Pages : 195
Book Description
The art of Japanese woodblock printing, known as ukiyo-e ("pictures of the floating world"), reflects the rich history and way of life in Japan hundreds of years ago. Ukiyo-e: The Art of the Japanese Print takes a thematic approach to this iconic Japanese art form, considering prints by subject matter: geisha and courtesans, kabuki actors, sumo wrestlers, erotica, nature, historical subjects and even images of foreigners in Japan. An artist himself, author Frederick Harris--a well-known American collector who lived in Japan for 50 years--pays special attention to the methods and materials employed in Japanese printmaking. The book traces the evolution of ukiyo-e from its origins in metropolitan Edo (Tokyo) art culture as black and white illustrations, to delicate two-color prints and multicolored designs. Advice to admirers on how to collect, care for, view and buy Japanese ukiyo-e woodblock prints rounds out this book of charming, carefully selected prints.
Author: April Vollmer Publisher: Watson-Guptill ISBN: 0770434819 Category : Art Languages : en Pages : 258
Book Description
An inspirational how-to course on Japanese woodblock printing's history and techniques, with guidance on materials and studio practices, step-by-step demonstrations, and examples of finished works by modern masters of the medium as well as historic pieces. A Modern Guide to the Ancient Art of mokuhanga An increasingly popular yet age-old art form, Japanese woodblock printing (mokuhanga) is embraced for its non-toxic character, use of handmade materials, and easy integration with other printmaking techniques. In this comprehensive guide, artist and printmaker April Vollmer—one of the best known mokuhanga practitioners and instructors in the West—combines her deep knowledge of this historic printmaking practice with expert step-by-step instruction, guidance on materials and studio practices, and a diverse collection of prints by leading contemporary artists. At once practical and inspirational, this handbook is as useful to serious printmakers and artists as it is to creative people drawn to Japanese history and aesthetics.
Author: Halina Zawiszová Publisher: Palacký University Olomouc ISBN: 8024462702 Category : Social Science Languages : en Pages : 552
Book Description
This volume consists of 19 chapters that reflect the titular theme - Voiced and Voiceless in Asia - from a variety of angles, making use of diverse scholarly approaches and disciplines, while focusing specifically on China, India, Japan, and Taiwan. The chapters are broadly divided into two parts: (1) Politics and Society, and (2) Arts and Literature, although the texts included in the second part also deal with social themes. In addition to historical topics, such as Japanese colonialism or Chinese agricultural reforms in the 1950s, the volume also addresses current issues, including restrictive Chinese policies in Xinjiang, Japanese activist movements against gender-based violence and discrimination, or the problems of migrant laborers in India and performing arts in Japan during the COVID-19 pandemic. Likewise, it provides insight into satirical woodblock prints from the Boshin War period or works of literature produced in Japanese leprosariums in the first half of the 20th century, as well as into selected topics in contemporary Chinese, Japanese, and Sinophone Tibetan literature. Collectively, the chapters comprised in this volume narrate the multifaceted relationship between 'voice' and 'power,' thus highlighting the fact that the question of 'voice' is closely intertwined with a variety of social, political, and cultural issues.
Author: Helen Merritt
Author: Helen Merritt
Author: Andreas Marks
Author: Rebecca Salter
Author: Lucille R. Webber
Author: Kurt Meissner
Author: Chazen Museum of Art
Author: Frederick Harris
Author: April Vollmer
Author: Halina Zawiszová